Writing 101: Emotionally Involved

There are probably a few Greek myths about some sculptor who fell deeply in love with his creation, to the point of pure madness. I think every author has experienced this type of insanity at least once. Right now, it's my turn. I made a mistake with my newest book. I became emotionally involved.

Heart of Stone

To be a good writer, you must connect with your characters. You must care about them. You should laugh at funny scenes, cry during sad ones and root for the hero to win the day. You have to pour your heart on the page, bleed over every word, wrest all emotion from your soul and spit it out in whole sentences.

Then, you have to turn it all off. You should absolutely care about the story you tell...but under no circumstances should you feel emotional about the book that results.Walking this tightrope can absolutely drive you insane if you let it.

Writing 101: Story Starters

Inspiration has a funny way of choosing not to strike when you decide it should. When authors want to write, but don't have anything to write, they may turn to story starters to get those creative juices flowing again. So what the heck are story starters? 

Starting a Story...

There are lots of reasons why it's hard to start writing on a blank page. You may not have any ideas that you feel wild about. You may find yourself feeling restless, unable to settle on a single idea. You may keep re-writing an opening line, only to erase and try it again.

Once, when I was participating on a writing panel, another author told a story about someone who had writer's block. He wanted to write but didn't know what to write, so he just sat down and started describing the house he was staying in. It was a friend's. He began to describe and write, and this is how the novel Ragtime was born. Time magazine rated the book in one of their Top 100 lists, and it's highly regarded among readers and critics. 

I realize now that this act was a story starter. E. L. Doctrow didn't have any ideas, but he was inspired by what he saw...so he started to write about it. Inspiration doesn't always take the form of a whole story. Sometimes, that comes later.

Writing 101: The Anti-Hero

Great stories are about great characters...but that doesn't necessarily mean those characters are good guys. Sometimes, the main character is an anti-hero. 

Look, No Hands!

I believe that writing about an anti-hero is some of the toughest writing anyone can do. Anti-heroes do not have a lot of redeeming qualities. They aren't just flawed, they're almost impossible to like.

Almost impossible. There's a delicate balance to writing an anti-hero, a virtual tightrope walk that authors must undertake. Will you cross safely to the end of the book...or fall on your face? 

Writing 101: Don't Hold Back

It's really hard to be an author when people know you're an author. If you're really going to write that book, you're going to have to face some uncomfortable moments. Here's the piece of advice you really need if you're really going to do this: don't hold back. In other words, when you're writing you have to stop worrying about what your mother might think. 

Well, I Can't Write That...

I've been pretty forthcoming about my rampant inability to write sex scenes. It's a problem I've always had with my writing, because the inevitable thought always creeps in: one of my parents might read this. This thought is so daunting, so overwhelming, so completely terrifying that I always end up wimping out. Euphemisms are where I live. But this is a horrible flaw...and I implore you not to repeat it with your own writing. 

Writing 101: The Danger of Classic Literature

Jane Austen. Herman Melville. Charles Dickens. Believe me, I could go on and on. These authors, and many others, created books in their lifetime that would go on to become classics -- books that are so good they're assigned reading in schools. I pretended to read most of them during my own school days. 

And by "pretended," I mean that I didn't read them but I paid attention during classroom discussions. You see, I love classic literature as much as the next bookworm. But I think there's a also a danger in it, and I'm here to warn you about it. 

And You, Sir, Are No Mark Twain

I didn't read those books in school for one reason: those books are really hard to read. The poetic language is magical it's true, but it's also cumbersome as all get-out. The lyrical, multi-syllable words are incredibly outdated and the long-winded, musical dialogue no longer rings true. Reading those words aloud will transport you to another time and place...because those books were written in another time and place.

Indie News: You're Living in a Self-Publishing Boom

According to a new report from Bowker, self-published books in the marketplace increased by 59 percent from 2011 to 2012. That means we're all living in a bona fide self-publishing boom.

All By Themselves

Bowker used ISBN data from the United States to compile the report, which shows that more than 390,000 books were self-published in 2012 alone. Of these ISBNs, 40 percent of the titles were ebooks. 

The total report shows the self-publishing trend over the past 6 years. Amazon CreateSpace, Smashwords and Lulu were at the top of the list for having the most self-published ISBNs. CreateSpace led with the most print books, while Smashwords was tops for ebooks.

Books on Film: Now, Voyager

I came to know Now, Voyager as a pretty famous Bette Davis flick. I adore Bette Davis, and in this film she's truly at her best. But this fantastic story of an Ugly Duckling is actually based on a trio of books by Olive Higgins Prouty. Now, Voyager is the third installment in the story.

The Book

Charlotte Vale lives in a big, fancy Boston house and she comes from a very well-known and well-to-do family. But Charlotte Vale still has every reason to feel miserable. She's under the thumb of her overbearing, domineering mother. Charlotte is overweight and under-groomed, dresses like a dowdy housewife and barely socializes outside the austere Vale family home. 

