Writing 101: It Doesn't Get Easier

Authors are artists who paint with words instead of colors. And artists, by nature, are sensitive types. When you first start publishing, you're going to feel a lot of self-doubt. You'll be wounded by negative reviews. You'll be hurt by rejection. You'll agonize over decisions, and question your books and your writing skills again and again. But here's what you have to know about it: being an author doesn't get any easier. 

They're All Going To Laugh At You

What if they don't like it? What if everyone says it's terrible? What if you had written something else, instead? These questions will go through your mind when you write books, because this goes through every author's mind. But it doesn't matter how many books you publish. Questions like this will always go through your mind. 

Writing 101: Life Experience

Have you ever been really, really, really hungry? Have you ever stayed awake for 48 hours in a row? Did you break a bone? Did you fall in love...or fall out of it? Well, why don't you write it?

Life Experience

When you're a writer, you're going to hear the phrase life experience a lot. But you don't have to go to Italy or kill a guy in order to get life experience. Everything you've ever been through, no matter how seemingly mundane it is, can help you write a book. If you've felt hunger, if you've worked out until your muscles ached, if you've smelled the perfumed scent of a cigar -- all of it, any of it, can lend rich details to your book. And the other stuff that you haven't done? Well...you can use research for that. 

Writing 101: Pre-Orders, Will They Work with Self-Publishing?

Pre-orders work for big-name titles like Harry Potter and The Hunger Games, but what about for you? If you do a long pre-order, won't all your fans end up owning your book before the actual publish date? What would you do then?

Selling, Before You Start Selling

Smashwords and Amazon, which are both very indie-friendly sites, both offer pre-order options that allow customers to pay for the book even before it's published. According to market research, books that are available through the pre-order option tend to sell more copies overall than the books that do not. And you need to know that, because the numbers also show that most indie authors don't use it. Why?

Writing 101: You and I

When you and I talk about grammar, it confuses things for you and me. When do you use which, and how do you tell the difference?

Me and I

In order to know when to use I and when to choose me instead, you've got to know the difference between the two. They're both pronouns, but they're different types of pronouns. You see, I is a subject pronoun. Me is an object pronoun. So...what the heck does that mean?

Writing101: Always Be Writing?

I'm not shy about the fact that I go on the prowl for writing tips. You're never done learning. But sometimes, the tips I find completely baffle me. The ones see most often is just perfect for a bumper sticker: always be writing. But as someone who actually always is writing, I've got to say it: this is a bad tip. 

...Because You'd Die

This is yet another of those post where I'm going to tell you to do the exact opposite of what I do. I am a cautionary tale. Because I'm so always writing, I had to compose this blog post on two different devices. I literally can't move about my own home without writing something. Always be writing is nice and trite when you're writing something for Twitter, but as someone who has put this insane notion into practice I can assure you, it's terrible.

Writing 101: Answering Questions About Your Book

Can you tell me about your book in 10 words or less? If you can't, figure out how to do it right now. Because people are going to ask you questions about your books. When they do, your answers need to be short and to the point. Otherwise, the person asking will lose interest...and they definitely won't read the book, then. 

10 Words or Less

A story of deception, murder and self-discovery.

A world where life is already mapped out for you.

What happens when a world of lies comes crashing down?

Each one of those lines describes one of my books, and they do it in 10 words or less. If you feel any interest or curiosity at all about those lines, I've done my job. If someone asked me what is your book about, I could answer with one of these lines and call it day. And that's exactly what I would do. Save the much longer answer for the blurb. The shorter answers you get to use everywhere else.

Writing 101: Consistent Perspective

It doesn't matter which perspective you choose to write from. You're the author, so you can choose to give the readers any viewpoint you want. But whatever you choose, you do have to choose. Keep your perspective consistent, no matter what you do.

Uneven

I made one of my usual epically bad movie choices, just over the weekend. I thought it was going to be good because it looked romantic and it had an actress that I admire, but that's beside the point. The point is that the movie committed to a specific perspective from the first, and stuck with it through three-fourths of the film. There was a dedicated narrator, and everything. So imagine my shock and confusion when the perspective shifted, for just one scene, to someone else entirely. That's called uneven storytelling, and that's not the sort of thing I want to find in books. 

Dropped My Balls

At the outset of the week, I was fully prepared to add new writing tips to the blog. I was going to get back to tweeting regularly after my vacation lapse. I was even going to get back on track with my newest novel. I was going to do all kinds of stuff. But then, I dropped my balls. 

It's a danger all indie authors face. Sometimes, we just keep too many of them up in the air. 

Wish You Were Here...

So there will be no new tips this week, and I can't even make any promises about next week. I'm going to do my best to pick my balls back up and get them back up in the air. I hope to get back to juggling them successfully. But I'm an indie author. 

