Flowers in the Attic: Movie Review

Anyone who follows me on Twitter knows that last night marked the world premiere of Flowers in  the Attic on Lifetime. Fans have been waiting 30 years for a decent adaptation of  this powerful book. Is the wait over? 

Wilting 

FITA became a bestselling book in the 1980s, so naturally a movie adaptation followed. Despite a strong performance from Louise Fletcher, the film was disliked by critics, fans and  anyone else who read the book. It became infamous for being bad. 

Fans were thrilled when Lifetime announced their intentions to do their own adaptation, and I was chief among them. So how  does this new film stack up against the old one? More importantly, how does it compare to the book?

In the Attic

The movie began with the prologue from FITA, much to my delight. This introduction was changed a little. We found Cathy on film at age 12, not 7, and got thrown into the ill-fated birthday party pretty quickly. 

The grief scenes were shortened, though the key dialogue was left intact. Soon enough, we were arriving at Foxworth Hall. This scene was copied almost perfectly for the film, giving viewers an introduction to evil grandmother Olivia Foxworth.

Inspirational Authors: V. C. Andrews

V. C. Andrews was one of the first authors I read when I discovered books, and I adored hers. I re-read her early series books more times than I'm willing to admit. Her works inspired me to become an author (or something like one, anyway), and for that I owe her a debt...or maybe I should dislike her? Either way, I was greatly influenced by her work...and I think something rubbed off on me.

You Are What You Read

If you read a lot of a certain author, and love that author, it's only natural that you'll be influenced by that author. It's sort of like musicians. They always get asked "who influenced you" and they'll rattle off a list of names. Sometimes when they say a name you go "yeah, I can tell." Well, I was influenced by V. C. Andrews...and some of my readers can tell.

Fiction Fasion Icon: Cathy (Reprise)

 originally published Friday, October 12, 2012

It is the job of all authors to bring their characters to life. Most well-loved characters have a distinct look, noticeable characteristics, great flaws and strengths. Some authors even take things one step further, and create a distinct style for their leading ladies. To honor some of the great fiction fashion icons that I've read over the years, I'm introducing a new feature with one of my most favorite characters: Cathy Dollanganger.

Fashionable Femme Fatale 

Cathy Dollanganger is the main protagonist of the Dollanganger series, which spanned five books. The series was introduced in a debut novel from V.C. Andrews, Flowers in the Attic. It became an instant hit, though the movie didn't fare quite so well, and launched a career that has, phenomenonally, continued with new novels even beyond the author's death.  
 

It all began with Cathy. Through the series, she goes from age 9 to age 59 (or thereabouts), and that's a whole lot of clothes. For some special scenes, readers are treated to Cathy's outfits in exquisite detail. In fact, clothes are used to illustrate a lot of the turmoil she feels in the first book of the series. 

While Cathy is locked away in Flowers in the Attic, clothes are given to her by her mother Corrine, the woman who did the locking up. They're a compensation of sorts for the miserable life Cathy and her sister and brothers are now being forced to lead. In one memorable scene, Corrine gives Cathy beautiful ballet costumes so she can continue to live her dream of one day becoming a prima ballerina. The clothing is so beautiful, and represents so much, it fills Cathy's heart with love.

Later, clothes fill her heart with anger. After an extended trip away from her children, Corrine returns with tons of gifts...and more pretty fashions for Cathy. But as she tries them on, Cathy realizes that her mother is still buying clothing for a little girl -- a little girl she no longer is. The clothes represent all the neglect, and the blind eye Corrine is using to view the situation she's trapped her children inside. Cathy hates those clothes! She rips them off, tears them up and cries bitterly.

Fashion...it's such a fantastic plot device. Clothing continues to be important in Cathy's life. She goes on a shopping spree in the next book of the series, Petals on the Wind, and the new items represent a freedom of choice she has never before enjoyed as a young woman.

When Cathy is an adult, later in the book, fashion becomes her greatest weapon. By now, many years separate Cathy from her attic days of captivity, but the bitterness and anger has taken root in her and blossomed into full-blown revenge. It's not enough that she's free. It's not enough that she's achieved her dreams. It's not enough until her mother Corrine suffers. Isn't fashion a great way to make that happen? 

