Writing 101: Skipping Time

One of the first books I ever loved follows the first-person perspective of a single character for about three years, and it’s so rich in detail that you live practically every day with the heroine. Except for that weird chapter that begins with a shocking sentence. In that sentence, the author skips ahead an entire year. Skipping time is an often-used fiction device, and it’s often jarring and upsetting. That’s probably because authors rarely do it really well.

Flashing Forward

In the book I’m making an example of, the narrator carefully details a year while living inside a very strange environment. The reader sees every detail, thought and spoken word unfold. I don’t think a single day is left out. Then all of a sudden, a year flies by. It’s just one sentence, and the first year took many chapters. No matter how you want to read it, that’s a jarring change of pace. It takes a few paragraphs to get back into the flow of things, after that. If your book is strong enough, you can always get over a rough spot.

...But why would you want to have a rough spot?

Writing 101: Repeating Words

If you write long enough, you’re going to develop a stable of favorite words. I use “clearly” all the time and describe things as “gray” way too often. When you edit your books, you should also be checking to see how often you’re repeating words. Too much repetition ruins the flow of the book and ends up becoming distracting...becoming distracting.

Clearly, Repetition is Bad

It’s really easy to fall into patterns when you write a lot. Scene structure, dialogue and your narrative voice can start to become formulaic, and you may find yourself repeating words. It’s a bad writing habit that you can’t always break.

You can, however, edit it.

Author, Interrupted

It was the second of July in the year 1961, and Ernest Hemingway was famous. He was a well-loved, bestselling American novelist and one of the world's most celebrated storytellers. This is why so many people cannot fathom why Hemingway woke from his bed that morning at 7, walked to his storage room and took out a shotgun. He placed the barrel of the gun against his forehead, and fired. It was a tragic ending to the story of an adored author.

The Hemingway Curse

At first, his wife claimed the gunshot was accidental. He'd been cleaning the weapon, she said. Finally, she admitted that she believed he had intentionally killed himself. It didn't make any sense. Hemingway was larger than life. He was a world traveler, a bullfighter, a hunter of big game, a man's man and an amazing writer. Why would such a man end it all when he was so successful and so admired by the world?

Cover Reveal: Saltwater Secrets, Book 2

Death and the Deep, Book 2 in the Saltwater Secrets trilogy comes out this September!

Writing 101 Redux: Quotes and Song Lyrics

Adding quotes and song lyrics to your book is a great way to convey certain moods and feelings. It' s a great way to set the stage. But is it legal?

Get the answer in today's Throwback Thursday Writing 101 tip, and find out all the legalities of the quotes and lyrics you want to use.

Writing 101: When Characters Grow Backwards

As you experience things in life, you learn and change because of them. This happens to the best book characters, too. Great books have character development...but there’s no rule that your character always has to improve as a person. Sometimes, characters end up growing backwards before they can start moving forward.

Lessons Learned

As an author, it’s your job to put your characters through awful situations. Give them what they want and take it away. Make them fall and hurt themselves at the wrong time. Reveal a terrible betrayal. Some characters take in all this badness and become better people because of it. But, some don’t. People don’t always improve through life. Some of them pick up more flaws as they go along. This is what I like to call growing backwards. It can be a lot of fun to write, if you can make your readers hang around to read it.

Writing 101: How Do You Compare to Other Authors?

I’ve made no secret of the fact that I like to delve into the background of famous authors. I want to know when they started writing, how they got published, if they did anything weird in their spare time, even how much money they had when they died. But that’s a bad use of my time, because I inevitably start comparing myself to those other authors. Do you ever catch yourself doing the same thing?

Stacking Up

For a little while there, I was totally obsessed with author origin stories. One author in an interview talked about how she started writing a short story. Then, she said, the next thing she knew she had a 200,000-word book. Yeah, right. Reading stories like this used to make me feel bad, because I sweat to put 200 words on the page most days. So I stopped comparing myself to them. And now, I feel better.

Famous Authors Who Died Broke

Lots of authors don’t find fame and fortune during their own lifetimes, even some of the biggest names you’ve never read. It’s hard to believe, but all of these famous authors died broke.