So, really, I have no idea what next week is going to bring.

Something's Missing...

Regular readers will notice there is no Writing 101 post today, and you'll see that it won't be here tomorrow, either. You may not find me on Twitter, and you can't expect me to post the tip later today. Because I'm not here. 

I'm on vacation! To find out why, re-cap on one of my recent blog posts. Feel free to use these vacation days to catch up on all my Writing 101 tips, and don't get too complacent! I'll be back later this week to share more horror stories, give more advice and tell you what I've learned from my many, many writing mistakes.

Writing 101: Grin and Bear It

You have to be "out there" as an indie author, easy to find and easy to access. You've got to be on social media and build up your author page, join in on forums and respond to fans who have something to say to you. But there will be lots of times when you don't like what they say. Not everyone's going to be a fan. When those non-fans approach you, and they will, you have to learn how to master a necessary skill: grin and bear it.

Let's Get Critical 

The entire world is full of critics, and the Internet allows everyone to get critical about anything that they see. Many, many people choose to exercise this right. Some of them are going to do it with you. Can you handle that? 

The Internet allows for a type of communication never before seen. It allows for spacial barriers to fall away, so that two people can have real time conversations even from opposite sides of the globe. It allows for exploration that was never possible before. And it allows for people to act a lot like jerks. 

Writing 101: Write Other Stuff, Too

Indie books appear on the market every single day. The only way for self-published authors to keep up is to keep publishing more and more books, right? It's nice in theory, but it's not all that practical for authors who maintain full-time schedules and want to write really high-quality books. It's okay. You can just write other stuff, too. 

The Next Best Thing

 

Can't write four new novels and get them published this year? You're only human, so don't be discouraged if you're not writing and publishing your books as fast as you'd hoped. However, it is important for you to stay in the game and keep your name out there. There's only one thing you can do: write other stuff.

Writing 101: Are You Shy?

As an indie author, you've got to be a bit of a braggart. You've got to shove yourself in other people's faces constantly. If you're shy by nature, that's a big problem. It's one you're going to have to learn how to overcome. 

What Worked for Emily Dickinson...

 

It's not enough for you to write amazing stuff and then keep it all to yourself. Emily Dickinson did it, and it didn't really make her happy. If it had, she wouldn't have written so many poems about death and dying. If you're naturally shy, you have to learn how to pretend not to be. As an indie author, you have to find ways to be extroverted. So you have to find a way to flip your personality. 

Writing 101: Spooky, Stormy and Other Meaningless Adjectives

It's happening more and more. Authors are relying upon adjectives to tell their stories for them. When you're truly painting a picture with words, certain descriptors like gloomy just aren't good enough. After all, your gloomy might look different from mine. So are you really painting that scene, or just using meaningless adjectives? 

Blah, Blah, Blah

It was a stormy night, and the horses were spooked in the barn. She could hear them making creepy noises when she got close to the grimy windows.

Notice how I didn't really tell you much of anything in the passage above? What do "creepy noises" sound like? What's so grimy about the windows? And by stormy, what does the narrator mean? Is is snowing? Is it raining? Is there wind? How do I know? The above passage is stuffed with meaningless adjectives. Now let's figure out how to get them out of there. 

Big World, Few Words

"I can’t tell you enough how much I enjoyed Varden’s world  building skills and the rich characters she presented."

"With a world that is so big you want to keep exploring and a few surprises at the end that you won’t see coming, 'Hope’s Rebellion' is definitely a book worth checking out."

Christina Escamilla has reviewed Hope's Rebellion. Go read her comments before you buy the book!

Writing 101: Is It 'Worth It?'

Is it really worth it to be a writer? The romantic answer is a resounding yes. And if you're the type of person who likes insecurity, criticism, instability and exhaustion, then it's definitely something you ought to pursue. But if you enjoy getting holidays off and want to have some sort of extra time on the weekends, you've got some hard thinking to do.

Being a writer means paying a ton of money in taxes -- much more than you would if you had a "real job" -- and it means working much longer hours than the 9-to-5 guys who get the luxury of being on the clock just 40 hours a week. It also means being disregarded by everyone you know, because they'll assume it's easy for you to be flexible when it comes to your work. After all, to some of them what you do isn't even going to be real work. So before you pursue the goal of working as a full-time writer, make sure it's really worth it to you...because I promise, you're going to have to give up a lot to make it work.

Writing 101: The Ampersand, Percent Sign and Other Stuff You Can't Use

As an author, you're free to use words any way you want to paint pictures, evoke emotions and tell your story. But you're not free to use any symbols you want. It's time to find out about the ampersand, the percent sign and the other stuff you can't use.