When Cathy decides to take her mother's husband, she invites him to dinner and dons a sexy red dress. The details of Cathy's seduction outfit are carefully revealed, and it's fair to say that she doesn't get the reaction from Bart that she wanted. He gets the wrong message from the red dress, and the entire plan pretty much falls apart.

For the most climactic scene of Petals on the Wind, the huge confrontation for which readers waded through hundreds of pages to get to, Cathy plans her outfit much, much more carefully. For the ending scenes of the book, Cathy dons an outfit so important and so well-described, it cements her as one of my favorite fiction fashion icons.

The green dress Cathy wears the night Foxworth Hall burns down was first seen years and years before, in Flowers in the Attic. The Christmas Party represents one of the only times during their attic imprisonment that Cathy gets to leave the little room in the big mansion, and the green dress is a fundamental part of the imagery of the party. It's worth by the ever-beautiful Corrine, Cathy's mother, as she dances and flirts with her soon-to-be-husband Bart. The green dress is a combination of velvet and chiffon, and it represents everything Cathy hopes to be when she grows up.

Years later, the green dress becomes her symbol of revenge. She has it re-made in exquisite detail and copies the hairstyle her mother originally donned when it was worn so many years before in Cathy's childhood. She even sneaks into the mansion to steal the same emerald jewelry that Corrine paired with the dress the first time. In this grand fashion, Cathy makes her re-entrance into her mother's life.

Revenge fashion is delicious when it's described by V.C. Andrews. The dress continues to be present through all the final scenes of Petals on the Wind, which ends in stunning fashion, and it left a huge impression on me the first time I read it. Every time I see green velvet paired with green chiffon, I think of Cathy Dollanganger, revenge, and blazing fire. It's a lot of powerful images, and it's all held together by some of the best fiction fashion you'll find in any book. 

Flowers and Fashion

Lifetime's adaptation of Flowers in the Attic will have its world premiere tonight, and that gives viewers the chance to see Cathy, her mother and the rest of the cast in all their best-dressed splendor. Will the green dress make its debut during the movie? Live Tweet with me while it airs, and we'll find out together!  

Books on Film: Flowers in the Attice (Reprise)

post originally published Saturday, August 11, 2012

When a book is very popular among a large group of readers, filmmakers generally like to take special care with the film adaptation. They consult the author of the work, they read the book themselves, they pay homage to the original material. This isn't what happened when Flowers in the Attic was transformed from a YA horror book that struck a strong note with teen girls...into 93 minutes of on-screen swill that you can't ever get back. Cringe if you like, but that description really isn't harsh enough for one of the worst book-to-film adaptations in the known world.

 

The Book

Full disclosure: I'm a little biased. Flowers in the Attic is actually a very special book to me, as it inspired me to become a writer (the jury's still out on whether or not I am). It was written before I was born and published in 1979 by V. C. Andrews, known to friends and family as Virginia. The book was her first and it was an almost immediate success, spawning three sequels, one prequel and a wildly successful novel-writing career that continues decades after V. C. Andrews's death. It's sold over 40 million copies worldwide.

Welcome to Flowers in the Attic Weekend!

Lifetime's remake of Flowers in the Attic airs this weekend -- so we're going to celebrate here at the blog until it hurts. 

Flowers, Not in the Attic

Flowers in the Attic was the first book written by V.C. Andrews, and it was published in 1979. It immediately became a hit. The book struck a chord with readers. With it, Andrews forged a career that continues after her death and pioneered a genre. Her writing is marked by its unusual mix of gothic horror, youth-oriented narratives and the recurring theme that sometimes blood is not thicker than water. Flowers was mainstream fiction, yet it explored extremely taboo subjects like rape and incest. 

And it inspired yours truly. I became aware of this book at age 9, Thanksgiving Day. I found it on a nightstand and started to read, purely out of boredom (what was I gonna do, watch football?). By the end of Chapter 1, Flowers in the Attic had changed my life. I decided, then and there, that I would write stories for a living. Almost every single decision I've made since that moment has been based on that goal. So it's very fair to say this book shaped my life, and made me who I am. 

I don't think it's completely out-of-line to honor it with a weekend, all things considered. So check back on Saturday to learn more about this remarkable story, and what it's meant to me. On Sunday, you'll find a full review of the Lifetime remake. Spoiler alert! I'm not likely to be forgiving about any deviation from the novel. Join me this weekend to let me know what you think of the books, the remakes and anything else Flowers-related.