In this book, Charlotte has suffered a nervous breakdown. She's now under professional care, and she is blossoming. She's shed the extra weight and she's gone through a makeover. Finely-sculpted eyebrows now frame her thin, finely-boned face. Her upswept 'do is the epitome of style, and her clothes are fashionable, tasteful and expensive. In a word, she's fabulous.

The title of the story comes from a Walt Whitman poem, as the book will you tell you. Before going back to her rigid Boston home, Charlotte goes on a cruise to cap off her treatment. She makes many friends on board and truly enjoys herself. Best of all, Charlotte falls in love. He's debonair, he's polished, he's passionate...he's married.

Life is always a rocky road for Charlotte Vale. But all things must end, even her cruise, and Charlotte soon finds herself returning to Boston...and to her mother. Will Charlotte fall back into her frumpy ways? Will she ever see the handsome man from the cruise again? Where will her voyage end? You'll have to read it to find out.

The story is truly wonderful, but you can thank a different story for turning Now, Voyager into a feature-length film. 

The Movie

The year was 1942, and the 1939 success of Love Affair was still impressive to execs at Warner Bros. The movie would later be re-made as An Affair to Remember, but in this version it's Irene Dunn and Charles Boyer who star in the leading roles. They fall in love on a ship, and filmmaker Hal Willis hoped that Now, Voyager would remind moviegoers how much they love paying to see that sort of watery romance. 

So Prouty was given $40,000 for her book and Irene Dunn immediately sprang to the top of the list for the role of Charlotte. But Norma Shearer was also interested in the role. The two had the same manager, who performed a balancing act until both actresses moved on to other projects. Already a screen legend, Bette Davis was having a huge fight with Jack Warner at the time, and wasn't taking any of his calls. A director friend told her about the movie, and Bette immediately changed her mind. She began to campaign to get the role, and the producer talked the studio into casting her.

She wore padded clothing and heavy eyebrows for the early scenes, hiding her face behind ill-fitting glasses and letting her unkempt hair hang all over the place. Davis quite successfully made herself frumpy and unattractive for the start of the film, making her later transformation all the more miraculous. She's truly stunning when she arrives for her cruise, every inch the glamorous woman of mystery and polish she's meant to be.

What Got Adapted?

The movie follows the book quite closely, and it's made all the more lavish by the presence of Davis in the leading role. Paul Henreid is the perfect love interest, and Claude Rains is the best possible father figure in his role as Dr. Jaquith. Gladys Cooper is perfectly chilling as the mother, and everything about this film is perfect. Davis's wardrobe is perfectly fantastic throughout.

The final line, which appears in the book verbatim, was rated number 46 on AFI's list of top 100 movie quotes. It deserves it. Watch Now, Voyager and read Charlotte's trilogy to explore the story even further. You won't be sorry!

Writing 101 Q&A: Small Press Instead of Self-Publishing

Today I'm pleased to host Jac Wright, author of The Reckless Engineer. He's a little different than the other authors I feature on the blog: he's not self-published. I decided to pick his brain in a Q&A session, and learn how different he is from the indies I've known.

Q&A with author Jac Wright

JV: I see that the main character of The Reckless Engineer, Jeremy Stone, has an educational background similar to your own. How much of the character is modeled after you?

Jac Wright: Great question.  A lot of Jeremy’s character is modeled after me and my good friend, but even more is modeled after what I should like to be.  Jeremy lives the ideal life I should like to live and I live it through him.

JV: You’re an engineer, like your main character. If I don’t understand the first thing about engineering, will I still be able to enjoy and understand the book?

Jac Wright: Of course you will.  You will understand and enjoy the books just like you would enjoy the engineer Barney’s role in the old Mission Impossible series; like you would enjoy Indiana Jones movies without knowing much about archeology; and like you would enjoy Star Trek without being a physicist.  Everything is detailed in terms that a non-engineer would understand. The thing you would enjoy is his courageous and adventurous nature. Engineers are very good inventors and problem solvers. You will therefore enjoy his versatility and resourcefulness like that of MacGuyver, and his ingenious skills and problem solving abilities. 

JV: Your books contain a lot of drama and conflict. When you want drama, which authors or TV shows do you turn to?

Jac Wright: I grew up watching Tales of the Unexpected which is based on Roald Dahl’s adult books, the old Mission Impossible series, the Perry Mason series, and MacGuyver. My father and I had our favourite seats in front of the TV for the shows every week. At one time, I used to read Roald Dahl and Erle Stanley Garner as if I were possessed.

I also love more modern series like Columbo, Monk, Dexter, The Good Wife, and the new BBC drama Death in Paradise. As you can see, they are mostly suspense and legal drama, like my books.

The authors I adore are Patricia Highsmith, Roald Dahl, and Charles Dickens.  Secondly I also like Ian Rankin, Benjamin Black, and Michael Connelly.