Symbols vs. Punctuation

The ampersand, the percent sign and the slash actually are not punctuation. That's the first thing you've got to know and that's what you'll need to remember. These parts of the keyboard are actually symbols, not punctuation. And that's why you can't use them.

Writing 101: Wikipedia is Not a Source

If you want to be an author and you want to write amazing books, there's one thing you have to know and keep in mind at all times: Wikipedia is not a source. Really, that's all you need to know. But there are some people out there who are going to want to know why they can't use Wikipedia to research their stories. For those people, I'm writing this post.

Public Opinion

Wikipedia passes itself off as an encyclopedia, and it's incredibly attractive. You can type in almost any name, any book, any movie and learn more about it. I know this better than most, because I can go to Wikipedia and suddenly spend an entire hour checking up on sitcom stars from the 1950s (don't ask). It's full of links and there's a lot you can find out, and that's all amazing. But there's a fly in the ointment. Wikipedia is not all that it appears to be. And there's one strong reason that no writer can use Wikipedia as a source at any time: it's not accurate.

Writing 101: Why Do So Many Authors Commit Suicide?

Suicide. It's certainly a dark topic, but to ignore it completely would be an injustice to literature. Many authors have written poignantly about suicide from a variety of different angles. And many more authors have actually killed themselves. In fact, the number of authors who have is rather startling. So today I have to ask, why do so many authors commit suicide...and are we more at risk than people with non-writing careers? 

Gone, Not Forgotten

Some of the most brilliant authors committed suicide. The list includes Virginia Woolf, who filled her pockets with rocks before she walked into the river at age 59. Edgar Allen Poe clearly thought about death a great deal, as evidenced by his work, and tried to kill himself at least once before he died under mysterious circumstances in 1849 at age 40.

Novelist Cesare Pavese was disillusioned by politics and overdosed on pills in his hotel room. In a bizarre twist, the suicide mirrored a scene depicted in his book Among Women Only. He was 41. Paul Celan, who wrote poetry, was 49 when he threw himself into the Seine.

One of the most notable author suicides is that of Sylvia Plath. It's notable because she wrote about suicide in The Bell Jar, a book that continues to be studied and shared all over the world. The dark tale details a young woman's thoughts about suicide. The work is largely autobiographical, though Plath changed all the names. She did commit suicide shortly after the book was written and died at age 30. 

Are you a danger to yourself if you're an author? 

Writing 101: When to Change Your Story

You've just started your new book, and you're excited. Everything is great...until you go to the movies, and you see a trailer for a plot that looks exactly the same as your new book. Being an author means you have to know when to change your story.

Simpsons Did It

I had to face a similar circumstance recently. I went back to an old project to complete it, and found that one of my characters has the same name as a character in another book series.  A much more popular book series.  And it's also a TV show. And even if I were to take a magic potion, my book isn't going to become as popular as that other book. Doesn't that mean that I have to change my story?

Writing 101: Fear of Failure

For every single indie author who takes the plunge and self-publishes a book, there are probably 5 or 6 authors who write books they don't ever publish. But it doesn't matter how many books you publish. You can always wind up struggling with a fear of failure. The real question is: can you defeat it?

Are You Afraid of the Words?

Anyone can fail at something, no matter how good they are at it ordinarily. Professional athletes, great actors and career politicians prove this to us all the time. Failure is a part of life, and we all do it. But when you're an indie author, failure feels especially frightening. What if you spend all this time working on your book, pouring your love and your sweat into it? What if you fall in love with it and you truly know how great it is? What if no one buys it? Even worse, what if everyone hates it? 

Doesn't that make you a failure? 

Writing 101: Can You Be Too Disciplined?

When you are a self-published author, you've got to be your own boss. That meas being hard on yourself, sometimes. You've got to tell yourself to get to work when that great movie is on cable, say "thanks but no thanks" to certain social outings in order to get more done, sit at the computer screen to write when you'd rather be on Twitter. But it is possible to be too hard on yourself. Can you be too disciplined?

Driven

The indie author game moves quickly. New books are published every single day, and new authors are appearing on Twitter like an ever-recycling magic trick. You've got to keep tweeting, keep blogging, keep publishing and keep staying active if you want to stay in the game. And when you also have to work a full-time job, maintain a social life, keep up some degree of a family life and still take care of yourself, you've got to be driven. You've got to stay motivated. You've got to keep working. 

Because you've got to do all this, you can start driving yourself a little too hard to get it all done. And I ought to know. You can be too disciplined. I know, because I am.

Writing 101: Just, Very and Other Empty Words

When you're in school and the teacher says you've got to write a thousand words on a topic, I'm not going to hold it against you if you fill up those two pages with empty words. But if I buy your book and you do the same thing, I'm going to get upset. And in this particular example, I'm every reader. None of us like empty words...but all writers, even me, end up using them. 