It’s Not About the Money (Because You Won’t Make Any)

Book writing is not a money-making game by any stretch of the imagination, unless you’re J.K. Rowling (but I’m pretty sure she doesn’t read this blog, so I think we’re safe there). Most authors, even the ones who manage to achieve a lasting legacy of fame and readership, actually pass from the world in relative obscurity without much money in their pockets. All of these famous names did, though you have certainly read at least one -- if not all -- of their books.

Secrets in the Sea

Book 2 in the Saltwater Secrets trilogy is coming out soon, so you'd better catch up on the story right now. This weekend only, you can download Saltwater Secrets, Book 1: Song of the Sea. Get it FREE at Dropbox.

I always knew who my mother was. I always knew where I belonged. And I always knew I wanted to be on the water, like my dad.

…Until I was forced to go out into the water, anyway. Out there, you feel really lonely. But you’re never alone. There is more life and emotion under the waves than most humans will ever see, more than I could have ever imagined. Down there, it’s an entire world of rage and hate, love and hope. It’s a world of fear.

It’s a world of war.

Once, my mother told me she would sing me a song of the sea. But under the waves, the only music I ever heard was the sound of screams.

Writing 101 Redux: That, Which, Whom

Do you know when to use that instead of which? What about the difference between whom and who? 

Get it all figured out in today's Throwback Thursday Writing 101, and get your grammar perfect.

Writing 101: Breaking Up is Hard to Write

Characters in books are made to fall in love, aren’t they? It happens so often, in fact, that there’s an entire book genre that’s just about characters falling in love. It’s nice to fall in love, and it’s nice to write about falling in love. It’s even nice to read about, and that’s why it gets written about. But in the real world, that shining coin has another side: the breakup. This is a very hard thing to write, but you can’t always avoid it. So flex your typing fingers, and get ready to break some hearts.

We’ll Always Have Chapter One

Sometimes break ups happen on the page, too. There are a few different ways to write it, and I’ve rarely seen it done well. But it is a fact that when characters fall in love, a break up can always happen later...even if it’s only a temporary one.

Writing 101: The Rules of a Trilogy

There are book series, and then there are trilogies. The three stories that make up a trilogy are a series, but they have to be much more than that. If you write your own, are you going to follow the rules of a trilogy?

It Comes in Threes

There are many great book and movie trilogies out there. “Star Wars,” which is both, is a huge fan favorite. I’ll hold up “Back to the Future” as an example of a perfect trilogy any day. But if you really want to know the rules, there’s a movie trilogy you can watch to discover most of them: “Scream.” When it comes to writing your trilogy as a series of three books, the greatest trilogies ever told can help guide you through the specific rules that are now considered to be a requirement.

Maybe You'll Be Like Jane Austen, After You Die

If you've ever seen "Becoming Jane," you've been exposed to a few lies about the author's life. The truth is, no one really knew or cared about Jane Austen when she died at age 41 -- other than her immediate family and friends, of course. She'd published four novels then...all of them anonymously. Austen didn't achieve fame until many years after her death, in fact. So you can always hope for that, if things don't work out while you live.

This, and Other Dark Thoughts

If you have a bit of a dark streak, like I do, then that should serve as a sort of weirdly comforting thought. Jane Austen's books were written by "A Lady" as far as the reading public is concerned. Her brother Henry revealed her name only after she died, when he published "Persuasion" and "Northanger Abbey."

Gripped by Rebellion

"A gripping, young adult adventure in an authoritarian, fantasy world."

"This is an author and world I would like to read more of."

"Hope’s Rebellion" has been reviewed at the Bookworm Chronicles. Read the whole review to find out the Bookworm’s final rating!

Visit the Books page to find out how to get your copy of "Hope’s Rebellion."

Writing 101 Redux: You Don't Have to Write in Order

They say that Margaret Mitchell wrote Chapter 1 of "Gone With the Wind" after the rest of the book was finished. Sometimes, the only way to get through the first draft is to start skipping over stuff. You can always get back to it later.

Read all about the fine art of skipping around when you write in this week's Throwback Writing 101 tip!

