Writing 101: Finding Inspiration in the Worst Scenarios

With everything going on in the world today, it's pretty hard to think about writing a story. How do you write about happiness, love, good health and other positive factors when it seems like the world is totally falling apart? It's hard to put aside the fear and the worry. It's hard to ignore those terrible headlines and the numbers of deaths that just keep getting bigger and bigger. 

So don't ignore it. Use it. If you're finding it difficult to work on your writing projects, put them aside for a little bit and start channeling all your feelings about coronavirus into a brand-new story. Writers find inspiration even in the worst scenarios and turn them into entertainment. After all...doesn't everyone deserve some entertainment right now?

Get Inspired

I once said that a writer's task is not to live life. It's to observe it happening to others. Right now is the absolute perfect time to write. You can't go anywhere. You can't see anyone. You can't do anything right now except for writing. Which, let's face it, is a great way to socially distance yourself from everything. So, remove yourself from the equation. Get out of your head. Take a break from the fear.

And write about it. 

Find inspiration even in the horrors of the world. Make them more horrible. Make them better. Make them whatever you want. Because you're a writer, and that's what we do. After all, if a society of people walking around in masks doesn't inspire some kind of frightening dystopian epic, what the heck does? 

Take the bad things and put them on the page. Because there, you can control them. There, you can determine the outcome. You can make things as horrific as you like or as wonderful as you hope. You decide who lives, who dies, who gets sick and who doesn't. 

Take the fear and the worry and make it work for you by writing it. Because writers find inspiration even in the worst things and turn them into incredible, amazing stories.

Writing 101: Should You Be Using Grammarly?

If you haven't already heard of Grammarly, where have you been? This is a browser app that advertises heavily and has managed to spread through the online writing community like wildfire. So as an author...should you be using it?

Built-In Grammar Help

If I'm being honest, I'd make lots more mistakes if it wasn't for built-in spellchecking. Sometimes, I feel when I make a mistake and ignore it because I know the spellcheck will pick it up. But does that mean using apps and built-in help is always a good idea for writers? Take a look at the light side and the dark side of using Grammarly.

The Grammarly extension catches much more than your standard auto spellchecker. It highlights many ore grammar errors than Google Drive, Word or any of the other popular word processing programs. It can even help you with punctuation. Once you've got the extension installed and enabled, you can simply forget about it and do all the writing you want. The extension will catch all sorts of errors.

Simply by highlighting basic grammar and punctuation issues, Grammarly can be a big help when you go back and proofread that first draft. However, like every other similar program, Grammarly isn't always totally right.

Sometimes, you might need to bend or break the rules just a little to make a point or create a certain feeling in the reader. Lots of authors have played with the basic rules -- or ignored them altogether -- in order to make the prose flow more beautifully. So you can't simply make every single correction that Grammarly suggests. 

Grammarly has become so popular that some editors now require professional writers to use it as a standard practice. It's a useful tool that any writer or author can use to catch errors but it also shouldn't dictate how you craft your prose. As always, use our judgment and rely on your own sense of writing style above all else.

Writing 101: Re-Writing the Rules

There are certain things that every fan knows about zombies, vampires and werewolves. You probably have some ideas about what elves are supposed to be. Everybody knows what a hobbit should look like. And if you imagine a dragon, it's probably going to breathe fire at some point. There are certain creatures and creations that have their own lore and mythology. But here's the thing: some writer made all that junk up. So if you're going to include a mythical creature or human-like thing in one of your books...who says you can't re-write all the rules?

Sparkly Vampires

There are certain accepted "facts" about mythical creatures and beings. For instance, everyone knows that sunlight kills vampires. But here's the deal: vampires are made up! Vampires were the invention of a writer. Doesn't that mean that new generations of writers can re-write those rules?

After all, it has been done before. In the uber-popular "Twilight" series of books, author Stephenie Meyer made up a whole new set of rules. Her vampires didn't die in the sunlight, they sparkled. And while purists poo-pooed at this idea, it's hard to argue with the success of 100 million copies sold and five feature-length films. 

So should your hobbits be tall? Should your trolls be sexy? Should your zombies break the most well-known rule of them all...and actually talk? Yes! If you want to write it, write it. As an author, you're always allowed to re-write rules, make up your own lore and go ahead and create brand-new traditions. After all, dragons exist only in stories. So who says that your dragons can't be as different and unique as you want them to be?

Sometimes, re-writing all those "rules" of lore works really well. The secret is to be committed and to be fearless. After all, it's your story. You make the rules.