Very Merry Unwriting to You

Empty words are those words that mean nothing by themselves. Very, for example, cannot stand alone. Just, really, way and suddenly are all pretty empty, and they're all pretty over-used. When used in this context, pretty is also empty. They're empty because they don't lend anything to the story. The argument can be made that they help add emphasis, but let's not kid ourselves. There are other ways to emphasize without adding extra words. Too many of those empty words will make your book feel...well, empty.

Writing 101: Love at First Sight

Love at first sight is one of those things that's very rarely, if ever, found in life but it's found in books all the time. There's a good reason why authors make characters fall in love instantly: it takes a whole lot less time and energy to write. But love at first sight can be done well...if you're willing to take the time to do it.

The Day I Met You

Love at first sight is a common love stereotype you'll find in novels all the time. It's much easier to make characters love instantly than it is to fill up pages and pages of a relationship. Actually falling in love takes so much time and trouble, there are entire books just about falling in love. So when you have to fold a love plot into a story that's already packed with other stuff, love at first sight is an easy and attractive option.

But it can also be a lazy option. That's why you've got to put in the work to make sure it's done well. 

Writing 101: Use Current Events to Promote Your Books

How long ago did you start talking more about "Divergent" than "Twilight?" The world moves fast and things fade away quickly. Don't let it happen to your book. Use current events to your advantage by using them to promote your book. 

What's Goin' On?

Books don't have a shelf life. We know it's true because schools still assign "The Adventures of Huckleberry Finn," and that story is dated. But you can keep your book feeling a bit fresher if you find ways to link it to current events. Do it well, and you can keep regular sales coming in for your work.

Writing 101: Why Isn't Your Book on TV, Already?

"Game of Thrones" did it. So did "Pretty Little Liars." Don't forget about "Gossip Girl," "Perry Mason" and, yes, "Lassie" -- to name a few. There have been many successful TV series that were based on books...so how come your phone isn't ringing yet? Why isn't your book on TV? 

A Million Screens

Even back when there were just three channels on the TV, network execs couldn't figure out enough ways to fill the hours. Many television stations went off the air to show absolutely nothing during the late-night hours. Some stations still do this, but now they just show commercials. Today there are more TV channels than ever, so there's more opportunity than ever for a writer to create a story that can be turned into a TV show. Your phone should start ringing any day, now. 

Writing 101: A Day of Rest

It's Labor Day, and traditionally it's supposed to be a day of rest. Are you writing today? Do you write every day? What should you know about writing...and rest? 

No Labor Day

The first Labor Day event was a New York City parade in 1882. Union leaders wanted a "monster" labor festival on September 5, which was a Tuesday. By the end of the day, around 10,000 people had marched in the parade. The media called it a day "of the people." That's the origin of the very first Labor Day. Since then, it's become a widely-celebrated holiday in the U.S. and around the world.

So how are you celebrating it? Because there are days when you shouldn't write, despite what some others will tell you. Today may be one of those days.

Writing 101: Do You Know Your Main Character?

When people read your book, you want them to have a strong sense of who your main character is. So if you don't know, they're not going to get that out of your pages. And when audiences can't connect with a character, the book isn't going to do well. So today we have to ask a question: do you know your character? 

Identifying Characteristics

Think about your main character...and now interrogate yourself. What are the identifying characteristics of this character? Don't tell me what they look like -- I'm not interested in hair or tattoos right now. Is the character brave? Honest? Sneaky? Cunning? Funny? Shy? If you can't answer, you haven't done your job as a writer. Because I'm not the only one who will ask. Your readers will, too.

Writing 101: What About Your Friends?

 I've been writing, and I'm using the word loosely, since I was a young child. It's always been my passion and it's always been what I do. And it wasn't until recently that I started thinking about what it must be like to be on the other side. When I asked someone close to me if it's hard to be a friend or family member of a writer, there was no hesitation. The answer was a strong "yes!" So maybe us writers ought to keep that in mind in the future. Don't forget about what it's like for your friends and family...because honestly, you're hard to live with.

Shhh...Writing

I probably mutter "I'm busy" or "I'm writing" at least once a day to someone who's trying to talk to me. I don't look at the person I'm addressing. I can't, because I'm busy staring at the screen. I've shushed people, I've dismissively waved them away, I've allowed them to talk to me for upwards of 5 minutes at a time without informing them that I am not listening. It's rude, I know, but what can I say? When I'm writing, I'm not in this world. I'm in a different one...so who are all these people who are attempting to invade it? 

Friends and family, usually. And like me, maybe you need to remember to look at things from their side, every so often. 

Writing 101: Defining Literary Terms

When you're a writer, literary terms are going to crop up all the time. There are many of them that you should know how to define. Otherwise, you may not understand your own reviews.

