Justice (Deck of Lies, #1)

Get it everywhere online books are sold!

The Tower (Deck of Lies, #2)

Visit the Books page for free samples

Death (Deck of Lies, #3)

Get book downloads on the Free Stuff page

Judgment (Deck of Lies, #4)

Get the boxed set edition to get even more secrets!

Hope's Rebellion

Get it now!

Writing 101: Motive

People have a pretty high tolerance for fiction. It's okay to write about a psychotic killer who carves people up. Many fine stories have been based on this gruesome plot device. But it's not okay to fail to provide a motive for those killings. And the thing is, psychotic killers aren't the only characters who need a motive. All of them do. 


Why? 

If you follow me on Twitter, you may know that I spend a good portion of my day watching Investigation Discovery. I can get away with it by telling people it's research -- I write mystery novels. But when I'm by myself and an interesting case is unfolding, I might find myself doing some good-natured (not crazy) yelling at the television screen. Usually, I'm shouting just one word: why?

To me, that's the most important question in every story. Why is the main character in love with this guy? Why is that villain being so mean? Why is this all happening? It's easy to get caught up in writing vivid action scenes, steamy romance scenes and exciting dialogue...and forget all about including a motive. 

Something is driving these characters, and readers want to know what it is. There are lots of different ways to expose motive. Maybe you do it right at the front with an exciting scene. A character who nearly drowns, for example, might spend the rest of the book being terrified of water. The beginning scene that shows that near-drowning explains this fear nicely. Just imagine how the book would read without it. Some writers might wait, and reveal the past drowning more toward the middle of the book. 

It doesn't matter how you do it, only that you do. Every character has a motive, and you've got to know what it is so that I, the reader, can know what it is, too. Whether you choose to spell it out plainly or reveal it through a series of scenes, you've got to show the motive behind the characters.

Otherwise, I'm going to end up sitting on my couch, Kindle in hand, screaming why at your book. And I promise that, when my neighbors ask, I'll blame the whole thing on you.

Writing a First Draft

I stopped by a friend's blog recently to share my thoughts on writing a first draft. Go read it to find out what to do before you start writing!

Insomnia...Sort Of

It's not so much that I have insomnia. It's more about the fact that I can't find the time to sleep, but paradoxically I can find time to play Scrabble. This brings me to the recent revelation I experienced, one night around three in the morning: I'm really terrible at Scrabble. 

It bothers me to the point of distraction...and that brings us full circle to my sort-of insomnia. 


She Was a Scrabble Queen...

So I got this email inviting me to download a Scrabble app. I have a pretty high-grade app addiction, so I couldn't click the link fast enough to start the download. And besides, Scrabble? Of course I'll play Scrabble with you. I'm a writer. I rule at Scrabble. If being a professional wordsmith is good for anything, it ought to darn well be playing Scrabble.

It was with this very superior attitude that I loaded up the app and confidently entered into a game with the person who invited me. And because I am so superior, I wasn't even about to stop there. Why should I battle just one challenger, when words are my stock and trade? One opponent? Ha! You better bring more than a couple of guys to take me down.

So I went ahead and started up 5 different games. Yeah, that's right: my confidence was sky-high. Not only am I a marvel of app-juggling, I'm a pretty intense gamer when I have the time to focus on it. And I know words. So bring it on!

You can imagine what happened next. I began to lose. By a lot. I pit myself against multiple challengers, and I'm more than a little humiliated to admit to you today that I have won a single Scrabble game on my new app to date. Yes, just one game.

It bears mentioning that I downloaded it a week ago.Not only did I lose to the person who invited me to the game, I've lost to multiple random app-users who I like to pretend are J.K. Rowling, James Patterson and another half-dozen authors I admire...but it's much more like they are all in the seventh grade.

So naturally I have been making myself crazy playing Scrabble. Some of my games last for days, and turns may take up to 14 hours before I make a move. No, it's not because I'm studying the board for that long. I've had to set limits on myself, so now I only check the games when I'm caught up on my Tweets, my mail, my forums and the other stuff on my list. It might take 14 hours before I manage all of that in any given day, so that's why.

Of course, it doesn't help that when I do go to make a move, I check every single word in the dictionary and spend plenty of time mumbling to myself in frustration and dismay. The swearing takes up an excessive amount of time. It's unfortunate they can't be used as viable Scrabble words. Then I would rule at the game.

