Writing 101: Too Much of a Good Thing

Have you ever laughed until you've cried, or cried so much that you just had to laugh? People aren't equipped to feel one emotion all the time, and that's why they can't read books that are just one thing. Whether you're writing a comedy or a tragedy, all good books have elements of both. That's what makes them good...because life is both.

Walking the Line

By a certain school of thought, all books fall into one of two categories: comedy or tragedy. But within that framework there are infinite story possibilities, numerous twists and turns. No story should ever be all comedy or all tragedy, because every reader will reach a point when they can't laugh or cry anymore. But if you learn how to jerk them back and forth between the two, they won't be able to stop reading.

Writing 101: Bullying Your Characters

Above all else, believable characters can make a book believable. The events in The Hunger Games are outrageous, but we buy into the books because Katniss is so real even on the page. That's why you can't start bullying your characters in your books. You have to move them around and make them do what you want, but you've got to find ways to keep it believable. Otherwise, you're just bullying your readers, too.

Puppetmaster

You've got to make Charac Ter go to the lake, because that's where they will run into Luv Interest. But why is Charac Ter going to the lake? No matter where you're putting your character, make sure you know why they're going there. When you as the author force them there with no good reason, you're bullying the character and you're cheating your readers.

Writing 101: Stop Worrying About the Word Count

A lot of authors will tell you to write a certain number of words a day, to plot a book to have a specific amount of words by the time it's done. But I guess I'm not like a lot of authors, because I'm going to advise you to do the exact opposite. If you try to write within some sort of weird word count box, you're not really writing. So stop worrying about the word count. I'll tell you why. 

Limitless

No, I'm not contradicting myself. All my feelings about overly-long books still stand. Overall length is still an important consideration, but not so important that you should be thinking about it every time you put your fingers on the keyboard. Because when you try to write to a certain word count, you're really stifling yourself. And for a writer, that's no good at all. 

Writing 101: Run-on Paragraphs

Like many authors, I like to read. And sure, sometimes I like to sink my teeth into a big, meaty paragraph that takes up half the page. Sometimes I like to really get into a big scene, just slide into it, and lose myself in walls of text. Note that I said sometimes. Run-on paragraphs can be an effective tool...but I also see it get overused -- a lot. Figure out how to tighten your paragraphs up, because short really is sweet.

A Real Cut Up

Long paragraphs are great, but only every once in a while. Visually, those thick paragraphs can be off-putting and scary. Reading one run-on paragraph after another begins to feel boring pretty quickly, and it will make a book feel like it's dragging. 

Imagining Hope's

"Can you imagine a world where people are judged based on their hair color?...This unimaginable place becomes very realistic while reading Hope’s Rebellion."

"These three girls all have completely different pasts, but end up coming together in a battle that will change the world."

Hope's Rebellion has been reviewed at ReadWriteLove28. Visit the blog to read the whole thing. Find Hope's Rebellion at Amazon, Barnes & Noble, Smashwords and everywhere online books are sold.

Writing 101: What Do You Do for a Living?

When someone asks what you do for a living, what's your answer? If you say anything other than "writer" or "author," it's wrong. You're probably also an employee. Maybe a waitress, or a police officer, a teacher or a stay-at-home mom. But your first answer should always be "writer" or "author." You can add the other thing, too, if you want. As an indie author, you should always be promoting. Start by marketing yourself as the writer you are, right away at the first introduction.

Writer, Author, Indian Chief

According to the cold, hard numbers, indie authors are successful -- in some ways, more so than traditionally-published authors. So you have no reason to shy away from telling people that you're an author, and an indie author to boot. People know about Amanda Hocking and John Locke and Fifty Shades of Grey. So be proud of who you are and what you do. If you present yourself like a professional who has pride in themselves, that's exactly how others will see you.

So what do you do for a living? You're an indie author. Be a smart one, and be prepared to offer information when people ask for more. Give them an easy link or easy names to remember. Give them a bookmark or something physical to hold. Let them see a book cover. You never know who you're going to meet, or what they might like to read. So always present yourself as an author, along with all that other stuff you already are.

Writing 101: Readers Are Your Friends

If you read Charles Dickens or Jane Austen, the words are pretty flowery and formal, and I think that's confusing to writers who live in the now. Because you have to remember one important thing when you're writing: readers are your friends. 

Did We Just Become Best Friends?

Books are not the place for you to be formal. You can do that on Twitter, if you want. I've long believed that we could use a bit more formality on social media, but books are intimate. You're putting your soul on the page, and somewhere out there some individual is reading those pages that represent your tears and sweat and missed sleep. So I don't want to see formality in your books. That's where you want to be casual, and treat the reader like they're actually your close friend...because now, they are.

Writing 101: Overworked

This is a post where I'm going to tell you about what I'm doing, and then caution you to do the exact opposite of what I'm doing. Seriously, do not be like me. I'm overworked. A lot of indies are. 

So, this is a post where I'm going to tell you how to fix it...and probably never follow the advice. 

Midnight Oil

When you're an indie author, you're basically signing up to perform two full-time jobs at once. There's the full-time job you've probably already got, unless you're independently wealthy or otherwise live outside the mundane daily world of commerce.  Then, there's your new job as an indie author. 

Between the research and the writing and editing and picking a cover and making a trailer and browsing forums and tweeting and all the other stuff you have to do to be good at being an indie author, it gets exhausting. It gets to the point where you're overworked. And that gets to be bad for you...pretty quickly.