Justice (Deck of Lies, #1)

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Death (Deck of Lies, #3)

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Judgment (Deck of Lies, #4)

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Writing 101: Accept vs. Except

Accept and except are spelled differently, but they're pronounced the same. That makes them difficult to write with, a problem that's further complicated by the fact that they have so many different meanings and forms of use. But if you put one in the wrong place in your book, you're going to greatly confuse your readers and totally change your own plots. 


Accept

Accept basically means to take or to agree. The word can also be used to show a response or an answer (Sally accepted Luke's invitation to have lunch). Synonyms for accept include gain, obtain, welcome and acquire. You can also accept a burden or a responsibility, maybe even unwillingly (I accept blame for all my wrongdoings). It's used in a lot of different ways, and that's what makes it so hard to use properly.

In spoken English, accept sounds like another word with a lot of definitions: except.

Except

Basically, except just means but. A fancier definition for the word is other than; you can also use the synonym unless. Other synonyms include excluding, save and without. Everyone was standing, except me. You could just as easily write Everyone was standing, other than me. But put accept where except ought to be, and you end up saying something like Everyone was standing, to take me. Doesn't make much sense, right?

  • Expect
It's worth noting that expect is also a word, and it's one of those tricky typos that's so easy to make because the hands know how to move faster than the brain. It's very easy to type expect instead of except, and the meanings are wildly different. Expect means to anticipate. So suppose you type expect instead of except, and you really should have typed accept in the first place? You might end up with a sentence that says something like Bob expected the job with a great sense of joy

It actually makes sense, and that's why these words are so dangerous. You meant to convey that Bob accepted the job with a great sense of joy. In other words, he got the job and he's happy about it. You went to type except and typed expect instead, and no grammar checker in the world is going to flag you for it. It's not enough to scan through your book to make sure it's grammatically correct. You've got to make sure it's readable, too, so you avoid errors like this. Because if you get that sentence wrong, readers won't understand that Bob actually did get the job -- and who knows what sort of plot holes that's going to create?

Knowing the Difference

It's much easier to avoid problems with common typos if you're avoiding grammar problems in first place. Knowing how to easily tell the difference between accept and except will only save you trouble in the future.

Remember that we someone is accepting anything, they're essentially saying yes. Becky accepted the gift. Joe accepted the advice with a nod. Joe accepted his defeat like a man, and stepped forward to shake hands

When something is being excepted, you're basically saying no. Everyone except me understood. Did I understand? No. I liked all of them, except the red one. Did I like the red one? No.

If that only gets you more confused, just go back to your basic parts of speech. Accept is almost always a verb, an action. Except isn't action, it's used more like a conjunction.

Or, you can match letters. Accept means agree, A and A. Except is excluding something, EX and EX.

Get Thrilled in The Tower

"If I could describe this book in one word, it would be EXCITING."


"I was left surprised, shocked, and blown away!"

The Tower (Deck of Lies, #2) has been reviewed at Little Book Star. Read the review before you get your copy from Amazon, B&N, Smashwords or Kobo. The Tower is also available in paperback!

Jade on Advertising

 I discuss book marketing in my newest interview at Verdict Book Reviews. Go check it out, and feel free to use the comments section to share your own thoughts on book marketing!


Books on Film: The Legend of Sleepy Hollow

Teachers all across the United States whip out The Legend of Sleepy Hollow towards the end of the every October and read the rich, poetic language aloud to the class. It's hard to understand; that why my teachers also showed an animated version of the story. I'm pretty sure the Disney version starred Goofy. The more famous film version of the story, Sleepy Hollow, is even more farfetched than the cartoon. 


The Story

To be technical, The Legend of Sleepy Hollow isn't a book. It's a short story, and it's so old that you can read the whole thing for free any time (public domain). It was written by Washing Irving, and first published in 1820. Irving is well-known for another short story, Rip Van Winkle. Though Irving wrote them both in England, Sleepy Hollow is considered to be American fiction because it's set in what would become New York state.


It takes place in a Dutch settlement named Tarry Town, in an area called Sleepy Hollow. The hero of our tale is Ichabod Crane, a skinny and lanky Connecticut teacher. He would like to court Katrina Van Tassel, daughter of wealthy farmer Baltus Van Tassel. Abraham Van Brunt, known as "Brom Bones," would also like to court her. They each attempt to woo her at a party inside the Van Tassel home. 