It's been a bit of a bizarre week, I'll admit. I had the mistaken idea that taking random Scrabble breaks throughout my day would prove to be a fun experience, a stress-relieving enterprise. Because I might work for 14 hours without taking a deep breath, this seemed like a perfectly reasonable course of action to pursue. Little did I know I would end up in a confidence-shattering competition with word masters who have gone into the hills of the Himalayas to study the most obscure words ever invented in language...or a pack of schoolchildren with stunningly vast vocabularies. I can't decide.

To put it a bit more simply, the Scrabble didn't help me relax, have fun or relieve any stress. It helped me miss more sleep, as I found myself lying in bed at the end of the day trying to find out if "qi" is an acceptable word (it is). If anything it's compounded my stress, as I have now fallen behind in my newly re-affirmed reviewing schedule. The tale I'm embroiled in now is a very intriguing blend of fantasy and mystery. I'll write a full review if I can stop staring at the Scrabble board long enough to finish it, and I'm making no promises. I'll out-word Bobstar if it's the last thing I ever do. 

Because I'm a writer, darn it...and doesn't that mean I ought to be amazing at Scrabble? I'm going to go sleep on that question as 10-point letters dance by in my nightmares tauntingly. I leave you with this piece of advice: if you decide to play Scrabble online, hope that you'll end up playing against me.

Writing 101: Writing Logistics

If you think it takes a lot of time trying to write a novel, try putting one together after it's been torn into fifteen to thirty different pieces. There's a lot more to being an author than turning out purple prose until your fingers bleed. You also need to pay attention to your writing logistics with every chapter and every book. Otherwise, you're going to get sucked into an undertow of time-wasting document-opening. I know, because for a long time I lived there.


Let's Talk About Documents

The few novels (and believe me, I'm using the term loosely here) that I ever wrote I completely screwed up. I gave each chapter a title, and wrote each one in a separate document. Naturally, I named those documents after the title of the chapter -- not by their numerical value. I'm sure you can imagine what sort of a nightmare this became any time I needed to access an element in the story, like if I wanted to re-read it in its actual order. I'm opening up documents, and getting frustrated....and wasting a ton of time I could've spent writing instead. 

Don't let this happen to you. I had to learn writing logistics the hard way, but now that I have I've got a system that works. Use mine, or come up with your own, but make sure you get it worked out before you write. Then, you won't end up plowing through bizarrely-named documents at the center of a disorganized mess.

First, make a folder for each book -- I'm talking about a separate folder for each. The folder should be the name of the book, or a stand-in name if you haven't titled the work yet. I'll use the main character's name, or a certain word I've associated with the book, as a stand-in. If it's a series, make a folder for the entire series and put each associated book folder inside.

Write the entire manuscript in a single document. I like to name mine manuscript, that keeps things simple, but it makes more sense to name it after the title of the book. Always save a second copy of the manuscript elsewhere on your hard drive, and back it up on a flash drive as well. 

Store all your resource materials for the book in the same folder. This might include your cast list, an outline, maps, notes, timelines, the blurb, whatever you've got. Give each one of these documents obvious names (like outline, map, notes, and so on) to make them easy to access. Back up a copy of the entire folder every time you make changes, so you don't run the risk of losing your work.

Find a simple, straightforward system for keeping your books stored on your hard drive. Writing logistics are pretty boring, but you need them to build a strong foundation for your craft...and to keep yourself from wasting a bunch of time you don't really have.

Writing 101: The Most Over-Used Descriptor?

Because I'm pretty good at distracting myself, I got caught up recently in re-formatting one of my really old books (long story). While erasing unnecessary line breaks, I couldn't help but notice one word appearing again and again...and again and again. It was everywhere, and it was being used the wrong way 50 percent of the time. That word stuck out at me, and I started thinking about how often I've been seeing it in recent months. That's when I realized that it may just be the most over-used descriptor in fiction. This was quickly followed by the revelation that I can never, ever use it again...and I don't think you should, either. Allow me to plead my argument against the word slightly


Insert Your Adverb Here

She smiled slightly. "I didn't expect to see you here."
He nudged her arm slightly. "Did you see that?"
I felt the room shake, slightly, as the big truck roared past.
I'm getting slightly tired of all this. 

