Writing 101: Wallpaper Matters in Social Media

Facebook, Twitter and Google Plus all allow you to customize your profile. If you haven't yet, you're missing all sorts of marketing opportunities for your books and current projects. It may seem like a small detail, but wallpaper matters in social media...especially if you're trying to get anyone to buy something of yours.

Did You Change Your Profile Wallpapers?

All the experts and how-to guides tell you that to be a successful indie author, you've got to get out there and promote your stuff on social media. So you get yourself an author-specific Twitter profile, a Facebook fan page, maybe even a Google Plus profile. You start gathering followers and you show off your clever side with skillful updates. 

If you're doing it all with a generic wallpaper that was provided to you, then you're not doing yourself any favors. The wallpapers on your social media pages are marketing opportunities, and they're free. It's time for you to start making the most of them. 

From Words to Pictures

Don't say "but I'm a writer, not an artist." I already know how you feel, and so does every other author who's ever tried to design their own promotional website. It's very difficult to create custom wallpapers, particularly if you don't have an artistic eye (or any skill to that end). But I know you can do it...because I've done it, and I'm so inartistic I can hardly gift wrap a box. Start simply, take every step one at a time, and you'll be fine. 

• Creating an image. You're going to need a program to create your custom wallpaper. Chances are high that you've already got Paint on your computer. If you don't like it or don't have it, try this free image editor. I use it for everything. A blank image sized 2560 x 1600 should do nicely. This is big, but wallpapers are meant to scale to different monitors so it's best to start big.
• Set the color. I always start with a plain black background, because I'm not very artistic or creative when it comes to images. Pick a color that's neutral enough to inoffensive (fluorescent orange, for example, will annoy potential readers instead of wooing them), and something that will show off your important elements well. 
• Start stealing. You're not an artist, and no one expects you to be one. So start stealing stuff to put this wallpaper together. Plenty of indies incorporate their book covers into their wallpapers. Great! Grab copies of yours and see if you can find some pleasing way to arrange them. If you paid for/designed the covers, you can absolutely use them in all of your promotional materials (including wallpapers). It's not really stealing; I'm just using a strong word to make a strong point. Please do not actually re-use images that you do not own or do not have permission to use. If you need free images from somewhere, because I strongly suggest that you do not attempt to draw your own from scratch, try Creative Commons.
• Arrange. Remember that less is more when it comes to designing a wallpaper for your social media pages. You want readers to see the individual elements, and you want them all to work together with the whole. So keep the design simple, and don't forget that only very specific parts of your wallpaper will even be visible.  Most of the stuff in the middle of the image will never be seen. Concentrate on the elements along the left edge and across the top. 
• Check. Triple-check your custom wallpaper image to make sure it's perfect. Set it to your profile and check it twice before you stop working. 

Save all your wallpapers and the elements you're putting on them. This way, you can tweak the images as needed to suit different websites and profiles. Wallpaper matters in social media. If a potential reader likes yours, it could make the difference in convincing them to buy your books and read your words. Grab them with images, because that's what people are looking at when they're online.

Writing 101: Are You Getting Out Enough?

I used to imagine my ideal writing spot: a dark, quiet room. There would be a desk against the wall and a single lamp just next to my elbow. Here I would sit and type, alone with my words. 

Now I write every day, and I've come to learn that this was an insane idea. Please don't sit in the dark day after day and write...no, not even if you're writing horror stories or dark tragedies. When you're a writer of any kind, make sure you're getting out enough. 

Who's Out There? 

It sounds romantic to be a starving artist, a brooding and melancholy wordsmith. Can't you just see Poe pacing around in a room made of stone, candlelight flickering against the wall, mumbling to himself about death and ghosts and murder?

It's hard to write like that, and it's not good for you to sit in the dark all the time. Environment absolutely affects you when you're writing. If you're sitting indoors all day long in the same spot doing the same routine and looking at the same stuff, you're going to make yourself crazy. You've got to take time to step outdoors, take a look around, maybe get out there and do something. Go for a walk around the block if that's all you've got the time to do. Take the laptop or the tablet outside, if you absolutely can't leave your work, and at least just sit out there. 

Because if you don't, your writing is going to deteriorate. You've got to get a change of scenery every now and then. You've got to see different sights. You'd be surprised how much creativity a simple change will inspire.