What's That Mean?

There are actually dozens of complicated literary terms, but some are used more often than others. Know what they are, and what they mean, so you'll know whether or not you're using them when other people say you are.

Writing 101: Commas and Using Names

I tell you, readers, it's a problem. Commas aren't being used the right way...and as an author, you can't let it happen to you. Are you sure you know how to use commas and names -- the right way? 

Comma, Comma, Come On! 

Using commas gets confusing. Use too many and you've fouled up the sentence. Use too few and there's no natural pause to your narrative. Use them the wrong way, and I'm liable to come after you. 

Writing 101: Too Much of a Good Thing

Have you ever laughed until you've cried, or cried so much that you just had to laugh? People aren't equipped to feel one emotion all the time, and that's why they can't read books that are just one thing. Whether you're writing a comedy or a tragedy, all good books have elements of both. That's what makes them good...because life is both.

Walking the Line

By a certain school of thought, all books fall into one of two categories: comedy or tragedy. But within that framework there are infinite story possibilities, numerous twists and turns. No story should ever be all comedy or all tragedy, because every reader will reach a point when they can't laugh or cry anymore. But if you learn how to jerk them back and forth between the two, they won't be able to stop reading.

Writing 101: Bullying Your Characters

Above all else, believable characters can make a book believable. The events in The Hunger Games are outrageous, but we buy into the books because Katniss is so real even on the page. That's why you can't start bullying your characters in your books. You have to move them around and make them do what you want, but you've got to find ways to keep it believable. Otherwise, you're just bullying your readers, too.

Puppetmaster

You've got to make Charac Ter go to the lake, because that's where they will run into Luv Interest. But why is Charac Ter going to the lake? No matter where you're putting your character, make sure you know why they're going there. When you as the author force them there with no good reason, you're bullying the character and you're cheating your readers.

Writing 101: Stop Worrying About the Word Count

A lot of authors will tell you to write a certain number of words a day, to plot a book to have a specific amount of words by the time it's done. But I guess I'm not like a lot of authors, because I'm going to advise you to do the exact opposite. If you try to write within some sort of weird word count box, you're not really writing. So stop worrying about the word count. I'll tell you why. 

Limitless

No, I'm not contradicting myself. All my feelings about overly-long books still stand. Overall length is still an important consideration, but not so important that you should be thinking about it every time you put your fingers on the keyboard. Because when you try to write to a certain word count, you're really stifling yourself. And for a writer, that's no good at all. 

Writing 101: Run-on Paragraphs

Like many authors, I like to read. And sure, sometimes I like to sink my teeth into a big, meaty paragraph that takes up half the page. Sometimes I like to really get into a big scene, just slide into it, and lose myself in walls of text. Note that I said sometimes. Run-on paragraphs can be an effective tool...but I also see it get overused -- a lot. Figure out how to tighten your paragraphs up, because short really is sweet.

A Real Cut Up

Long paragraphs are great, but only every once in a while. Visually, those thick paragraphs can be off-putting and scary. Reading one run-on paragraph after another begins to feel boring pretty quickly, and it will make a book feel like it's dragging. 

Imagining Hope's

"Can you imagine a world where people are judged based on their hair color?...This unimaginable place becomes very realistic while reading Hope’s Rebellion."

"These three girls all have completely different pasts, but end up coming together in a battle that will change the world."

Hope's Rebellion has been reviewed at ReadWriteLove28. Visit the blog to read the whole thing. Find Hope's Rebellion at Amazon, Barnes & Noble, Smashwords and everywhere online books are sold.

Writing 101: What Do You Do for a Living?

When someone asks what you do for a living, what's your answer? If you say anything other than "writer" or "author," it's wrong. You're probably also an employee. Maybe a waitress, or a police officer, a teacher or a stay-at-home mom. But your first answer should always be "writer" or "author." You can add the other thing, too, if you want. As an indie author, you should always be promoting. Start by marketing yourself as the writer you are, right away at the first introduction.

Writer, Author, Indian Chief

According to the cold, hard numbers, indie authors are successful -- in some ways, more so than traditionally-published authors. So you have no reason to shy away from telling people that you're an author, and an indie author to boot. People know about Amanda Hocking and John Locke and Fifty Shades of Grey. So be proud of who you are and what you do. If you present yourself like a professional who has pride in themselves, that's exactly how others will see you.

So what do you do for a living? You're an indie author. Be a smart one, and be prepared to offer information when people ask for more. Give them an easy link or easy names to remember. Give them a bookmark or something physical to hold. Let them see a book cover. You never know who you're going to meet, or what they might like to read. So always present yourself as an author, along with all that other stuff you already are.