Writing 101: Killing Your Darlings

"Kill your darlings" is common advice that people who don't write give to writers. What does this expression mean...and should you be following it?

There's a lot of different advice out there for writers. Apparently, just about everybody knows how you should be writing your novels. "Kill your darlings" is one extremely common expression that's told to writers all the time. Basically, it means that you should kill off your favorite characters.

Killing Characters

The philosophy behind it is that the plot will make a bigger impact on readers when you kill off your favorites, because your favorite characters will be the audience's favorites, too. 

It's true that the death of a character should create a visceral reaction in readers. You want them to feel it. You even want them to cry...at least a little. But when it comes to writing, nothing is ever as easy as a cute little motto or a pat piece of advice.

Killing Them Softly

Because "kill your darlings" can be done badly, too. And the trouble is, by now everyone's heard this advice. Even non-writers have heard this incredibly common expression and they know what it means. Readers are savvy to all the tricks that writers attempt to pull off. If you work too hard to make a character likable, you might as well just name the character Hi I'm Going to Die. 

You never want readers to sense the plot that's coming. You want to keep them guessing, shake them up, twist them and shock them. And if you create some super-lovable character that they're patently supposed to like, it's pretty guaranteed that they won't like that character. When the clear "darling" dies, readers will turn the page with hardly even a sigh.

Die, Die My Darling

There are some "right" ways to kill your darlings without spoiling your own plot. With an audience of sophisticated readers who won't fall for a simple trope like "kill your darlings," you're going to need to be a bit more clever.

• You can always make a character so darling to readers, they think you'd never kill them off. Don't just make them like the character. Make them adore the character. Once the audience thinks that person is definitely safe, drop the hammer...so to speak. 
• Make them darling later. Turn the idea upside-down by making readers like a character only after death. This way, the death will continue to resonate with readers as they learn how likable an already-deceased character truly was. When they read the book a second time, the death will be even more powerful than it was to them on the first read.
• Kill someone who seems really important. Killing a character who feels like a main character can be shocking and devastating when it's handled the right way. Your main character's love interest or best friend, for example, can become a shocking death on the page. Kill a character that seems like a solid, integral part of the story.

It's every writer's task to find a way to twist plots and take old tropes and turn them into something new. You can follow the standard advice of killing your darlings...but try to do it in a way they won't see coming, or it won't have the effect you want.

War and Battle in the Sea

"Jade Varden’s imaginative and creative description of the underwater living world is to be praised, especially for her unique War and Battle in the ocean approach opposing most of the fairytale stories about mermaids and their lands."

"Song of the Sea" has been expertly photographed and reviewed at Bookidote. Visit the site to read the whole review!

Get your print copy of "Song of the Sea" at Amazon.

Writing 101: The Non-Character Narrator

First-person narratives directly connect the main character of a book with the audience. I am telling you these things, I am relating my story to you as the first-person narrator. But sometimes, the narrator will talk to you, as a reader, even when they aren't a character in the story itself. It can get a little tricky to pull this off, but it can be an effective tool for certain types of stories.

The Way I Heard It...

In a first-person narrative, the main character is directly relating events that happened (or are happening) to them. But you can also directly address the reader using a narrator who isn't even in the story. These narrators are relaying events that they know about, but didn't experience. And yes, it can be pretty hard to write. But there are reasons why you might want to try it.

Writing 101: Author Reviews

It can be really hard to get reviews for a book, and self-published authors are the type of people who take things into their own hands. That’s why some authors go ahead and take the next step on their own, and write author reviews of their own books. Should you...or shouldn’t you? 

Your Own Drum

Many self-published authors also review books. I’ve done it before, myself. It’s a good way to get more exposure for indie authors of all kinds, and it’s something to blog about. So what’s to stop an indie author, any kind of author, from reviewing their own book? There are reasons why you shouldn’t, clearly...but there is a way you can do it with a touch of class, too.

The Art of Being Stubborn

Unless you're one of them, it's hard to know what the life of a really big-time author is like. Imagine having 20 bestsellers on your bookshelf and tons of fans tweeting you all day long. Now imagine that you've got all that...and you still can't really write what you want. One famous author had to keep trying, for 20 years, to create the one project he felt passionate about. His name was Michael Crichton, and his project was a little TV series called "ER." This author knew the art of being stubborn.

He Knew He Could

You know Michael Crichton. He's the guy who wrote "Jurassic Park," "Congo," "The Andromeda Strain" and like several other books that were made into bigtime feature films. But he's also the guy that's ultimately behind "ER," a project that he tried to get going for about 20 years.