Sitting shut-up inside a room all the time isn't romantic, and it's not an ideal way to write.

Writing 101: The Epic Novel

For some authors, it isn't enough to write a book. Some authors aspire to write the great American novel. That usually means it's an epic novel. And when I say epic, I'm referring to the length of the story. In books, epic is a sort of grandiose way of saying super long.

Big Stories

Some stories just can't help but to be big. Gone With the Wind, my favorite, is a massive book. Yet the story simply can't be shortened, and that's just how it is. Despite the length of the novel, I wouldn't want to spend one less moment with Scarlett. 

But a book doesn't automatically have merit simply because it's long. Extreme length is a huge, huge turn-off to many readers, in fact. An epic novel is epic because it usually spans many, many years and details many different events. There's a lot of change and character growth, many obstacles and challenges...a boatload of characters and interaction. A lot happens, and that keeps readers engaged. 

Writing a long book doesn't make it epic, and regular readers of the blog will know that I'm an advocate for brevity. If you can say it in fewer words, do it. Readers don't want to get bogged down in lengthy descriptions of the way leaves blow in the wind, for example. In today's world of ereading, the epic novel could become the next literary dinosaur. So write lengthy novels cautiously and with a keen eye for details you can gloss right over. 

Read your story, and ask yourself if it's really an epic...or just too damn long. If you don't want to read your story, readers won't want to do so, either.

Writing 101: The Non-Linear Timeline

Unless you're Doc Brown or Marty McFly, you're forced to slog through time the normal way. Like the rest of us, you see time march by on a minute-by-minute basis. The events of the morning take place before the things that occur in the evening. But when you write books, you're allowed to break all natural laws and visit any point in time at any moment you like. You may even get really bold with your book, and write a non-linear timeline. 

Time Travel

Many stories occur along an accellerated timeline. Something happens in the spring that sets it all in motion. The summer that follows is action-packed. By the time the autumn leaves are falling, the hero or heroine has learned a few lessons. When winter blusters in, the protagonist has captured the love interest, banished the villain and resolved all the issues. It's a neat 80 thousand words, give or take, and a simple enough storyline for audiences to follow. 

There's another option. Instead of writing scenes in a linear fashion (in which the winter naturally follows the fall), some authors opt for a non-linear timeline. This means that the story starts in summer, instead of the spring. Readers are exposed to the action first. Then they visit the spring of the past, and learn how these events all got set into motion. You'll find some better examples of non-linear stories in works such as The Iliad, Wuthering Heights and Slaughterhouse-Five. Those are all written stories; get a master class crash course on the non-linear timeline with Quentin Tarantino (Pulp Fiction is the best example).

Showing readers events in a mixed-up fashion makes for an intriguing, engaging story -- in some cases. It's a bit like unraveling a mystery, and people love a good mystery. But the problem with non-linear stories is obvious: it gets confusing. Readers may get so caught up in trying to sort out all the different events, they get lost. It takes away from the story, and that makes it less enjoyable. As a writer, you have to lead readers through the story you're telling. If you lead them around and over and under and forward and backward and all sorts of different directions, eventually they're going to get tired of walking...metaphorically, of course. 

The point is, take your readers on a little walk if you will...but make sure it's an enjoyable one. If you can make the non-linear timeline work, use it. But if it's just not working, don't try to force it. Let the story unfold the way it needs to unfold, and you won't go wrong.

Writing 101: Crazy Character Names

Scarlett is one of those great, unique character names that stands out. But it's also a color and a decently recognizable word. Other character names are much more unusual, inventive...and sometimes, borderline psychotic. Crazy character names just aren't often a good idea, and forgive me if that word is a bit offensive. But honestly, can you find a better descriptor for names like Sookie Stackhouse, Ever Bloom and Midshipman Hornblower?

Name That Character

I didn't make up those examples above; other authors did. I'm not the most well-traveled girl in the world, but I haven't ever met anyone named Sookie or Ever. Good character names are memorable, and the really weird ones always are. But good character names should also be easy to pronounce. Otherwise, you're just going to have readers stumbling over their own tongues when they attempt to describe your book to others. It seems like a small point, but if your book is difficult to describe verbally you're shooting yourself in the foot. Word-of-mouth is still by and large the greatest advertising tool for any product, including yours. 

