Hope's Rebellion: Now Available!

Hope's Rebellion is now available! 

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Their friendship will test the fabric of tradition, duty and destiny...
There are only two seasons in Godenor: summer and winter. Weather brings the only surprises to a society where everything is planned, and everyone's status is determined at birth...by the color of their hair.

Rinna has the right hair, Drexi the wrong, and Prelly is almost too ordinary -- in every way but one. Small mistakes bring them together, creating ripples in a pond that knows nothing but serenity. If they reach their goals, they can't help but shatter the world they know.

Love of any kind, even the bond of friendship, isn't allowed in their world...but then, the heart can't always follow orders.

Writing 101: Writing Responsibly

The end of the year is an excuse to celebrate, to let go a little, to start all over again tomorrow. New Year's Eve is the biggest party of the year for many people, but it's not the only party. And if your characters are going to be mixing with dangerous activities (like heavy drinking) in your stories, you have to make sure you're writing responsibly. ...Don't you?

What's Your Poison?

As a YA writer, I've often pondered the responsibilities of authors. Shouldn't a YA writer avoid writing about characters who have unprotected sex, for example? Shouldn't a children's book author shy away from themes like murder and torture? A character who goes about breaking rules and acting wild and yet faces no consequences could be seductive, in a way. 

I'll use Breakfast at Tiffany's as an example. I saw the movie when I was still fairly young, and to me it was all about Audrey Hepburn's glamor and the majesty of New York City (and eating Danish in front of the Tiffany & Co. window). To me, at that time, it seemed that Holly Golightly had an amazing life. So what did I want to do with my life? I wanted to be a professional dater, like Holly. It was a few years later that I learned Breakfast at Tiffany's is based on a book, and Holly is actually a hooker (high-class, but still). So there you have it. Had I followed Holly's steps, I could be living in a barren New York walk up with a nameless cat right this minute.

Writing 101: Was It 'Inspired By,' or Was It Ripped Off?

The topic of plagiarism came up the other day while I was writing a Books on Film post, and I got to thinking about it again while I was watching an old movie the other night. As an author, you are an observer of life. But where is the line between writing what you've observed...and stealing someone else's story? 

 Legalities

I've mentioned before that I'm a bit of a Wikipedia buff (or maniac). I get caught up asking myself random questions (like whatever happened to the little girl from Uncle Buck?) and I learn things. Most things I learn aren't of any use, and sometimes all I get out of is more questions. That's the case with the anecdote I'm about to present, and the problem of ethics it's created for me.

I was thinking about plagiarism anyway because I'd just written about Doc Hollywood, a 1990s movie that many critics have accused of being the inspiration for Disney's Cars. The plots are startlingly similar, but I've noticed similar mirror plots in other films (check out The Cutting Edge and Blades of Glory, for example). When someone writes something and publishes it and someone else writes something very close and publishes that, it's plagiarism -- and it's a hard-and-fast rule. But ripping off a story that isn't written down...this is a little harder to define.

I started thinking about it while I was watching Goodbye, Mr. Chips. It's a lovely little story and a surprise Oscar winner from 1939 (competing with the likes of Gone With the Wind and The Wizard of Oz), and one of my favorites. It tells the story of an inspirational teacher, and back then it was still a fairly new story to tell, and after one of my crazy Wikipedia benders I found that it was largely based on a real person. It was a teacher that the author had when he was a boy.

And at first blush, that sounds nice. A teacher inspired a student not just to write, but to write about himself. And one step more, the movie became a beloved production that's still watched by the likes of me today. But it begs the question: what the heck did that inspirational teacher get out of the deal, other than a tiny comment in the middle of a big Wikipedia entry? And why is it okay, and totally accepted, that in this scenario the teacher doesn't get a thing?

The real question is this: when does inspiration cross the line and become theft? It's hard to answer, and that's why it's hard to prove in court. Many authors have faced lawsuits based on this issue. So perhaps the line is crossed when the person who inspires the story says it has. To play it safe, talk to your inspiration before you publish -- and avoid messy legal issues later.

Indie News: The Format Wars

So you want to self-publish for the New Year. After you write the manuscript and edit the story, after you pick the cover and start the promotions, before you publish you've got to format. And since there are so many different ebook formats, you're going to be doing that for a while. The format wars are on, indie authors...and ereaders are going to make DVD vs. Blu-Ray look like child's play.

How Do I Read Thee? Let Me Count the Ways...

