Writing 101: Unresolved Subplots

If there's anything that will put me off a novel or book series, it's loose ends. I want every question to be answered, and where appropriate I'd really like to learn the ultimate fate of every single character, ideally. And that's why I don't truck with stories that contain unresolved subplots. Here's why it ought to matter to you: I'm not the only reader who feels this way. 

But What About the Dog? 

Subplots are used to add meat to the main story. They're around to provide excitement, or perhaps mystery, maybe even romance. In the best stories, I find, the subplots are intricately woven around the main plot and all the threads interconnect somehow. When subplots are just hanging out there for no reason, I always feel a bit like my time is being wasted so I appreciate it when everything ties together.

Writing 101: Are You Too Hard on Yourself?

As an indie author, you're in charge. You decide what to publish, when to publish, how the cover will look and how the promotion will go. You're the boss...but you're also your own employee. And every once in a while you need to stop and ask yourself if you're being way too hard on yourself. As an indie author, it's really easy to become your own worst enemy. 

Evil Twin

I'm not a good boss. I know, because I make my only employee work 10 hour days and 7 days a week. She doesn't get holidays off. In fact, she hardly gets any days off -- one a month, so far, in 2014. She has to eat while working and generally only gets negative feedback from me, the boss. My only employee is myself, and I have a habit of being way too hard on myself.

Writing 101: Being Funny

Everybody likes laugh, and that's why writers who can be funny can also do very well. So now it's time to ask yourself: what do you know about being funny? 

So Why Don't You?

Being able to tell a joke well doesn't necessarily make you funny, but it sure as heck doesn't hurt. So if you can tell a joke and other people laugh, then you've got a shot at being funny in your books. You don't have to be a stand-up comedian to be capable of writing a book -- or at least, a book with some funny stuff in it. But you do have to know what it takes to be funny, because some of the same qualities that make comedians good can be translated onto the page.

Writing 101: Everybody Says You Have to Read, Too

As I've mentioned before, I go looking for writing tips all the time. It never hurts to have help, and I don't care who you are. But there's one tip that I just keep on seeing, and seeing, and now I have to address it. Because everybody says you have to read, too. I'm going to tell you what's wrong in that tip. 

When Enough is Enough

I'm not saying that the tip is wrong in entirety. Yes, you should read. It's very important that one understands the mechanics of a novel if one is going to write a novel, this much is clear. And I'll take it even further by saying that you ought to read books across several different genres. It's not at all a bad idea to read classics, mysteries, romances, YA novels, horror novels, fantasy novels and any other darned thing that strikes your fancy.

If you're a lover of words, you're probably going to do all of this anyway. And if you become an indie author, you're probably going to read self-published books as well. But here's where I draw the line: you don't have to read all the time.

Writing 101: Building Suspense

Building suspense is truly a fine art. If you can master it you can craft thrilling stories. But you may also be running your readers around in circles instead. Are you actually building suspense...or are you wasting my time? 

Writing in Circles

There is nothing more deliciously suspenseful than watching an Alfred Hitchcock movie, and knowing that something is about to happen. Sitting on the edge of your seat with your heart pounding, anticipation building and rising. But the thing about a Hitchcock movie is this: it's going to be over in 2 hours. So you know you're going to have to wait...but you also know the wait isn't going to inordinate. When it comes to suspensful novels, it's a whole different game.

Writing 101: Does It Need to Mean Something?

Lately, I've been asking myself a question about books: does it need to mean something? Does a book need to have some sort of merit, a reason for being, or is it okay to simply tell a story? 

What's It All Mean? 

I feel that I've been on both sides of this argument. I believe that, for the most part, people read way too much meaning into books. Even having a certain book in one's possession may carry some sort of meaning. People have been killed, I'm talking about murdered, because of a book. That's taking it too far, and I often say that all books should simply be taken at face value. Quit looking for meaning, just enjoy the story.

Indie News: Self-Publishing as a First Choice, Not a Last Resort

For some reason, the word manifesto has always had a bit of a sinister connotation to it, to my ears. But this time, I'm willing to give Smashwords founder Mark Coker the benefit of the doubt.

Manifesto

Coker has written what he calls the Indie Author Manifesto. In it, Coker identifies 10 beliefs and values that he believes characterizes the self-publishing boom. 

Coker's most compelling point is a call to change the way readers and authors think about self-publishing. He says that once this was viewed as a last resort, someplace for failed authors to go. Coker thinks that needs to change, and he's hopeful that it is already changing. His prediction? In a couple of years, more first-time writers will want to self-publish than to traditionally publish their work. He says that indie authors will be "the cool kids."

Writing 101: Lecturing vs. Describing

So, I love historical fiction. I don't know why; I always hated history in school. And while I do love it, I've noticed something wrong with it: many writers start lecturing their readers instead of just describing the story to them. And while I've noticed it with historical writers more than others, this is an attitude into which even the most skillful can slip. So how do you prevent it? 

Blah, Blah, Blah

A novel should read a bit like a discussion. I should almost be able to hear your voice, and the voices of your characters, as I'm going through it. And that voice should have a natural rhythm, a specific rise and fall, a certain melody to it. It should not feel like a sermon. 

Even the best writers can start lecturing, and apparently never really realize that they're doing it. There was a book series, once, that I loved. The books were enormous but that was okay because I loved the story so much, and the author took such pains to make it accurate. And I mean, she really took pains. She told me about the plant life, the animal life, how to hunt them and where to pick it, the bugs, the leaves, the blades of grass, the wind blowing...at a certain point, it got to be a real drag. 

Not that I'm not into grass, or anything, but there was a problem with all this very rich description: it didn't have any interaction.