Justice (Deck of Lies, #1)

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The Tower (Deck of Lies, #2)

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Death (Deck of Lies, #3)

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Judgment (Deck of Lies, #4)

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Hope's Rebellion

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Writing 101: Just Say No

I'm terribly behind on my book requests (literally months and months out). I'm over a month behind my own publication schedule for my books. I'm typing this post at 2 am, and I'm going to get less than 5 hours of sleep tonight.



I have trouble saying no to stuff...and that's why I'm always drowning in work to do. Brace yourself. You're about to hear a cautionary tale.

I Am Not Leading By Example

It's me. I'm the cautionary tale. I've managed to get myself into a mess, and I'm going to do what I do best by telling other people how to avoid my mistakes.

Just say no

  • Read this book!
You don't even have to hang up a shingle, so to speak, to receive review requests from authors. You just have to have a blog. You'll get requests through your email, Twitter, Goodreads, Facebook, whatever the heck you've got. Some pitches are great. Some books look amazing. Sometimes, it's really hard to say no. But if you know you don't have any time to read and you've already got books on your list you'll never get around to finishing, say no. 

  • Guest posts and interviews.
Yeah, I know why you do them. Guest posts and interviews allow you to become exposed to users on a totally different site, a book blog where you may find many new readers who are picking up whatever you're putting down. But too much of a good thing is still too much. Don't agree to so many guests posts and/or interviews that your own blog and books suffer.

  • Forums.
As faithful readers know, I'm not a big fan of writer forums. This should clearly be the first thing to go whenever you're feeling pressed for time. If you're going to make time for something, please don't let it be slogging through the forums

  • Personal limits.
My time-management problems go beyond the responsibilities I have as a self-published author. I have a hard time saying no to work assignments, and I don't back down from the exercise and cleaning commitments I've made to myself. You have to say no in your personal life as well, sometimes to your friends, your bosses and even to yourself.

It's very difficult to say no, and I understand that. But sometimes you have to...or you'll end up going for many weeks without enough sleep, and perform poorly at pretty much everything.

Writing 101: What's in a Book Name?

I see new indie books literally every day. Because I move fast, I'm usually looking at one piece of information only: the title. I won't even look at the cover, I'm not worried about your name. I don't even care about  the blurb. I make my decision after I read the title. 


What will I be thinking when I read yours?

By Any Other Title...

They say that names aren't important...and they're wrong. When it comes to books, the title is everything. And lately, I've been seeing all sorts of weird stuff in all kinds of titles. I think it's time we set a few guidelines for writing good ones. 

  • Length: Too long is just too long. I've noticed all sorts of epic book titles lately, one or two that were just about as long as one of my opening chapters. If you're having trouble squeezing all the words onto a book cover, take that as a sign that your title is just too long. By the same token, you may want to re-consider all those really short titles, unless you have some way to distinguish them. One-word titles are perfect for books within a series. Otherwise, you might have trouble distinguishing your one-word title from all the others that are out there. 
  • Proper Names: There's a rash of book titles containing proper names lately. It's tricky business, doing that. The Curious Case of Benjamin Button is pretty good, there's a hook in there. Priscilla, Queen of the Desert sounds intriguing. Abby Got an E-Mail from Kate Winslet isn't such a great title, and I'm not even sure it's legal to write that book. Only use a proper name if it is what? Easy to spell and easy to remember, which is what your pen name should be also. Never forget that you are already asking readers to remember a name before you put one in the title: yours.
  • Weird Adjectives: Stuck on You is a clear metaphor that I immediately get. Coaxing Your Love is a little bit more obscure, but I'm still with you. Venerating Johnny, that's just too darn complicated. If I have to figure it out, it's just too much. The title is not the best place to trot out the four-syllable words or impress the world with your knowledge of little-known descriptors. Remember that simple language is usually the best.

If you look for these three things, and eliminate them, you'll have better book titles. You want something fairly simple, yet distinct. Something I can remember that's not too cumbersome, something unique. Try cutting proper names down to just one (The Curious Case of Benjamin?), simplify those adjectives and edit out any unnecessary length. Because by any other name, I might decide not to read that book.

Books on Film: Fried Green Tomatoes

Fannie Flagg was a Match Game regular, an actress and a colorful personality, so it makes sense that she would write a book that managed to shine and stand out. She's the mind behind Fried Green Tomatoes, the novel that inspired one of my favorite chick flicks (and I've seen an embarrassing amount of them). But if you pick up the novel expecting to find the Idgie you loved from the film, you're in for a bit of a surprise.


The Book

Flagg published Fried Green Tomatoes at the Whistle Stop Cafe, which is the actual title of the book, in 1987. Like the movie, it focuses on two different time periods in one woman's life. In the novel's present, an elderly woman in a nursing home named Ninny Threadgoode becomes friends with a middle-aged stranger named Evelyn Couch. During their once-weekly visits, Ninny tells Evelyn a story that happened many years ago.

Her story revolves around the Whistle Stop Cafe, which is found in Whistle Stop, Alabama. Idgie and her friend Ruth ran the cafe, which was known for its fried green tomatoes. The story took place a long time ago, around the 1920s, but hearing it inspires Evelyn Couch to make positive changes in her own life. She's enthralled with Idgie's bravery, and it compels her to shed some of her own cowardly ways.


But the novel doesn't tell the same tight, cohesive stories you'll see unfold in the film version. The narration is confused at times, and the reader must determine where and when they are based on the descriptions that open up each chapter. This is helped along somewhat by the Weems Weekly, Whistle Stop's local paper. Events are revealed out of order and in no real pattern.