Simply going through the list of available ebook formats is completely exhausting. Among your main formats, you've got two that stand out: ePub and Mobi. These are the formats used by the Nook and the Kindle, respectively. Some evidence suggests that ePub is the most widely-used format across all types of ereaders, but all the numbers show that Amazon sells more ebooks than anyone.

And as an indie author, you want to appeal to the widest possible audience. So you format your books for both file types. But if you really want to spread the love, you're going to have to change your novel for a lot of other formats as well. 

Books on Film: Doc Hollywood

I've seen Doc Hollywood about 15 times, because I've seen every Michael J. Fox movie at least that many times, but this is one of his best. And if you're a fan of Disney movies, then you're probably already familiar with the plot. They've been widely accused of totally ripping it off. 

The Book

Doc Hollywood became a movie in 1991, but before that it was a book called What? Dead Again? about Dr. Benjamin Stone (Fox). He's going from Miami to LA to complete his residency. But before he can make it across the country, Dr. Stone breaks down in a rural area of Alabama. 

That's when things get interesting. The town really needs a doctor, and Stone is compelled to help. What unfolds is a funny and touching story that pokes fun at small town life while still paying homage to it. Shulman is well-qualified to write the story because he is an actual doctor. What? Dead Again? was his second novel, and he's still writing today. But this is his only story (so far) that became a Michael J. Fox movie, and that's why it makes my list.

Writing 101: Exchanging Favors

The indie author community is getting bigger all the time, and it's important that you get some sort of edge or advantage in order to stand out (and keep selling books). So it becomes necessary to work with other indies and book bloggers who are part of the community. But be wary of exchanging favors. When you trade gifts, you may not get something of equal value in return. 

Swapping Stuff

You know how it works: you scratch my back, I'll scratch yours. What's in it for me? What do I get out of this deal? Nothing comes for free. There are a thousand cliches all about how you have to give in order to get, and that's kind of how it works when it comes to exchanges within the indie author community.

Writing 101: Presentation

For hundreds of years, clever salesmen made a great living by selling water in bottles and telling people to rub dirt on their wounds. Scoff if you will, but this is the absolute truth. You see, it usually isn't about what you're selling. It's about the presentation...and that goes for self-published books, too.

Snake Oil and Novels

We've all heard the jokes and seen the satires of the old-fashioned hawkers and hucksters who used to sell people magical potions and miracle medical remedies, when really the bottles are filled with things like cow dung and cat urine. You've probably heard of the expression "snake oil" and "snake oil salesman." Well, that used to be a real thing.

People will buy snake oil if the presentation is right, so they should certainly be willing to buy your books. It's all about how you present those books to the rest of the world. Once you get past the obvious factors, it comes down to salesmanship. How good is yours? 

• Cover.  A great cover is a given in self-publishing. You want to catch the eye and you want to stand out, but you also want a book that looks like a readable book. Remember to check the cover on several device sizes to make sure it's easy to read across platforms.
• Price. Set the right price, or all the salesmanship in the world won't help. You've got to price your books according to their competition, not necessarily according to their worth.
• Trailers. If you want to present your book in an exciting way, create a trailer. Visual imagery works better than text, and this medium allows you to combine them. Tell the story in the trailer, just enough to make people want more.
• Tweets. Tweet about your books every day, at least once. But don't tweet "go buy this book" because that won't work. Give readers a reason to click that link. Ask them a question, give them a compelling quote, write something shocking -- compel them to buy, and they will.
• Extras. Give your book even more depth by offering extras. Start giving out free samples, create images and maps to show off, write blog posts about it and present! 

The way you present is important, but remember it only matters if you're actually doing it. Promote, and keep promoting, and you'll get better and better at it.

Writing 101: Do You Believe?

I'm not one of these people who puts a whole lot of stock in faith, even during the holiday season, but I do know this: you've got to have it to be a writer. So today I've got to ask you: do you believe? 

Gotta Have Faith

In the past, I've said that you have to be a little bit foolish in order to be an author -- and that's still true. But beyond foolishness, you need faith. Once you learn more about the business, and foolishness fades, all you have to rely upon is your faith. Some days, belief is all you will have. That, and a bunch of rejection letters and negative reviews. 

And once all that negativity piles up, it's going to be darned difficult to continue believing in yourself, your writing and your stories. You're going to have days when you're totally convinced you are actually a hack and a failure, that it's all been nothing but a waste of time. Believing in yourself is going to be hard, nigh impossible.