Writing 101: Readers Are Your Friends

If you read Charles Dickens or Jane Austen, the words are pretty flowery and formal, and I think that's confusing to writers who live in the now. Because you have to remember one important thing when you're writing: readers are your friends. 

Did We Just Become Best Friends?

Books are not the place for you to be formal. You can do that on Twitter, if you want. I've long believed that we could use a bit more formality on social media, but books are intimate. You're putting your soul on the page, and somewhere out there some individual is reading those pages that represent your tears and sweat and missed sleep. So I don't want to see formality in your books. That's where you want to be casual, and treat the reader like they're actually your close friend...because now, they are.

Writing 101: Overworked

This is a post where I'm going to tell you about what I'm doing, and then caution you to do the exact opposite of what I'm doing. Seriously, do not be like me. I'm overworked. A lot of indies are. 

So, this is a post where I'm going to tell you how to fix it...and probably never follow the advice. 

Midnight Oil

When you're an indie author, you're basically signing up to perform two full-time jobs at once. There's the full-time job you've probably already got, unless you're independently wealthy or otherwise live outside the mundane daily world of commerce.  Then, there's your new job as an indie author. 

Between the research and the writing and editing and picking a cover and making a trailer and browsing forums and tweeting and all the other stuff you have to do to be good at being an indie author, it gets exhausting. It gets to the point where you're overworked. And that gets to be bad for you...pretty quickly. 

Guest Post: Writing Inspiration

 Today, Jade's blog is pleased to welcome author U.L. Harper!

To this day I get asked about my inspiration. Where do I get my ideas from? I think I’m inspired by what everybody is inspired by.

Being Inspired

For the longest time I thought I was inspired by Kurt Vonnegut. Damned proud of it too. Cat’s Cradle is a classic in my book, and Slaughterhouse Five opened my eyes to the world, even if I never read the first four (just kidding). It impressed me and still does.

After reading Chuck Palahniuk’s Fight Club, I was sure that it was the prototype for every first-person present-tense novel. Violent, honest, sardonic, moving, and funny with a twist, not to mention short and at a third grade level. I figured I was influenced by Chuck, and proud of it.

And then there was Clive Barker and his Weaveworld, Imajica, Great and Secret Show novels. Works to live by. I’m not even going to bring up Hellraiser because that’s opening a box I don’t have time to explore right now. When I was reading him, I figured Barker was an influence too. His language, his special kind of action violence… Yep. Clive was my guy, and proud of it.

They were just a few of my influences, until I started actually writing novels.

Once I started writing, I didn’t see Kurt Vonnegut’s wit or timing or poignant yet lighthearted storylines coming out of me. I had none of Barker’s eloquence, and I had no idea how to present a horror or fantasy idea. Not at all, well, until recently.

This is what I found: I’m influenced by the people around me. I’m influenced by the life surrounding me. I liked Fight Club for its coverage of social issues for young men. A book for dudes my age at the time. I was twenty something when it came out. Don’t do the math. I’m not afraid to say I’m twenty-one again in December. It’s the same reason I loved Cat’s Cradle so much, as well as Slaughterhouse Five. They weren’t influencing me; they were what I needed at the time. Yes, a map. A guide, but my writing has almost nothing related. They’re part of me but not necessarily as a writer.

Let me put it a different way. It’s imperative for everyone out there to know that ideas aren’t made in a vacuum. Authors don’t sit in a room writing down ideas not knowing where these ideas come from. The ideas, the inspiration is close to us. Or, at least they’re close to me. I’ll just speak for myself, I guess.

Here’s an example of a story idea. Took my whole life to come up with:

When I was a kid, in return for a house, my parents took on the responsibility of taking care of my great grandmother who had Alzheimer’s. The experience rocked me. I couldn’t for the life of me understand why she was urinating in the closet and flinging it out into the kitchen. It felt odd to have her eating dinner after we ate. I just couldn’t quite handle the idea, but it stuck with me. My mom later told me that my great grandmother believed she was a young child in Kansas and that she basically had no idea who we were.

Now hold that idea. Jump forward about eighteen years when I get a phone call right before work telling me that my grandfather had died. You know, in my first novel, I mixed my grandfather, in his post-stroke wheelchair and pot belly with my Alzheimer stricken grandmother and there you had my influence for my main character in The Flesh Statue. Not the protagonist, for those keeping track, but the main character.

Years later, having the environment on my mind a little bit I came up with another bright idea.

For my novels In Blackness and its sequel In Blackness: The Reinvention of Man, for influence, I found myself looking out at the world and asking the question that everyone asks at some point: Why are we not food? I’m going to tell you right now that that’s how horror novels start. No vampires, no werewolves, no demons, but still, why are we not food? Then I found the answer.

