Writing 101 Q&A: Small Press Instead of Self-Publishing

Today I'm pleased to host Jac Wright, author of The Reckless Engineer. He's a little different than the other authors I feature on the blog: he's not self-published. I decided to pick his brain in a Q&A session, and learn how different he is from the indies I've known.

Q&A with author Jac Wright

JV: I see that the main character of The Reckless Engineer, Jeremy Stone, has an educational background similar to your own. How much of the character is modeled after you?

Jac Wright: Great question.  A lot of Jeremy’s character is modeled after me and my good friend, but even more is modeled after what I should like to be.  Jeremy lives the ideal life I should like to live and I live it through him.

JV: You’re an engineer, like your main character. If I don’t understand the first thing about engineering, will I still be able to enjoy and understand the book?

Jac Wright: Of course you will.  You will understand and enjoy the books just like you would enjoy the engineer Barney’s role in the old Mission Impossible series; like you would enjoy Indiana Jones movies without knowing much about archeology; and like you would enjoy Star Trek without being a physicist.  Everything is detailed in terms that a non-engineer would understand. The thing you would enjoy is his courageous and adventurous nature. Engineers are very good inventors and problem solvers. You will therefore enjoy his versatility and resourcefulness like that of MacGuyver, and his ingenious skills and problem solving abilities. 

JV: Your books contain a lot of drama and conflict. When you want drama, which authors or TV shows do you turn to?

Jac Wright: I grew up watching Tales of the Unexpected which is based on Roald Dahl’s adult books, the old Mission Impossible series, the Perry Mason series, and MacGuyver. My father and I had our favourite seats in front of the TV for the shows every week. At one time, I used to read Roald Dahl and Erle Stanley Garner as if I were possessed.

I also love more modern series like Columbo, Monk, Dexter, The Good Wife, and the new BBC drama Death in Paradise. As you can see, they are mostly suspense and legal drama, like my books.

The authors I adore are Patricia Highsmith, Roald Dahl, and Charles Dickens.  Secondly I also like Ian Rankin, Benjamin Black, and Michael Connelly.

JV: You’re also a published poet. What inspired you to start writing full-length novels?

Jac Wright: I studied poetry, drama, and literature for 14 years at weekend Speech & Drama school my mother enrolled me in when I was 3. Poetry was the first thing I wrote that was not for some coursework; and I started writing poetry when I was at university at Stanford and kept writing over the years. I called the collection "Shades of Love."  Later on I started adding short stories to the collection.  I have about half a dozen short stories written ,which I separated out to a new series under the title "Summerset Tales."

It just occurred to me that I should write a full-length series about 2007.  One requires some level of maturity and life experience to write with impact, and I felt I was ready about this time. I knew I wanted the series lead to be an electrical engineer like me, and I knew I wanted the series to be suspense-driven psychological thrillers.

Then I knew I wanted the first story to be based in Portsmouth, Charles Dickens’ birthplace, as a tribute to the author whose works taught me how to tell a tale early in life. I have loved English literature since I my mother enrolled me in weekend Speech & Drama classes when I was 3 years old.  My mother had this rack full of books like The Pickwick Papers, The Tale of Two Cities, David Copperfield, Lorna Doone, The Animal Farm, etc. stacked on it along with piles of Readers’ Digests. She used to read to me from them when I was too young to read; and soon I was reading them myself.  That sparked my interest as a reader and a spectator very early and Dickens’ stories were a large part of those childhood tales.

That was how The Reckless Engineer series was born.

JV: Your publisher, Soul Mate, specializes in romantic fiction. Do you consider The Reckless Engineer to be primarily a romance?

Jac Wright: Soul Mate Publishing is expanding out to other genres.  There are romantic undercurrents in The Reckless Engineer, but it is primarily suspense fiction.  The Reckless Engineer and The Closet each examines a lead protagonist who is driven by romantic love and passion; each tale examines how it can blind the protagonist and how much trouble it can get him into.  Hence, both stories are strongly romance-driven.

JV: How did you find Soul Mate Publishing, and did you ever consider self-publishing?

Jac Wright: Once the manuscript for The Reckless Engineer was finished, I had to send out about 60 letters enclosing the first fifty pages of the manuscript and a SASE (a self-addressed stamped envelope) in each.  Then it was a long process of answering responses to the queries and protracted negotiations. It was not a difficult process, but it was lengthy and time-consuming. I got offers from 6 publishers and I know I have picked the best because of the instant rapport I felt with my editor.

JV: How much impact did your agent and/or publishers have on The Reckless Engineer series?

Jac Wright: The main story was already written and the plot and characters have remained the same in essence.  However, there was about a 2 month long editing period with my editor, Debby Gilbert, from Soul Mate Publishing.  That process transformed the story by adding depth to it.  Debbie guided me to add more visceral emotion and scenes that engaged all the senses, and not purely vision.  One editing note she put on the manuscript has stuck to my mind. She had crossed out the last sentence in a chapter and had edited the one before, adding the note: "You never and a chapter on your protagonist going to sleep.  It is a cue to the reader that he or she can do so, too."  That’s right, reader, we intend to keep you up at the edge of your seats all night long.

