Writing 101: Self-Published Authors and Paying Taxes

Most countries tax their citizens. Lots of people complain about that, but the world would stop functioning if goverments could not charge taxes. They're used to create roads and repair bridges, among many other important tasks, so we all pay them more or less willingly. And if you've been earning money as a self-published author, you may be required to pay them as well. 

Taxing Your Income

By law, you are required to give the government a certain percentage of your earnings. When you work and receive a paycheck, these taxes are automatically deducted from that paycheck. At the end of the year you may even receive a tax return from paying too many taxes throughout the year.

But when you earn income through self-publishing, taxes are not taken out because you do not receive a paycheck. You are not someone's employee; you are receiving royalties. Because this money is not taxed, legally it is labeled as self-employment income. And when you receive a self-employment income, your tax burden increases because now you have to claim that income and pay the necessary taxes.

Writing 101: Making the Switch from Indie to Traditional

For some authors, self-publishing is just a starting point. But making the switch from indie to traditional isn't as easy as writing a hit book, waiting to get noticed and hoping the phone calls start coming. If you do a little bit more work, you could even make this change happen yourself. 

Changing Your Spots

Indie authors enjoy a lot of freedom, but it's not something that suits all writers. It is possible to switch from self-publishing to more traditional publishing, but don't wait for it to happen on its own. See if you can make it happen for yourself by following a few essential steps.

Writing 101: Saving Time

Most writers don't make a lot of money. This is a fact you must embrace if you expect to keep being able to plug away at the keyboard. The truth is, in order for most to make any sort of decent career with writing at all you have to write  a lot. That means you have to master the art of saving time. Otherwise, you'll spend most of that time just working.

Time Machine

In most cases, indie authors don't make their sole income from self-publishing books. The majority of indies must also have a day job. And if that day job is writing, it's more like a day and night job. If you write articles and books to make money, you have to write a lot of them. This takes up a whole lot of time.

Time management helps. Staying organized, staying focused -- sure, that's all well and good. But if you want to successfully juggle all your responsibilities, you should also learn how to save time. 

Writing 101: Gonna, C'mon and Other Bastards

When two words are shoved together to make a brand-new word, it's known as making a bastardized (or corrupted) word. If the word catches on, it becomes a part of common language. But when is it okay to use these corrupted words in your books?

Why, I Oughtta

Gonna is one of the most common corrupted words. It's real meaning is used like "going to," as in "I'm gonna finish this blog post soon." This is an example of a true corrupted word, with letters just shoved together to form a whole. The new word is spelled the way it sounds, as is often the case with corrupted language.  Emcee is another example. It's a bastardization of MC, which stands for master of ceremonies.

We use corrupted words so much, in fact, that it can be hard to keep track of which words are bastardized and which are not. When you face one of these corrupted words in the pages of your manuscript, what should you do? 

Proper English

Words like gonna appear in everyday conversation all the time, along with other corrupted words like c'mon and oughtta. And when they appear within the dialogue of your books, it's okay to use them because that's how people talk. But your character should not be thinking gonna or oughtta; they should be thinking going to and ought to. 

Bastardized words can, and in some cases, should, be in your dialogue. But in the rest of your prose? Proper English is always called for.

Writing 101: Action vs. Dialogue

When you really think about it, all decisions really boil down to one of two choices, don't they? Every battle is decided based on those two choices. And as an author, you have to decide which you'll use to introduce your plot points: action or dialogue? 

One for the Ages

It is truly an epic battle that is waged on every page of every manuscript ever written. Should you use the spoken word to convey that piece of information, or a scene involving actions instead? Should you blend the two together into one multi-layered scene? And if so, how? Action vs. dialogue is a never-ending struggle...and I've noticed one common thread among the authors who find themselves losing that war. 

You can't ever let dialogue win. If you want to win this war, then you must embrace the fact that action must be your champion. He's your Achilles, your David, your Russell Crowe. Dialogue is a scrappy little fighter, and it's fine to let him win a few battles. But action is going to carry your book, and it's going to eventually win out. Otherwise...well, you're going to have a pretty boring book. 

Writing 101: Going with the Flow

Sometimes, writing is the hardest thing in the world. You have to think twice about every word, struggle with each line, repeat the dialogue out loud before you change it all around. But sometimes, it's not. Sometimes, you'll settle into a groove. You'll get into a zone. And that's when words just start flowing. When that happens, you've got to go with it. 

Words Before Agony

I'm a big advocate of doing the research and getting it right, and I don't care what you're writing about. If you're going to describe a tree, I think you should get out your reference materials (like Google) and learn about that damn tree. But I also believe that when the words are flowing, you need to go ahead and flow with them. Because when the well is dry, you'll have plenty of time to do your research.

Writing 101: Being Ridiculous

By nature, writers spend a lot of time in their own heads. I'm one of those writers who takes this to a dark place. I'm overly analytical, highly critical, and I've learned that I'm getting in my own way when it comes to creating stories. My newest project is a perfect example of how I spend so much of my time being afraid to just be ridiculous.

Wishy-Washy

As I've mentioned, I've been struggling with my current manuscript. It's one of those stories where I have to bleed over every line and I'm soaked in sweat before even one more paragraph is completed. Every time I try to think about it, I change my mind about 10 times and end up right back where I started.

I found myself taking another look at different projects instead, anything to distract me from this nightmare of a story. And I found myself drawn to the same project again and again, something I started working on before the Deck of Lies. I realized that I have a full outline and character sheet for the book, not to mention 5 completed chapters. Why did I ever stop working on this in the first place?

Affected by Hope's Rebellion

"This book is so jammed packed with emotion that you can’t put this book down without feeling unaffected." 

"This book gets under your skin in ways you didn’t think of and draw a lot of emotions out of you."

Hope's Rebellion has been reviewed at the Reading Cafe. Visit the blog to see the review, and you'll find a post from me about deadline stress (and how to deal with it)!