The point is, the world around me has always been a huge influence. Why do people react to certain things? What’s the history on why they reacted to it? What’s their background? The authors I love so much? Well, I still dig them, and they have a place, but that place is for entertainment value. What gets me going is the same thing that gets people up for work every morning. I get my ideas from the same place kids do when they say uncontrollable wacky things. I’m inspired by the same thing that inspires probably every artist.

I’m inspired by the world around me. Yes, the whole thing.

Keep reading for an excerpt of In Blackness: The Reinvention of Man by U. L. Harper

Lenny sipped from a cup of coffee at his booth. The Best Little Road House, a diner in Salem, Oregon, was warm, dry and safe. Most of the tables were filled, with only a few waitresses helping serve everyone.

All these people eating and ordering food as if nothing was wrong. Like The Visit never happened. He couldn’t begin to forget, couldn’t shake the moment when dozens of people were beheaded and skinned right in front of him. Sometimes when he closed his eyes he’d helplessly replay the event in his head.

Because of the experience during the invasion four weeks ago, Lenny had been fueled by fear. The aliens that slaughtered so many had subsequently given him the mission of bringing people who had been given implants like him back to San Pedro.

His stomach muscles tightened. This happened for one specific reason—his implant affected him physically when another person with one was near. The other person didn’t necessarily know they had an implant. It took him his entire life to find out that he had one. He had followed the signal into the diner. Hopefully whomever he followed, they would become obvious.

 At the beginning of his journey he wondered how long his trip to find subjects for the aliens would be. How far would he have to go? Realistically, his small amount of money would dictate the length of his travels. All of his savings from his pizza delivery job was spent on meals, motel rooms and gasoline.

A girl about eighteen, his age, exited the restroom. She had on hiking boots and an oversized backpack. Her partial dreadlocks fell over her shoulders. Heading his direction down the aisle, she stopped next to him and made eye contact before taking a seat at the booth next to his. Leaning forward, she wriggled her arms out of the backpack straps. The look she gave him made him self-conscious. Did he look as dirty as he felt? He didn’t normally grow a lot of facial hair but when he did let it grow, like he did now, it grew in patches of peach fuzz.

“Are you okay?” he said to her.

She showed him a weak smile. “Just need to sit. Looking for a ride.”

 

“To San Pedro?”

Her eyes lit up. “That’s a hell of a guess. How would you guess something like that?”

She was definitely the one. “Crazy you come sit right next to me. Go figure.”

“Yeah, go do that. You’re heading to San Pedro too?”

“About to split town.”

“Then I’m Celeste. I can get a lift, yeah? I travel light.”

“You just have that?” He nodded to her backpack.

She picked up the bag with one hand and then let it drop. "Jesus, a ride would be nice. Where are you from?"

“Washington, actually.”

“Where in Washington? I’m from there.” The pitch of her voice became high when she mentioned Washington. Her bad grooming led him to believe she had been traveling for a while.

Celeste moved across the aisle to his booth, leaving her backpack in the aisle. “You seem all right."

"I pass the murderer test?"

"I mean you seem all right." She leaned forward and whispered, “I haven’t eaten all day. Can I drink some of your water?”

“Have at it.”

She drank down half the glass. “So what part of Washington are you from?”

“Lowery, originally. Small little place, right…”

“I know Lowery. My dad was born there.”

“Lowery doesn’t have a hospital,” he said. “Nobody’s actually born there.”

“Delivered in the kitchen, I shit you not.” Although she seemed embarrassed by the fact, she chuckled.

“Well damn. I was there up until I was nine or something. Maybe ten.”

She finished off his glass of water. “I need to get there.”

“Need to? To San Pedro?”

“I guess need is a bit heavy but, yeah, whatever. I need to.”

“Did you hear what happened there during the invasion? You wouldn’t want to go there if you knew about it.”

“It didn’t only happen in San Pedro. Plenty of people suffered.”

“Did you lose anybody?” he said.

 “Everybody.”

“A lot of people lost everybody.”

“I’m one of them,” she said. “You lose everybody too or is this your idea of small talk?”

“I’m just saying why San Pedro? I didn’t mean to be insensitive. Still, San Pedro?” She didn’t know she was going there to have a meet and greet with the aliens and probably be killed. He’d help her get there, nonetheless. It didn’t feel right but he had to do it.

“Why are you going?” she said.

“Family.”

She gazed at the ceiling and then looked around, avoiding eye contact. “Just a feeling I have. I can picture myself there. You know?”

He leaned back in his seat. If she knew him better she’d know that guilt had taken him by surprise.

“Let’s get you something to eat,” he said. “A sandwich?”

“You’re offering?”

“Only this time.”

“Ham and turkey. I’m vegetarian but fuck that I’m hungry.”

“I’m Lenny. Good to meet you, Celeste.”

“Thank God I met you, Lenny. Thank goodness for rides. Lucky.”