Writing 101: Why You Have to Micromanage

I had a bit of trouble getting a cover together for my most recent (finished) book. Well, that’s a euphemism. The truth is, I bought like 5 covers. I wish I was exaggerating that number even a little. The first 4 times, I was way too considerate of other people’s creative process. I’ve learned that when you self-publish, even if you don’t do every little thing yourself you have to micromanage every little thing about your book. If not, you’re going to end up with half a dozen covers that you can’t even use.

Every Little Breath You Take

As an indie author, you don’t necessarily have to do everything yourself -- but you do have to direct all of it. Even if you hire an editor, a trailer-maker, a graphic cover designer or a guy to write your Tweets, you’ve got to tell them in explicit detail exactly what you want and what you expect. Because, as I learned, you’re just wasting time and money if you do otherwise.

Writing 101: The Book That Breaks Your Heart

Writing books is a stressful and overwhelming experience, but at the end of the project it fills you with a wonderful sense of accomplishment. Writing books can even be fun...until you write the book that breaks your heart. Maybe it doesn’t happen to all authors, but it did happen to me. Maybe it’ll happen to you, too.

Just Me and My Shadow

In looking back through the blog, you will find that I actually mention this book a lot. I'm being honest when I say I can't get over it; I still think about it all the time. I wrote it some years ago and loved it too well. There's much more to the story, but the point of it is that this book gave me writer's block for an inordinately long amount of time. I put it away and tried to forget it. I got it back out and re-read it. I thought that would help me get it out of my system. It didn't. I’ve read it since. I still feel the heartbreak when that book, somehow, gets brought into the conversation.

Louisa May Alcott Didn’t Want to Write YA

If you've watched the movie version of "Little Women," you know that Jo wrote stories of murder, revenge, passion and crime. So did Louisa May Alcott as a young writer. That's what she always wanted to write about. But when her family fell on hard time, she had to write something that would sell. That's how she got into the YA literature game...and that's the stuff that she didn't like writing.

Choices

Louisa May Alcott was around 35 when her editor told her to try writing a book for girls, rather than the crime-laden tales she preferred to pen. Alcott wouldn't have followed his advice, but her family was in dire financial straits. Her father had squandered most of the family's wealth, and they were suffering.

Writing 101 Redux: Are You Too Lengthy?

So, are your books just too long? 

Read today's Throwback Writing 101 about going to extreme lengths to find out just how long too long really is.

Writing 101: How Much Blood is Too Much Blood?

I had to take a break after finishing a chapter in my first draft last weekend, and I realized that maybe, just maybe, I crossed a literary line. So now I’ve got to ask myself, how much blood is too much blood in a book? 

Let’s Get Drenched

A certain amount of violence is to be expected in certain types of stories. Can you imagine “The Princess Bride” without the exciting swordfighting? How’d you like to read the Harry Potter books without the wizard dueling? Or maybe you’d be jazzed to crack open a copy of “Divergent” without all the battle scenes and training? Of course not, there would be nothing left. So sometimes, a little bit of violence is required. Or even a lot. But plenty of books don’t get gruesome about it. That makes it tricky for other authors to find out where that line is located. Do you know where it’s at?

http://jadevarden.blogspot.com/2013/12/writing-101-writing-responsibly.html

Writing 101: When Hard Work Doesn’t Pay Off

I’ve been vocal in my belief that writing is a skill that can be learned with practice, patience and hard work. It is hard work, though many envision something far different when they first pursue the writing dream. It takes a lot of research, editing and rewriting to come up with something decent, let alone great. But here’s the secret about writing: hard work doesn’t always pay off.

Blood, Sweat and Tears

Many authors will agree that often, luck and good connections play a part in success. If you are obsessed with learning about the backstories of authors, as I am, you will see this is a thread that’s repeated often. Many authors either a) got lucky or b) knew the right people. Of course, they were also talented and hard-working writers. But it’s also true that sometimes, hard work alone just isn’t enough.

The Day Agatha Christie Went Crazy, Maybe

I don’t know if my blog posts have accurately echoed my dismay, but lately I’ve been feeling a little bit like I want to run around outside screaming, or maybe take a trip to London to stand in that famous park and rant all day long. In some ways, I can understand the people who walk around putting up signs that warn about the upcoming end of the world. In short, I’ve been climbing walls and freaking out. And as long as I don’t do any of those weird things, I guess that’s okay...because Agatha Christie went a little crazy once, too. Well, maybe.

