Writing 101: Give in to Your Cruel Streak

In life, you should never go around kicking innocent little kittens (or even mean and nasty kittens). You shouldn't throw a rock to break the window, or step on that person who fell down, or stomp on a plant just because you think it shouldn't be growing there. Never do those things in your daily life. But when you're writing your books, you should be doing them all the time. You're an author. And I hereby give you permission to give in to your cruel streak.

Being Vicious 

Being cruel to the characters in your books goes way beyond simply killing them. Killing a character is difficult, yes, but it can all be done with a few paragraphs, really. But making a character suffer? That takes a certain level of sadism, a particular brand of cruelty. It takes meanness. And you've got it in you.

The question is: can you bring it to the surface and put it down on the page for the entire world to see?

Writing 101: Forcing Inspiration

A lot of people who like to give advice to writers say that you have to write from your own experience. You've got to write what you know, they say. Some authors even go out to experience life before they write. But I find that the best way to write is just to sit down and write. That doesn't leave a lot of time for living. Never worry. There's another way to force inspiration to come to you, and you can still pull from your own life experiences...sort of. Because the way I'm going to tell you to do it, you don't actually need to have the experiences that you're going to write about. 

The Writer's Life for Me 

People ask me where I get my ideas, and my answer is always the same: by asking questions. You don't need to have a bunch of life experience to write about. To be a writer, there's really only one thing you need (outside of a rudimentary command of the English language): an imagination. If you've got that, all the rest is going to take care of itself. Well, with a little help from me...naturally. 

Writing 101: Easy For You to Say...

Do any serious reading on Twitter at all, and at some point (probably within 10 minutes) you're going to find some trite little piece of advice from some famous writer. Mark Twain doesn't want you to use the word "very," Salinger can't stand the semicolon, so-and-so wants you to be descriptive. And on and on and on it goes. I hate reading these little bon mots -- hate it. Every time I see some little gem of wisdom from some well-known author, I always have the same thought: easy for you to say. 

Excuse Me While I Roll My Eyes

I used to read author origin stories. Meaning, I would hunt down various interviews so I could see actual quotes of how they got started as authors. I actually spent time doing this. And without fail, it made me angry every single time. That's why I have no patience for all the little bits of wisdom floating around on Twitter now. I've read all that advice, and I know a lot of the back stories. I've heard what authors had to say about writing in their own words. And you know what? I'm not them. Neither are you. That's why all that wisdom floating around is really just a bunch of white noise. 

Song of the Sea: Trailer

I'm pleased to announce the title of my newest book, to be released in December. Song of the Sea is the first book in a brand-new trilogy called Saltwater Secrets. What's it about? Watch the trailer! 

Best of Books on Film: Miracle on 34th Street

The holiday season is a special time of year, and plenty of writers have used that to their advantage. Stories about Santa Claus, believing and the holiday spirit are always going to be popular. But few are destined to gain the sort of love and popularity enjoyed by Miracle on 34th Street, one of my all-time favorites. You've probably seen the movie, but what do you know about the book?

The Book

Valentine Davies wrote Miracle on 34th Street in 1947, as a companion novelette for the film released the same year. It was actually published by 20th Century Fox, who also made the film, but it's managed to stand on its own and has sold millions of copies. The book introduces readers to Doris Walker, a rather cold career woman who works for Macy's. She's managing personnel for the famous Macy's Thanksgiving Day Parade, and must fire the Santa Claus she's hired at the last minute when he turns up drunk. She hires bystander Kris to take his place, an elderly gentleman who looks the part. He's so good in the parade that Toy Department head Mr. Shellhammer suggests that Kris play the department store's in-house Santa for the duration of the holiday season. Kris accepts the job and goes to work at Macy's, on 34th Street in New York City. 

Doris has a daughter, 6-year-old Susan, who has been raised in a world without fairy tales, dreams or fantasies. Doris doesn't believe in illusions; apparently she already got her fill of them with her former husband (Susan's father). Once the parade is over she goes to fetch Susan from the apartment of Fred Gailey, a lawyer who lives in the same building, and he manages to wrangle an invite to Thanksgiving dinner with Susan's help. Gailey is single, Doris is pretty, and he's hoping the dinner will only be the beginning.

The dinner goes well, but Doris's next workday does not. It seems that Kris thinks he actually is Santa Claus, like the real one, and this is cause for concern. He is taken to Macy's company psychologist Albert Sawyer, who takes an immediate dislike to Kris. Meanwhile, Kris has managed to strike up a friendship with Fred Gailey, and together the two of them plan to unthaw Doris and Susan. Gailey will work on opening Doris's icy heart, and Kris will teach Susan how to be a child with an imagination she's not afraid to use. 

But Sawyer proves to be a fly in the ointment. He manages to get Kris committed to Bellevue, the famed insane asylum, without Doris's knowledge. Gailey signs on as his lawyer in order to prove that he's sane and get him out of the place. 

Gailey comes up with a truly unique defense. Instead of finding a way to prove that the man who calls himself Kris Kringle is sane, he decides to prove -- in a court of law, mind you -- that Kris actually is Santa Claus. And maybe he is. It's the holiday season, and anything's possible...as Susan will learn at the end of the story.

The Film

The story beautifully comes to life on film, which makes since as the book was created to complement the movie. Natalie Wood stars as the adorable Susan, Maureen O'Hara is gorgeous as Doris, and Edmund Gwenn is Kris Kringle/Santa Claus. He was so good in the role, young Wood actually thought he was Santa, and the Academy agreed. He won an Oscar in the role.