JV: What’s your next project?

Jac Wright: Two more – The Bank Job and Buy, Sell, Murder – are half-written.I have started the fifth, In Plain Sight, with just the plot and the main characters designed and only the first chapter written. I hope to finish writing at least two of them in 2014.

The Reckless Engineer

Love is a battlefield. Who will come out of it alive?

Harry Duncan Wood runs a hotel in the historic city of Bath with his beautiful young wife. When he falls in love with Mill House, an old greystone farmhouse on the banks of river Avon among the soaring hills of Somerset, and sets about moving his family there, the first appearances of the cracks in the marriage take him by surprise. Is his wife seeing another man? Duncan needs to get to the bottom of the affairs for his own sanity. Sometimes, however, ignorance is bliss and will also keep everybody alive.

Jac Wright is a published poet, a published author, and an electronics engineer who lives in England. The Closet is the first in Wright's collection of literary short fiction, Summerset Tales, in which Wright explores characters struggling against their passions and social circumstances in the contemporary semi-fictional region of England called Summerset, with an added element of suspense. The collection is published as a series of individual tales in the tradition of Charles Dickens' The Pickwick Papers and Thomas Hardy's Wessex Tales. The first Summerset tale, The Closet, accompanies the first title in the author's full-length literary suspense series, THE RECKLESS ENGINEER, published by Soul Mate Publishing, New York.

About the Author

Jac Wright is a published poet, a published author, and an electronics engineer educated at Stanford, University College London, and Cambridge who lives and works in England. A published poet, Jac's first passion was for literary fiction and poetry as well as the dramatic arts.


Jac also writes the literary short fiction series, Summerset Tales, in which Wright explores characters struggling against their passions and social circumstances. 

Facebook       Twitter

Website          Blog

Writing 101: So, What Should You Write About?

Sometimes, inspiration strikes and you find yourself filled with great ideas for lots of books. You scribble them all down, you see them through to the end. And one day, what if you find yourself out of ideas? What do you do...when you don't know what to write about next? 

Everyone Doesn't Have a Story

Eventually, every writer ends up staring at a blank page, inevitably thinking what next? When you don't know what to write about, you may find yourself coming up with all sorts of ideas you're not really passionate about. Maybe I should write something like Harry Potter, only about a witch. Maybe I should write about a fierce competition, like in the Hunger Games.

You start writing, you lose interest, you quit and try another project. It's possible to wade around for years in this quagmire, unable to finish a project and yet unable to find one that really strikes you. If you're having trouble figuring out what to do next, don't try to force yourself into writing a new story. Find one that's going to inspire you. 

Writing 101: What Can $5 Buy?

Indie authors are advised, again and again, to spend money on making their books high quality. Pay for a good cover, the experts say. Pay for an editor who will go through your book line-by-line. Pay for an illustrator, a great trailer...the list could really go on and on if I wanted it to. But here's the thing: lots of indie authors are two steps away from broke. Pay for a good cover? It's hard enough just to pay for dinner! But indie authors do have options that don't necessarily include shelling out a cool $40 for a graphic designer. With $5, you can buy a lot.

Got Five On It?

With just $5, it's possible purchase a pretty great-looking book cover. Take another 5 bucks, and pay someone for original illustrations. Or, use that 5 to have a promotional video made. You can even use it to have someone give you a thoughtful review of your work, but it would be strictly for your own use. It's unethical to pay for reviews on sites like Amazon. 

The website where all of this can happen? It's aptly named Fiverr, naturally, and it really does offer lots of opportunities. Some of them are good, but others can be pitfalls. Let me very clear in stating that I do not advocate the buying of social media followers or updates, nor do I advocate the purchasing of blog posts. As an author, you should really provide original content and I'm pretty certain that social media sites frown on the buying of social media followers. 

But purchasing a real service, such as original artwork, is perfectly ethical. And when it costs just $5, it's extremely beneficial to indie authors who haven't got a whole lot of cash to spread around. 

Writing 101: Update Your Readers

If you're not telling your readers about new and upcoming events on your schedule, you're not doing all the marketing you could be doing. Always update you readers...even when you haven't got a lot of stuff to tell them about. 

Hear Ye, Hear Ye

Facebook and Twitter aren't just for sharing links to your blog and your Amazon author central page. You should definitely be using social media to give readers regular updates about what you're working on. Tell them when you pick a title, when you get your cover, when you create a trailer and even when you're struggling through that gnarly chapter.

Hope's Rebellion: Trailer Reveal

Want to know more about my newest book Hope's Rebellion? Just watch the trailer. I'm exclusively releasing it to my blog today just for you! 