Ichabod leaves the party alone and finds himself being chased by the Headless Horseman, an enigmatic figure who is supposed to be the ghost of Hessian (German) trooper whose head was shot off during the Revolutionary War. Every night, the Headless Horseman rides through Sleepy Hollow in search of his missing head.

The reader learns that Ichabod disappears after the night of the party, and from then on out Brom Bones has a "knowing" expression on his face whenever the man's name is mentioned. Brom Bones goes on to marry Katrina, as he wished. 

The story never tells us who the Headless Horseman is, exactly, but seems to imply that it was Brom chasing after Ichabod that night.

The Film(s)

It's a very old story, and naturally The Legend of Sleepy Hollow has been adapted many, many times. There are several animated versions, but even before these were viewed it became a silent film in 1922. Re-titled The Headless Horseman (because he's the best part of the story), it had Will Rogers in the role of Crane. I haven't seen it, but a few summaries point toward a fairly faithful adaptation. Crane is indeed a teacher and he does fall in love with the girl, but in this version Bones isn't his only enemy. In 1922, the whole town despises Crane, so no one knows who was really the Horseman.

By far the most well-known adaptation of the story is Tim Burton's 1999 joint Sleepy Hollow, which is probably the most unfaithful version you can find (but what else do we expect from Tim Burton?). Ichabod Crane becomes gorgeous Johnny Depp instead of a lanky teacher; he's also turned into a police investigator. 

This time around, there's a definite supernatural quality to the Horseman (played by the scariest actor ever, Christopher Walken). Christina Ricci is Katrina, and Capser Van Dien is Brom Bones. Crane is in town to investigate a series of strange murders, perpetrated by the ghostly Horseman.

Ichabod is highly skeptical of the villagers' explanation. He becomes a guest of the Van Tassels and becomes attracted to Katrina, like he's supposed to. He travels into the woods and finds the Horseman's grave and the Tree of the Dead. Eventually, he discovers that Lady Van Tassel, Katrina's stepmother, is controlling the Horseman for a revenge plot involving land. Crane has to find the Horseman's skull to end his reign of terror, which he does. Crane lives in this version, and takes Katrina with him back to New York.

What Got Adapted?

It might be easier to tell you what didn't get adapted in the transition between book and film for Sleepy Hollow. The most accurate part of the book is the setting, and even that's questionable. Obviously, some of the additions are necessary. Irving's story is pretty short, so it's understandable that characters had to be invented and new back stories revealed...but there were huge changes from the story in the Burton version, and I don't really think they were necessary.

Burton does include the party that's at the heart of the original story, and the tension between Crane and Brom is briefly touched upon. But stunningly, Brom dies in this version. He does dress up as the Horseman to frighten Crane, and ends up being killed by the real Horseman. This gigantic diversion from the original is only the tip of the interpretation iceberg.

Crane blacks out several times in the flick, and in this version the Horseman is well and truly the ghost of a soldier who has indeed lost his head. Walken is fantastic on film as the Horseman, because he's frightening no matter what he's doing, but it's a big deviation from the original tale.

Irving's story is filled with color. He describes food and clothing, and paints his world in bright hues. Tim Burton does exactly the opposite. Even the trees in Sleepy Hollow look gray, and honestly no one would live in this horrible place. Everything is dull and dirty and terrible-looking, and yet we're supposed to believe it's farming country. The ending is quite different, and there's nothing mysterious about it at all. In the story, Crane dies and we're never really sure who killed him (but we think it's Brom). In the film, Brom is dead and Crane actually gets the girl -- but with Depp playing the leading man, moviegoers surely wouldn't accept anything else. 

And besides, it wasn't even an original story when Irving wrote it. The Legend of Sleepy Hollow is based on an even older German folktale that was set in New York state, and recorded first by Karl Musäus.

Seeking Secrets in The Tower

"The story seems straightforward, but then it curves and twists so [it] continually surprises."


"I really enjoyed going down the rabbit hole with Rain as she discovers secret after secret."

The Tower has been reviewed at Quirky Girls Read! Go and read the whole thing before you buy your copy of the book, and see if you can find the truth in the Deck of Lies.

Who Even Needs to Know Grammar, Anyway?

Clearly, I have strong feelings about the importance of good grammar, proper punctuation and well-crafted writing. But am I wasting my time, and yours, by blogging about it? In a world where word processing software highlights misspellings, underlines bad grammar and comes with a built-in thesaurus, besides, just where exactly do people like me fit in? Why do you need me, if you've got software that does it all for you?