“I wouldn’t use that word luck too loosely.”

She unzipped the big pocket on her backpack, looked inside it and then zipped it back. Then she unzipped a smaller pocket, looked inside and closed it, too.

He knocked twice on the wood table. “You have gas money?”

“I thought you were already going there.”

“It’s still gas, right?”

A waitress stopped at their table and asked to take their order.

Moments later a turkey and ham sandwich with mustard and mayonnaise oozing from the sides of it was set on the table.

With her mouth full of sandwich, Celeste looked like a rodent storing nuts in her cheeks.

She spoke a garbled, “Thank you. Starving.”

This might have been what it was like feeding the homeless on skid row.

Once she finished her sandwich they prepared to leave.

Outside, his four-door hatchback waited for them in the wet parking lot.

Celeste tossed her backpack in the back seat as he started the engine.

“Here we go,” he said.

***

He hid his dread of being inside the motel room from Celeste. For the time being, he had a hard time in the dark, in enclosed places. He couldn’t keep his hands from shaking, thinking of his experience during The Visit. If he could make it all the way back to San Pedro without sleeping he would. Since that wasn’t the case they had stopped for rest. No way would he let her drive his car. She seemed cool but why trust her?

She drifted to sleep, leaving him alone on the end of the bed to stare at silent news clips on television. One of the clips enticed him to turn up the volume. In the clip, the alien ship slowly fell through high puffy clouds and blocked out the sun. Daunting in scope, the ship had spanned from San Pedro to Washington. The sight of it would be talked about for generations and then some. His biggest fear was right there on the screen.

“Have you seen that before?”

He hadn’t realized she was awake. “Oh, no. Never seen that. Don’t know why. I guess in the few weeks since it happened I haven’t stopped to really… Wow.” The television showed another visual similar to the one he had looked at seconds ago. This time the amateur video caught news helicopters flying far underneath the ship, really nowhere close to it. During the time the footage was taken, he and Saline were in Lowery, Washington, being captured and shipped to San Pedro. On the news is what the general public had seen. What the living public didn’t see were the aliens. Basically everyone who had seen them had been murdered in the slaughters.

Looking at the screen she said, “Does this feel like the end of the world to you?”

“I think it’s the start of something.”

“So it’s the beginning, not the end?”

“My thought is that nothing can go back to how it was. Not completely. I don’t think so.” Then he lied down, accepting the consequences of closing his eyes.

"You don’t think the worst happened?”

“I saw people getting their heads chopped off. We were in a room with people getting skinned. Just… Crazy like you don’t want to know or see.” He shook his head. “I don’t want to picture it.”

“I’ve never heard… How’d you get out? You escaped?”

“Just thinking about it screws me up.” He held his right hand out for her to observe its shaking.

“I’m sorry.”

It was nice showing someone how much of a basket case he had become. It felt like confession. All this despite the fact that she’d be dead soon.

Someone knocked on the door.

He dragged his feet over to it and stuck his eye to the peephole. A woman in her early to mid-forties was smiling at him. She waved, and then knocked again, in her jeans and black hooded sweater.

He unlatched the lock and cracked the door open.

The woman kicked the door into him, smashing him in the forehead so hard that he saw stars. He fell to the floor grabbing his face with both hands. The intruder slipped past him.

With his face to the dusty carpet he heard two gunshots and then the thud of what he thought was Celeste hitting the floor. He looked up at a handgun aimed at his skull. With the gun at his head, cowardice took over. “They made me do it.”

“Wha...” The woman gazed at him in disgust and slightly confused.

She still had the gun pointed at his head but he figured second thoughts about harming him had entered her mind.

He turned his head and got a glimpse of Celeste’s motionless ankles and legs. Breathing heavy, he turned his attention back to the gun aimed at him.

“Who made you do what?”

“The aliens. They made me get her.” He hoped on everything he loved that she respected the notion.

After some consideration the woman lifted her weapon and smacked him over the head with it. She hit him again with a fist to the cranium, and then kicked him in the stomach. Still catching his breath, he coughed as she ran out the door.

Curled in a ball and in tears he let the initial pain run its course. Attempting to push himself to his feet, he placed both hands on the floor, groaning.

The woman rushed back into the room. “We’re pulling that implant out of you.”

“Wait! Wait!”

She shut the door behind her. “Yell again and I kill you.”

About the Author

U.L. Harper is an author from Long Beach, California. A former newspaper writer and poet, he published his first novel, The Flesh Statue in 2005. His hobbies include, skateboarding, basketball and the occasional glass of bourbon. Yes, bourbon as a hobby. 

You can reach him at ulharper1@gmail.com. His latest novels are In Blackness and its sequel In Blackness: The Reinvention of Man. You can reach him on twitter @ulharper