The examples above are pretty good approximations of recent sentences I've read in fiction containing the word slightly. And honestly, they're all pretty poorly written because of that word. Slightly isn't just an over-used descriptor...it's also a bad one. 
By definition, slight means small, or some derivative thereof -- when it's used as an adjective. As a verb, slight means to treat something or someone as if they are small. For example: "The movie star was slighted by the Academy Awards when she wasn't nominated." 

When you add ly, slight becomes the adverb slightly...also known as the one-size-fits-all word for any writer in a describing jam. Add slightly to any sentence, suddenly it feels a little bit fancier. Why shrug when you can shrug slightly? Why chuckle when you can slightly chuckle? Why come up with a better word, when this one can be shoved anywhere?

Because it sounds fairly horrible, that's why. Let's take the prose and put it into a real world context. What does a slight smile look like? What does a slight laugh sound like? To what degree of pain does one feel a slight nibble or a slight kick, and what would I hear if you let out a slight sigh? 

Slightly isn't a degree, and it's isn't at all a good word. My idea of slightly might be totally different from yours, and as an author you've got to be more specific than that so I know what you're actually trying to convey. Slightly is just too vague, and it's too easy.

Slightly Synonyms

Thankfully, you get to the use the entire rest of the English language to write your descriptive text. That gives you over a million different words to choose from, and I'm going to start you off with a dozen that are perfectly serviceable synonyms for slightly: gently, weakly, ineffectually, somewhat, hardly, imperceptibly, daintily, casually, lightly, marginally, scarcely and faintly. Now, go write!

Ten Answers from Jade

I recently answered 10 questions, and you can read all my answers at From Mia's Desk. In the interview, I talk about the first story I ever wrote (tried to write). Go check it out!


Writing 101: Sub-Plots

Every book revolves around a central plot or theme, or should attempt to do so. But don't just stop there. Add new layers to your book, and more dimensions, with sub-plots.


Stories within Stories

Also referred to as side stories, sub-plots add extra story to your book. This can help you in a lot of different ways. Let's count them: 
  • More pages: If you're falling short of your desired word count, adding sub-plots will give you extra pages of text. 
  • Character development: Sub-plots are a perfect way to develop your characters, and make them feel more real. If your characters are learning and growing because of your sub-plots, then you're writing them the right way.
  • Complexity: Adding sub-plots adds more layers to the book, making it richer and more complex. More complex stories are often more rewarding stories, but there's a danger here as well. You don't want to muddy up your main plot too much, or make your story too convoluted. When it comes to sub-plots, a light touch is usually best.
Sub-plots can be very simple, taking place over just one scene, or become a long thread that weaves through the entire book. There are lots of good reasons to add sub-plots, but don't add them just to be adding stuff at random. Like every single word in your book, the sub-plots have to add something tangible. Make them relevant to the characters and to the overall plot. 

Always be wary of over-writing. Include sub-plots only when they bring something important to the book. Otherwise, don't do it.

Writing 101: When to Start Promoting

Many self-published authors, and even those who aren't, are largely responsible for their own marketing. Promoting one's own books takes up a lot of time, so much in fact that many say it takes up more time than actually writing. For every four hours the self-published author spends on marketing, they might spend just one on writing books. So when should you start promoting that very first book, or even your second? When is it time to shut down the Word program and fire up Twitter instead?


Promoting Books

When should self-published authors start promoting their books? The answer to that one is pretty simple: immediately. Begin building your brand even before that first book is released. Start creating a buzz for your new book while you're still working on the first draft. And once you start promoting your books, you never stop promoting. After that first day of marketing, it becomes your every day job. 

Welcome to the life of a self-published author. You become one the moment you make the decision to self-publish, and that means you've also made a decision to start marketing. Make a Twitter account, a Facebook page. Join some online forums for writers and readers. And start talking about your upcoming book. Build up your fan base and let them into your process. You should also have a blog even before your first book comes out, and start regularly working on posting new content and gaining new followers. 

There's an easy answer to this one. If you're a self-published author, or you're going to be, it's never too early to start promoting. Finding the line between promoting and over-promoting...well, that's a whole different blog post. But the getting started part, that's easy. So, go!