Her Greatest Mystery

For 11 days, the famous Queen of mystery novels went missing. Vanished. The year was 1926, the whole event was totally bizarre, and people have been trying to unravel this lingering mystery in all the decades since. 

Saltwater Secrets Book 2: Sneak Peek

This is a Jade’s blog exclusive look at Book 2 in the Saltwater Secrets trilogy. Book 1, Song of the Sea, is available in paperback and ebook now.

The waves were the color of steel, flat and dark against the frozen air. The sky was gray, too, and the salt smell was almost overpowering. A storm was brewing, a big one. I walked just to the edge of the beach and stopped to stare up at the sky.

“There you are. Finally.”

“Nix?” I knelt down to speak to the bobbing woman who had just surfaced. “I thought I saw you earlier.”

“You did.” Nixie heaved herself out of the water, swinging her tail around to flop it onto the sand. She was planning to stay for a long chat. When she was staying only briefly, Dylan’s sister stayed in the water.

She gathered her wet hair at her neck and draped it over one shoulder to keep it from dripping on her drying tail. “I saw all the excitement and decided to wait,” Nixie finished her thought.

We both looked out at the water while she flopped her tail against the sand, drying it so that her legs would appear. That way, I wouldn't look like a crazy person if someone saw me talking to her. It just wasn’t normal to sit on a beach at night and chat with someone hanging halfway in the ocean. It took me more than one visit to explain that to Nixie.

“Yeah,” I glanced over my shoulder at my house. It was still black against the night sky; for once, my dad wasn't in the kitchen. “I had a birthday party. Or, friends had it for me. Only I wasn't there a whole lot.”

“I noticed,” Nixie answered. “Here.”

“What's this?” I picked up the package she had tossed into my lap. It was a small, leather pouch with a rope of seaweed holding it closed.

“For your birthday.”

I smiled at her, but she was still staring at the water. “That was nice of you to remember. I know that merfolk don’t really have birthdays.”

She shrugged. “Humans do, though. Open it up.”

It took me a few minutes to unknot the seaweed, and once the pouch was open I saw an object wrapped in more seaweed. Nixie stayed silent while I grunted my way through the present. She was like that. She could sit and be quiet and still.

I’m not like that. I fidget and talk and grunt, and I was making noise while I pulled the ropy sea plants away. Once I finally exposed the object, I still had no idea what it was. “It's lovely.”

Now Nix did look at me, and she was smirking. “It isn't meant to be lovely.”

“Then what’s it meant to be?” I looked up at her. It was a mistake. I tried to avoid looking directly at Nixie’s face whenever possible. I looked at the necklace she always wore, or her dark blonde hair. Looking at her eyes was a mistake. They were too similar to Dylan’s dizzying blue-green eyes. Too often, I caught myself looking at Nixie and wishing I was looking at him instead.

“It’s a lodestone. A natural magnet.”

“Oh.” I picked up the rock and rolled it between my fingers. “It looks like a shiny piece of coal.”

“It’s not. It can even be used as a compass.” Her tail was dry now. It had split into two long legs.

“And where will it lead me?”

“Where you belong.” Nixie didn’t look at me when she answered, and that was for the best. We were both looking out at the waves.

“This rock knows where I belong?”

“Sure. Don't you?”

“No,” I answered honestly.

“That's why I gave it to you.”

Look for Book 2 in the Saltwater Secrets trilogy this September!

Writing 101 Redux: Are Prologues Really That Bad?

Some say that prologues are the worst, but are they right? 

Read this week's Throwback Thursday Writing 101 post to find out, and see how you feel about prologues at the end.

Writing 101: Instability

For the purposes of this post, let’s assume that you are not the author of “Gone With the Wind” or “Catcher in the Rye.” Let’s also assume you did not create the Harry Potter series. That leaves pretty much all the other authors out there. This is the group who lives with daily instability. And for those who are wondering, the answer is no. It’s not going away...well, unless you write the next Harry Potter, of course. 