Writing 101: Me...and My Cloud

I'm not the most technically-savvy girl in the world (in truth, I can't hardly figure out how to use my microwave), but even I have figured out this whole "cloud" business. And in figuring it out, I've made a discovery: every single author needs to start using a cloud immediately. I expect you to do so the minute you're done reading this post...because it really can't wait any longer. 

Oh, That's Not My Head in the Clouds

Allow me to explain. First thing you have to get used to: "cloud" is a dumb name. I don't know who came up with it or why, but this is the way it works: it's online storage that you can access on just about any device that has Internet. That means I can work on Chapter 1 at my laptop. One minute later, I can carry my phone outside and read what I just wrote. The files I change automatically update themselves when I turn on my device. 

The benefits of this type of access are clear. As long as you know how to access your cloud, you can access any of the files you might need. Your aunt's practically-ancient Windows 1998 desktop? Done. Your brother's crazy, multicolored, brand-new tablet? Sure, no problem. The slow computer up at the one library you've got within 100 miles? Absolutely. If you've got Internet, you can probably get to your stuff. That makes it possible to write and work anywhere at any time, and I don't have to tell you how amazing that is. 

Because I'm going to focus on a second benefit, one that's a little bit more unsung: storage. When you're using a cloud for file storage, you don't have to rely on you computer to keep that story safe. If you get some weird virus or you drop your machine in the swimming pool again (oops), you're not going to lose the novel you were almost finished writing. It's saved on your cloud!! 

Writing 101: NaNoWriMo, National Novel Writing

You're going to be seeing a lot of stuff about NaNoWriMo on Twitter, Goodreads and book blogs this month...because NaNoWriMo stands for National Novel Writing Month. And I've always sort of thought it was a really, really horrible idea. 

Rushing Creativity

NaNoWriMo is a national challenge in which authors compete to completely craft a 50,000-word novel (which is technically a novelette in most genres) by midnight on November 30. This means you ought to come up with the concept, the outline, the research and the finished product in 30 days. 

Talk about a challenge. NaNoWriMo is actually a great event that promotes writing and reading all over the world, and as a gimmick it truly works to promote the written word. But as a writing challenge, I'm not sure I can buy into it. You see, I don't believe in rushing creativity. 

Writing 101: Unplugging

Once upon a time, I imagine, writers sat in quiet little rooms with quill pens and scribbled away with real ink. By the light of a flickering candle, one assumes, the likes of Louisa Mae Alcott crafted Little Women and Jane Austen worked on Pride and Prejudice. Nowadays, most writers type on fancy electronic devices and interact directly with fans through Twitter. And apparently, lots of modern authors think it's very hard to craft stories in this fashion. I've seen it, time and time again, where famous authors advise that you unplug the Internet before you write. And I think this is the most ridiculous writing tip I have ever read...and I've read a lot of them. 

Unplug? Maybe You Haven't Heard of WiFi

For starters, do you even know how to disconnect your Internet? What kind of crazy archaic machines are these writers using to write their stories in the first place, and am I really supposed to believe that a Stephen King type has a computer so old he has to physically connect it to the Internet? I wasn't born yesterday, after all.

And I wasn't born in 1827. Maybe Stephen King sits and writes in a room that has a full library of reference materials, and he actually flips pages to find information when he's researching. But I live in a modern era where I don't have to open a dusty encyclopedia to learn about the breeding habits of pigs. I can just ask Google. 

Unless I try to follow someone's weird writing tips and disconnect my laptop from the Internet, that is. Because I don't know about you, but there's lots of times when I have to stop writing in order to get some research done. While I was writing the Deck of Lies series, for example, I stopped often to consult my map because I don't have a photographic memory. Because I'm a modern girl, I didn't sit down at a drafting table and draw my own map and I didn't pull out a gigantic paper atlas to look at street names. I just used the Internet. Google even lets you create and save your own maps. I added markers to mine to show various locations that my characters visited. 

If you have so much trouble focusing on writing that you actually have to unplug your Internet (which is now a euphemism for turn off your wifi), maybe the Internet isn't really the problem. There's always some sort of a distraction, because the reality is you can't lock yourself in a dark and quiet little room. The world is going to burst into it. If your house is anything like mine, the world is going to burst at least once every 30 minutes. You have to figure out how to maintain focus no matter what might be out there trying to pull you away from the keyboard, whether it's Twitter or a phone ringing off the hook. 

Disconnecting the Internet is only going to slow you down when you have to do some research on the fly, maybe look up a new name or try to get fashion ideas for characters (what...you don't do that?). So I say unplugging is a totally bogus idea that's not really going to work. If you're that easily distracted, you're just going to pick up your phone and screw around with it to get to Twitter (I've been there too many times). It's a modern era. Like all the authors who came before, you are a product of the times. So learn how to work with all the tools at your disposal...or in spite of them.