 Oh, You Need Me

You can't even compose a tweet without getting spelling help nowadays, and every time I screw up during a blog post a helpful red line pops up to guide me. I don't even have to hit backspace and re-type the word; I can just right-click my mouse and magically fix the problem. That's the wonder of technology, and it's easy to grow incredibly complacent (lazy) when it comes to good writing. What's the point of knowing all this grammar garbage when any half-decent software program will do the job on its own? 

Because it can't read, that's why. I know that computers are cool, and iPhones can do darned near anything. I'm a big fan of streaming video and satellite radio and all the awesome extra stuff you can find in MS Word if you start looking (and I do go looking). But no matter how great your system happens to be or how wonderful your software is, it cannot read. It will never read your story and cry, or laugh out loud, or feel shock or surprise. It has no idea what you're writing about, and it never, ever will. Your word processor doesn't even comprehend that you're creating a book, and doesn't care. No computer can ever have the understanding and recognition that a human being has...that you have. 

And that's just the first problem, though honestly that's all you need to know to know that you've got to make good grammar decisions. The second problem is that word processing software is often wrong. It probably won't recognize most of the first and last names you give your characters, it'll flag place names all day long, and there are all kinds of foreign phrases it's going to pretend not to recognize (and we all know it's fluent in at least a gagillion languages). 

Forget about using it to double-check dialogue. If you're breaking your sentences up to make them interesting and actually writing the way people talk, chances are pretty good that you're getting an error line on every other line of your book. I've personally been waylaid by the built-in grammar checker on numerous occasions; once, my laptop even had me questioning my own sanity. It's a computer program that's trying to make sense out of something it cannot possibly understand, and if you rely upon it to write your book you are going to be led astray.

Only you can read your book the way actual reader are going to be reading, and only you know the story you want to tell. It's your job to tell that story in the best way possible, and that means knowing how to correct your own grammar. You wouldn't let someone else choose your book cover or name your protagonist, would you? Would you let someone else choose the price or pick the title for your book? 

Then why would you leave the writing of it in the hands of a machine that has no idea what it's doing?

Writing 101: The Joy of Templates

I've made it clear that I'm a big fan of staying organized during the writing process. I create outlines, character sheets, the whole ball of wax. But sometimes, you need something more than the standard blank document to keep your plot organized and all your thoughts straight. I'm talking about the joy of templates. 


Let's Hear it for Templates!

I've advocated using templates to keep your manuscript properly formatted; this will save you a ton of frustration and time when you convert your work into an ebook-ready format. But templates serve another important function: they can help you keep all your book notes organized. 

Plots can get pretty complex, particularly if you've got a lot of characters interacting or a big event happening. I'm usually pretty straightforward when it comes to writing outlines for my stories; in the past, a blank Word document has always been good enough for me. But lately I've been working on a novel that's extremely involved. There's a special event going on over multiple weeks that involves all sorts of information and characters, and frankly it's incredibly confusing. 

To keep the days of the event straight, I pulled up a calendar template that fits right onto my computer screen. It's possible to set the calendar to any year and month, so for me it worked out perfectly. I used another template to keep some very extensive notes organized and categorized (it's basically a list of objects with brief descriptions, and information about who's bringing each object -- sort of). 

The point is, I'm pretty sure my book would be an utter mess without these templates. When I need to know something specific, I can just glance at a single document to find what I need. Otherwise, I'd have to crawl back through the book to find out what I want to know (and I don't need that kind of hassle). 

There are dozens and dozens of templates available for a variety of word processing software. Microsoft Word, by far one of the most commonly-used processors, makes it incredibly easy to find templates. There's a built-in list of what's available, and if that isn't good enough you can always type something in the search bar to seek out the proper template online. MS Word will find the template and allow you to download it without ever leaving the program. Other word processing programs offer similar features, so you should never hesitate to look for a template if you want to get all your important notes and information well-organized.

Writers need tricks, help and props to survive, because writing is hard. Create as many documents as you like and write all the notes you need to keep your plot, characters and other pertinent information organized. The more organized you keep all your information, the less editing and re-writing you'll end up doing later.

Going Inside The Tower

"Rain's life only becomes more and more turbid, more tangled, more mysterious...an excelent sequel."


"Jade Varden has created another EXCELLENT book...with drama, mystery, friendship, self-discovery, redemption and one of my favorite characters."

The Tower (Deck of Lies, #2) has been awarded 5/5 stars at Reading...Dreaming. The review is spoiler-free, so feel free to read it at will.