Tightrope

For even established authors and writers, the writing game is a tightrope walk. There are pretty much two ways to make money as an author: write a few books that sell a whole lot of copies, or write a lot of books that sell a great many copies. If you’re not doing that, you’re not really making money. As a freelance writer, most of the time you’re going to need to have a lot of jobs that pay well (and a few that don’t really pay that well) just to make ends meet. And here’s the thing about both authors and writers: the rug can get pulled out from under you at basically any moment. Then, you’ll fall down. 

Writing 101: First Draft, Version 2.0

Recently, after many nights of struggle, I managed to finish the final chapter of the first draft of my next novel. But I wouldn’t go as far as saying that I finished the first draft, because I haven’t. For this particular book, I found there was really only one way I could write it and manage to get anything accomplished: sloppily. So I say to all you authors with ugly first drafts, welcome. We are as one.

Building a Book

Did you ever build a model of something for school? I was once tasked with creating a sculpture out of trash, an assignment that lots of people get that I personally think is in poor form. But my grades in Science were always questionable, so I made the sculpture. It was a telephone, because I’m a girl. I started by gluing the popsicle sticks together to create a flat base first. Later, I put together my bubble gum wrapper chain and cut a foam cup to make an ear and mouthpiece. I didn’t add the spray paint until it was all assembled, and it wasn’t until that moment that it looked like something worth looking at. And yes, this bizarre anecdote has a point. A good one.

Dr. Seuss Never Had Kids, And Other Stuff You Can Write About Anyway

I'm fairly certain that there isn't one child born in America after 1955 who has not read a Dr. Seuss book, or had one read to them. Everyone knows who the Cat in the Hat is, the dangers of eating green eggs and ham, and that the ocean has red fish in it. But here's the thing that shocked me the first time I found out about it: Dr. Seuss never had any children. There's all sort stuff you can write about anyway, even if you haven't had every experience you're going to put on the page.

Oh, the Places You Will Write

One of my favorite authors took a research trip to write her books, which are set in the Ice Age. I read all about the trip, because she wrote about that as well, with great interest. She trekked all around those caves in France with the caveman drawings, explored all around the Danube, looked at artifacts in museums. And for a few minutes, I was really envious of that trip. Then I realized something important: I don't really want to go on a trip like that. Walk around in a cave and explore a riverbank? Not likely. And the thing is, I don't have to do that. There are all sorts of things you can write about anyway, like if you’re a children’s book author with no kids.

Writing 101 Redux: Do You Pay for Your Reviews?

All indie authors will be faced with a choice at some point, and you'll have to ask yourself a question: should you pay for your reviews?

Read today's Throwback Writing 101 to see the good and the bad of this option, and figure out what's going to work best for you.

Writing 101: Catching Up a Series

Catching up a series is the chore you have to face the moment you begin book number two. The problem with writing a series is that you have to begin each book as if your reader hasn’t read the other books in the series. But you also have to write it in a way that won’t annoy fans who are all caught up on all the other books so far. If you can balance yourself on this writing tightrope, you can create a great series. It’s actually much simpler to do than you probably think.

The Story So Far

I’m not going to lie: I’ve read book series out of order. It’s not my fault if book 1 isn’t available...or I don’t feel like reading it. I can’t help it if I’d rather skip straight to the last book than to start all over. Maybe I’ll get to that, eventually. The point is, I may not always be current on your book series when I pick up that book. What are you going to do about it?

Writing 101: The Mini-Cliffhanger

There are some books that feel impossible to put down. You can’t stop turning pages. You keep on reading because you’ve got to find out what happens next. These are the books that readers remember. These are the type so books you want to write. And there’s a trick you can use it make it happen: the mini-cliffhanger.

Hanging By a Moment With You

Lots of readers hate cliffhanger endings in a book, but you can put all sorts of mini-cliffhangers in your book and still wrap things up neatly at the end. If you want to keep your readers turning the pages, put your cliffhangers where they belong: at the end of chapters.

The Secret Dark Side of Beatrix Potter

Children’s book lovers adore Beatrix Potter’s tales of Peter Rabbit and other living creatures. Self-published authors admire her pioneering efforts in the indie writing world. But many people don’t know that Beatrix Potter captured her own animals to study, before she meticulously skinned and dissected them to study them from the inside out. Lots of authors have a dark side, and Beatrix Potter did, too. 