The movie opens with Kris window-shopping on Thanksgiving, where he corrects a store clerk who has put the reindeer pulling Santa's sleigh in the wrong positions. The audience is this taken into the bustling middle of the parade, where Doris is putting out several different fires. We know at once that she's a strong, capable career gal. We find out soon that she's also a single mother who does her best to keep her daughter firmly grounded in reality.

My favorite scene occurs early in the film, when Gailey takes Susan to Macy's to visit Santa. She matter-of-factly tells him that she doesn't want anything for Christmas -- "whatever I need, my mother will buy me, if it's sensible and doesn't cost too much." But when he speaks fluent Dutch and sings a song with a little girl who believes he is Santa, even Susan is touched. I just love it. Another great moment comes later in the film, during the trial, which is filled with absolutely fabulous moments. One of the best is when Gailey calls the prosecutor's own son to the witness stand to testify that Santa does, indeed, exist -- "because my daddy told me so." I adore trial scenes, and the one in this flick is worth watching again and again.

What Got Adapted?

Very little changes from book to film in this one, for obvious reasons. As the story goes, it was originally written around 1944. Davies later adapted the work when Fox thought it would make a great screenplay, and she worked on both the novel and the script with other Fox writers.

The AFI ranks the original film in their Top Ten of classic American films, and it's part of the National Film Registry. Several remakes of the movie do exist, but the 1947 version is still the best by a country mile. Now is the season to watch it, so go and watch it! This story is a delight, both on the page and on the screen.

Best of Writing 101: My Unhealthy Relationship...with Writing About Food

I'm in a toxic relationship. It's not easy to admit or to talk about, but there it is. I have such a bad relationship that it seeps into everything I do...and almost everything I write. And as a writer who's having this toxic relationship, it's impossible for me to write about this relationship without giving readers a skewed, distorted viewpoint. But I know that I can't fix this toxic relationship...so I've found a way to make it work with my writing. If you have a personal issue or some strange quirk, you can't ignore it. You can't write around it. All you can do is embrace it...just like I have.

The Girl with the Most Cake

Those of you who follow my colleague Annalisa Crawford may be aware that I've been engaged in a battle with my toxic relationship for years. I am winning, but not without casualties. My toxic relationship is with food. We've been having a torrid love-hate relationship since...well, perhaps since I was born. Me and food just can't love each other the way we want to, and so we find ourselves constantly at odds instead.

Best of Writing 101: Food in Books

Food and books go well together. When you're nice and full from your Thanksgiving feast, there's nothing as sweet as curling up with a good book. They seem to encourage snacking, and sometimes a book is so good it's difficult to pull one's eyes away to bother with looking at dinner. Why not cut right to it, and add food directly into your books? 

Even Characters Have to Eat

Everybody eats. It's one of the universal truths that ties all human beings together. I live in Kentucky, in the United States, and passionately love books and basketball. But when it comes to food, I'm not so different from the boy working on a farm that has no electricity in Asia  -- because I eat it, too. And that brings us right back to why you want to add food to your books.

•  Realism

Anything that makes your characters feel more real to readers is a good thing, and there's nothing like food to do that for you. Have your character eating pizza with friends or stopping at the fast food burger joint; we've all done that, so we can all relate. Use food to help me relate to your characters, because it'll work.

• Descriptive writing

Food also allows you to be really descriptive, and that's exactly what you want your writing to be.  Describe the smell, the texture, the taste. Put me right there in that moment -- in that booth, eating pizza. Put me at the dinner table, cutting into the steak.

• Introduce something new

Books allow readers to go to new places, to meet new people...to try new things. Why can't one of those things be food? It can be exciting to read about a food that I've never tasted, to learn about some new dish. I read one book that actually gave me a recipe, and I was delirious about it. I went straight into the kitchen once I got to the end of the chapter, no kidding. Use food to give your readers something new and different, and it will make your writing more memorable and enjoyable.

 Food and Books

Add food to your books, and your readers will eat it up (pun intended). It brings more flavor to the page, and your fans will end up being hungry for more of your writing. I could do this all day, but now I'm the one getting hungry. So think about ways to add more food to your writing while you're eating today, and have a happy Thanksgiving!

Best of Writing 101: Writing 101: Writing About the Holidays

The holiday season makes people feel excited for something, anxious and happy. It's a thrilling time, and it's a time when everyone's wallet is a little more open than usual. So writing about the holidays is tempting. After all, doesn't the Hallmark channel need new movies about Christmas every single year? Obviously holiday stories are in demand. So why shouldn't you write about them? 

Don't worry -- I'm going to tell you why. 

My Thanksgiving with YouTube

Let me start by telling you a story, since I am a storyteller. I was planning a pretty big event about three years ago, and I was so into it I was barely sleeping at night. So a few days before Thanksgiving, I found myself cruising forums at 3am. It's not as bad as it sounds -- it was a party-planning forum. And there was a link to a YouTube video, and I'm a sucker for those. 

It ends up being a video diary of this Australian guy who was getting the wrong email. Apparently, he had the same name as an American and he was on the family mailing list in lieu of the correct person. This is how he became aware of an intriguing discussion about Thanksgiving. He read about deviled eggs, and turkey, and stuffing and gravy and all sorts of different back-and-forth. It was fascinating stuff, so much so that he launched a YouTube campaign in order to find this family.