You want your names to be memorable, easy to pronounce and easy to spell. Why? Because everyone's on Twitter and writing in blogs, and if they misspell your character name would-be readers won't find your book and they'll go buy someone else's book and that's your fault...that's why.

If you've got those three things covered, you're in pretty decent shape...but that still leaves the door really wide open for an array of weird names. Crazy made-up names or otherwise odd-sounding names put a unique stamp on your book. Maybe too unique. The really strange names turn readers off and end up becoming the butt of jokes in blog posts like this one. So think it over. Crazy character names have their place...not always in your books.

Indie News: Wattpad Introduces Fan Funding

Not on Wattpad yet? If you need more motivation to get involved with this story-sharing social media site, here's an incentive: you can use it to make money for your self-publishing projects. 

Wattpad has recently introduced a "Fan Funding" option to the site, where writers can encourage readers in their network to help fund their upcoming projects. Wattpad says their program is different from the crowd funding platform Kickstarter because many Wattpad users have large fan bases to work with.

The platform isn't limited to ebooks or even print books. Through Fan Funding, Wattpad users can donate to movie scripts and other writing-related projects. This gives indies a whole new means of supporting their dreams and making them a reality. 

So if you've been waiting for an excuse to join the site, now's your chance. While you're there, look me up!

Books on Film: A River Runs Through It

Like some of the best film adaptations, A River Runs Through It was based on a short story. I've always believed that movies are too short and small a medium to accurately capture a complete novel...but short stories are another matter entirely. This one was originally published in May 1976, and it's sort of based on a true story. 

The Book

The story revolves around the Maclean family, who live in the wide-open spaces of Montana. Fly fishing is what bonds them together. The story is mostly told through Norman's eyes. He's the oldest son, and he goes on one last fishing trip with younger brother Paul. This occurs in the summer of 1937; both men are in their early 30s. 

Fishing is a huge part of the story, which is really more of a novella. If you like very long and detailed descriptions of nature and the weather, you will certainly enjoy the print version of this particular tale. In-between descriptions of lures and the like, you'll see the profound relationship between the Maclean brothers. Neither one can really understand each other, but their affection isn't any less because of it.

The story in the book delves much more deeply into the characters than the film, and gives you a much closer look at Norman's struggle to help Paul. The story is taken from a semi-autobiographical novel, a collection of three stories, written by (who else?) Norman Maclean.

The Film

A River Runs Through It is perhaps best-known as being a Brad Pitt movie, but it's a pretty enjoyable period piece in spite of that. Pitt plays Paul, younger brother to narrator Norman (Craig Sheffer). Directed by Robert Redford, the flick was so popular it actually sparked an interest in fly fishing all over the United States. 

The two brothers are the sons of a Presbyterian minister. Norman has been away at college for 6 years when the film begins, and Paul has been working as a journalist back home. They are a study of opposites. Norman is straight-laced, and interested in courting the eligible young Miss Jessie Burns. Paul is wild, and chases the ladies as it strikes his fancy. He drinks, he gambles, he does just what he likes...much to Norman's despair.

It's your classic coming-of-age tale...but it's Norman who ends up coming of age, not Paul. If you haven't seen it, what have you been doing? You must seek it out at once. But if you read the story and watch the film, you will find some differences in the two narratives.

What Got Adapted?

You'll get to meet Jessie much more quickly on the page. She appears once the film is already well-established, and she doesn't marry Norman soon enough. Jessie is Mrs. Maclean early in the story, and Norman's ordeal with her brother plays out after they are married.

Paul catches the fish in the movie, but it was really Norman who wrangled the beast on the page. It doesn't happen at the end of the story, either, but more toward the beginning. Certain plot points are also fabricated out of whole cloth for the movie. In the book, Norman doesn't attend Dartmouth or get offered a job in Chicago.

Some of the passages from the story, however, appear in the film verbatim. Some of Brad Pitt's most memorable lines are ripped right from the page, as are Tom Skerritt's as the minister/father.

The book takes you even deeper into the world make visual by the movie, and both are worth the time it takes to enjoy them. This is one adaptation that got it pretty much right...and that fits into my theories perfectly, so I highly recommend it.

Exposing Death

 "I don't know how Jade Varden keeps these twists and surprises coming!" 

"Will all the lies be revealed or will they all be swept under the rug like usual?"

Death (Deck of Lies, #3) has been reviewed at Eastern Sunset Reads. Check out their review to see how the book was rated!