And Your Little Dog, Too

There’s a reason that Beatrix Potter’s illustrations of animals are so lifelike, so perfectly detailed and startlingly accurate. She spent a great deal of time studying small animals. She was well-educated for her gender and her era, efforts that were encouraged by her parents. Beatrix Potter was intellectually curious and rather bold for a woman of her day. That’s why she wasn’t afraid to capture animals, peel off their skins and cut them open.

It’s just a little bit surprising that she’s also a celebrated and well-loved children's author, too.

Writing 101 Redux: Anyways...

When should you be using anyways in your storytelling...if ever? Look back at this week's Throwback Thursday Writing 101 to find out. 

Writing 101: Unnecessary Storytelling

So I’m not going to point fingers at any authors, but I will say that lately I was exposed to some unnecessary storytelling...and I’m kind of mad about it. Misdirecting your readers is one thing, but wasting their time falls into a whole new category. So let’s find out if you’re guilty of unnecessary storytelling, because maybe you are.

Writing and Writing

For every author, there is that moment when thought no longer even seems to apply. Suddenly the words are just pouring out, so hot and thick your fingers can’t even keep up with them. And you’re in such a zone, Mount Vesuvius couldn’t possibly shake up your concentration. You are writing, and it’s going well. Iit’s when you’re in this zone that unnecessary storytelling might start to sneak in. It happens more often than you think.

Writing 101: Being a Sadist

Have you ever tortured a man until he broke down and cried? Killed a person and watched them die? You have if you’re like a lot of authors, because sometimes being a writer means being a sadist. If you write books, you’re going to end up doing a lot of terrible things -- all on the page, of course.

Sadistic

Characters in books start to feel a little like friends, don’t they? I know Anne Shirley well. I would feel totally at home sitting with her in a turn-of-the-century Canadian kitchen, drinking raspberry cordial. For authors who create those characters, the connection is even stronger. And it’s really hard to make terrible things happen to those characters, to allow those characters to feel the pain of it all. But you have to. When you’re writing, you need to get sadistic.

The Other 57 Books That Charles Dickens Wrote

Great Expectations. Oliver Twist. A Christmas Carol. Charles Dickens was clearly an incredible author, and everyone can name one or two of his books because people are still reading them. But here’s a little secret about old Chucky the Brit: he wrote 20 novels. With the possible exception of Jeopardy champ Ken Jennings, I’m pretty sure no one can name them all -- and even more certain that only a handful of people have actually read them all. Charles Dickens wrote lots of other books besides David Copperfield.

Saturation

In the days of Charles Dickens, there was no automatic spell checker. The typewriter wasn’t invented until the very end of his life, which means he was writing out his novels by hand. That makes his 20 novels highly impressive indeed, though not all of them have been big hits. Charles Dickens tried a technique that’s used in advertising all the time: saturation.

Writing 101 Redux: Toward vs. Towards

Should you be moving toward your dreams, or towards them? Today's Throwback Thursday Writing 101 will answer that question conclusively.

Writing 101: Confessions of an Absentee Author

In a perfect world, I would write every word of my books from the proper typing position, in a comfortable room all alone. I would have an endless supply of coffee and Mountain Dew. And I would type on my laptop, watching the story unfold before my very eyes. This is not how I write my books. I’m about to tell you the truth of how I manage to write books while working an 80-workweek. The truth is, I almost never type books on my laptop. These are the confessions of an absentee author.

To Tell the Truth

Last Thursday, I worked for 16 hours straight. I do mean straight. I don’t take breaks to eat, because clearly I haven’t got the time for that nonsense. I eat one-handed and drive the mouse with the other so I can still get some work done. The Wednesday before last Thursday, I worked for almost 14 hours. Every day, I work all day. When I get finished, I want to sleep. It would be ideal if I could just go ahead and crash then and there with the laptop still on top of me. That way, when I wake up I can just get right back to it. But that’s not very practical, because I still have to brush my teeth. So I don’t go immediately to sleep when I finish working. I may have to fold laundry or clean something up. I’ve got to wash my face and floss. And here is where I find the time to write my books. If you can call it that.