Visit Lifetime to read an excerpt of the book, and feel free to live Tweet with me during the broadcast -- you'll get a sneak peek of my Sunday review if you do!

Writing 101: The Love-Hate Relationship

Sam and Diane. Elizabeth and Mr. Darcy. And my personal favorite, Scarlett and Rhett. The love-hate relationship is a strong literary device...and incredibly difficult for writers to pull off. 

Opposites Attract

Some say that hate is the other side of love, and the two are closely linked. Many married people will tell you that's the truth. If you haven't really hated someone, maybe you haven't really loved them. So it's only natural to depict love-hate relationships in fiction. When it's done well, it can be very engaging and moving. Done badly, and it's just unbelievably annoying. 

Writing 101: Action Scenes

Can you effectively write a thrilling sword fight? Show me a round of fisticuffs with full blow-by-blow? Make me gasp my way through a frightening chase? Action sequences can appear in any book, and they should. Otherwise, you've just got a bunch of sit-down dialogue.

Show Me the Blood

When a character walks across the room to pull a book of the shelf, it's action. But this is probably easier to write than an entire jousting scene replete with horses and squires and the whole show. In either case, at some point in every book it becomes necessary to make characters move around. It's your job to do that convincingly.

Writing 101: Do You Really Want Writing to Be Your Job?

Various studies and focus groups and research (and by research, I mean Twitter) show that many authors and would-be authors hope to one day write books full-time to earn 100 percent of their income. And maybe that's a flawed plan...because most novels don't make that much money. 

Dead...and Hating It

I don't want to get too gothic, or anything, but there's a long list of authors you've heard of who died penniless. Poe, Oscar Wilde,  Herman Melville (author of Moby Dick)...I could go on. Writing novels isn't likely to net you a lot of money, unless you write a lot of them or you write at least a few of them that hit really, really, really big. 

If you sell 1 million copies of anything, you're a huge success. But you're probably not ready for retirement. In order to be a best-selling, full-time novelist, you're going to have to sell in the neighborhood of 100 million copies...of more than one book. That's the reality, because you don't make much money per book whether you self-publish or walk the traditional publishing path. In fact, in traditional publishing you're likely to make much less so you must sell much more. 

Nor will writing gain you love. Emily Dickinson, Jane Austen, Jonathon Swift and John Keats wrote with romantic, poetic language that touched the soul. All died single. 

Give yourself a quick reality check before you think about writing as a full-time job. Go look at how many books are on Amazon. Now make a list of all the rich and famous authors you know. The ratio is going to be something close to 100,000,000 to 1, and I'm being really generous.

Making a full-time living from writing novels is very difficult. It takes a great deal of hard work and lots of luck. You have to write and market and write and market, and if you have a whole lot of support and people working with you then it's possible...for a rare few. 

But making a full-time living from writing...now, this is much more possible. 

The Everyday Writer

Traditional mediums like newspaper and print magazines are difficult to break into, and they're becoming a dying breed so it's harder than ever. But the Internet offers lots of wide-open opportunities for writers. There are many jobs out there for creative writers, bloggers, freelancers, copywriters and technical writers. You have to work a lot to make money. You have to establish good contacts. And you have to look for new jobs all the time. But writing full-time is possible, and while you're at it you can supplement your income and build your fan base with novels you scratch out on the side. 

But you have to ask yourself if you really want writing to be your job. No matter which road you try to take, you have to work hard. You will probably have to work 7 days a week, holidays as well. You must spend lots of time on non-writing tasks, like social media, and sometimes that can feel like a pain. You will be building a persona and putting yourself out there, and when you put yourself out there you open yourself up to all the criticism the Internet has to offer (and it's an infinite wellspring). 

It's lonely to write, and it can be hurtful. It requires a lot of hard work and you're going to take a lot of ribbing from friends and family who think you have it easy, somehow. You're going to get fired from jobs. You're going to have to fight to get your money, sometimes. You're going to read comments that hurt and you're going to suffer disappointments. But you're also going to be writing full-time, and for some that totally balances the scales. Now you have to figure out if that's enough balance for you.