JV: You’re also a published poet. What inspired you to start writing full-length novels?

Jac Wright: I studied poetry, drama, and literature for 14 years at weekend Speech & Drama school my mother enrolled me in when I was 3. Poetry was the first thing I wrote that was not for some coursework; and I started writing poetry when I was at university at Stanford and kept writing over the years. I called the collection "Shades of Love."  Later on I started adding short stories to the collection.  I have about half a dozen short stories written ,which I separated out to a new series under the title "Summerset Tales."

It just occurred to me that I should write a full-length series about 2007.  One requires some level of maturity and life experience to write with impact, and I felt I was ready about this time. I knew I wanted the series lead to be an electrical engineer like me, and I knew I wanted the series to be suspense-driven psychological thrillers.

Then I knew I wanted the first story to be based in Portsmouth, Charles Dickens’ birthplace, as a tribute to the author whose works taught me how to tell a tale early in life. I have loved English literature since I my mother enrolled me in weekend Speech & Drama classes when I was 3 years old.  My mother had this rack full of books like The Pickwick Papers, The Tale of Two Cities, David Copperfield, Lorna Doone, The Animal Farm, etc. stacked on it along with piles of Readers’ Digests. She used to read to me from them when I was too young to read; and soon I was reading them myself.  That sparked my interest as a reader and a spectator very early and Dickens’ stories were a large part of those childhood tales.

That was how The Reckless Engineer series was born.

JV: Your publisher, Soul Mate, specializes in romantic fiction. Do you consider The Reckless Engineer to be primarily a romance?

Jac Wright: Soul Mate Publishing is expanding out to other genres.  There are romantic undercurrents in The Reckless Engineer, but it is primarily suspense fiction.  The Reckless Engineer and The Closet each examines a lead protagonist who is driven by romantic love and passion; each tale examines how it can blind the protagonist and how much trouble it can get him into.  Hence, both stories are strongly romance-driven.

JV: How did you find Soul Mate Publishing, and did you ever consider self-publishing?

Jac Wright: Once the manuscript for The Reckless Engineer was finished, I had to send out about 60 letters enclosing the first fifty pages of the manuscript and a SASE (a self-addressed stamped envelope) in each.  Then it was a long process of answering responses to the queries and protracted negotiations. It was not a difficult process, but it was lengthy and time-consuming. I got offers from 6 publishers and I know I have picked the best because of the instant rapport I felt with my editor.

JV: How much impact did your agent and/or publishers have on The Reckless Engineer series?

Jac Wright: The main story was already written and the plot and characters have remained the same in essence.  However, there was about a 2 month long editing period with my editor, Debby Gilbert, from Soul Mate Publishing.  That process transformed the story by adding depth to it.  Debbie guided me to add more visceral emotion and scenes that engaged all the senses, and not purely vision.  One editing note she put on the manuscript has stuck to my mind. She had crossed out the last sentence in a chapter and had edited the one before, adding the note: "You never and a chapter on your protagonist going to sleep.  It is a cue to the reader that he or she can do so, too."  That’s right, reader, we intend to keep you up at the edge of your seats all night long.

JV: What’s your next project?

Jac Wright: Two more – The Bank Job and Buy, Sell, Murder – are half-written.I have started the fifth, In Plain Sight, with just the plot and the main characters designed and only the first chapter written. I hope to finish writing at least two of them in 2014.

The Reckless Engineer

Love is a battlefield. Who will come out of it alive?

Harry Duncan Wood runs a hotel in the historic city of Bath with his beautiful young wife. When he falls in love with Mill House, an old greystone farmhouse on the banks of river Avon among the soaring hills of Somerset, and sets about moving his family there, the first appearances of the cracks in the marriage take him by surprise. Is his wife seeing another man? Duncan needs to get to the bottom of the affairs for his own sanity. Sometimes, however, ignorance is bliss and will also keep everybody alive.

Jac Wright is a published poet, a published author, and an electronics engineer who lives in England. The Closet is the first in Wright's collection of literary short fiction, Summerset Tales, in which Wright explores characters struggling against their passions and social circumstances in the contemporary semi-fictional region of England called Summerset, with an added element of suspense. The collection is published as a series of individual tales in the tradition of Charles Dickens' The Pickwick Papers and Thomas Hardy's Wessex Tales. The first Summerset tale, The Closet, accompanies the first title in the author's full-length literary suspense series, THE RECKLESS ENGINEER, published by Soul Mate Publishing, New York.

About the Author

Jac Wright is a published poet, a published author, and an electronics engineer educated at Stanford, University College London, and Cambridge who lives and works in England. A published poet, Jac's first passion was for literary fiction and poetry as well as the dramatic arts.


Jac also writes the literary short fiction series, Summerset Tales, in which Wright explores characters struggling against their passions and social circumstances. 

Facebook       Twitter

Website          Blog