Ninny was taken in as a child by the Threadgoode family and she married Cleo, one of the brothers. But her true first love was dashing Buddy Threadgoode, who was very close with his little sister Idgie (short for Imogene). She's a tomboy, and the apple of her brother's eye. But things change when Buddy is hit by a train and killed. She takes to living away from the house and becomes even more boyish. Years pass in this fashion, and then Ruth Jamison arrives.

Ruth has also come to live with the family because she's teaching at the nearby Bible School. Idgie falls in love with her and begins to spend more time at home, but Ruth has not come to Alabama to stay. She's promised to marry a man, and moves to Georgia to be his wife at the end of the summer. Idgie leaves home again, and once more the years start to roll on by.

A Bible page torn from the Book of Ruth arrives at the Threadgoode home. Idgie understands at once that it's from Ruth, and that she's being abused by her husband. How she infers that from Ruth 1:16 one never knows, but then I have trouble understanding much of the Bible as it is so I'll let it go. Idgie brings Big George, a servant in the Threadgoode home, and her two surviving brothers to take Ruth away from her husband Frank Bennett.

Ruth's carrying his child, so Idgie's father gives her money to start her own business so she can care for Ruth. Idgie builds the Whistlestop Cafe. Sipsey, Big George and Onzell begin working there with her. Together, the two women raise Buddy Junior, later nicknamed "Stump" after a train accident.

Regulars come to the cafe, people like Smokey Lonesome. He's a Depression-era hobo who rides the rails, and the cafe gains some notoriety among this set. Idgie and Ruth ruffle a few feathers when they even start serving blacks out the back door. Frank Bennett has disappeared, and detectives come by to ask Ruth if she has any information about it.

Hearing about Idgie's incorrigible ways inspires Evelyn to create an alter-ego named Towanda -- she's sort of like Sasha Fierce. It makes Evelyn confident, self-possessed, bold and unafraid.


And in the past, the cafe carries on. The Depression comes and goes, as does World War II. Buddy Junior becomes a man, and the town grows quiet around them. Ruth dies of cancer in the 50s, and the railroad was already out of fashion by then. Idgie is later arrested, along with Big George, for Frank Bennett's murder. His car was found at the bottom of a lake outside town, you see. But the case is dismissed after the town minister lies for Idgie on the stand. She once helped his son (and most of the people in town).

We learn later that Sipsey killed him with an iron skillet when Buddy Junior was still a baby. The detectives ate Bennett's body when they came to investigate, meat that was barbequed by Big George. They loved it.

While away at a weight loss spa, Evelyn learns that Ninny Threadgoode has died in the nursing home. It's a sad ending, and a different one from what you'll see when you view the film. In fact, a whole lot of things are different on film.

The Film

The movie Fried Green Tomatoes was released in 1991, and starred Mary Stuart Masterson as Idgie. Mary-Louise Parker played Ruth. Jessica Tandy became Ninny onscreen, and Kathy Bates was a perfect Evelyn.

The meeting between the two new friends is much the same on film...and the story begins to deviate almost immediately from there. We focus right away on young Idgie, and meet Ruth early. In this version, it's Ruth who is in love with Buddy and she has moved into the home because she will marry him. Both girls are present the night Buddy dies, and both are devastated.

Ruth is asked to come back to the home years later, once Idgie has slipped so far out of civilized society her parents become concerned. Though at first reluctant, Idgie soon accepts Ruth's friendship and returns it in kind. But Ruth still leaves Whistle Stop to marry Frank Bennett, and Idgie is left bereft because she misses her best, and arguably only, friend.

Idgie goes to visit Ruth under her own steam and all alone, and sees evidence that Frank has been beating up on her. Idgie pretty much drags her BFF back to Whistle Stop, and the events of opening the cafe take place just the way they ought.


The rest of the film pretty much carries out as the book does, with a few very glaring omissions. Ninny goes to live with Evelyn at the end, and it's revealed that Ninny is actually Idgie.

What Got Adapted?

The few changes made to Fried Green Tomatoes are probably the most important, because they manage to change the entire tone of the book. You see, Idgie and Ruth are lesbians. Such is not the case on film, where the relationship is made into more a sisterish or best friend pairing. If you don't know they're supposed to be lesbians, you probably won't see it anywhere on the film.
Ninny lives on film, because her death really does make the whole thing so sad. In the movie, Ruth lives to testify at Frank's trial. In the book, she never lives to see Idgie arrested. On film, Ninny and Idgie are the same person. This is not the case in the book. They talk to each other and they are certainly two different people; Ninny was Idgie's sister-in-law.
The book is largely about aging. It's an extremely important element that we meet a childhood and adolescent Idgie, a twenty-something Idgie and Ruth, middle-aged Evelyn and elderly Ninny. All represent something different. The town ages, too, as does Idgie's childhood home. The south becomes older, a little colder, and changes come to take away some of it charm.

It really feels like Whistle Stop dies with Ninny at the end of the book. Racism is a strong theme of the story, but only briefly touched on film by comparison. Death is another central theme, and avoided on film wherever possible.

It becomes a different kind of story, but both versions of Fried Green Tomatoes are great. It's still one of my favorites. If you don't read it and watch it, you'll be missing out.

Writing 101: Pursuing Perfection

I tend to over-research my books. I once spent an entire afternoon learing the history of plumbing in order to double-check a chamber pot reference (once upon a time I wrote historical novels). I pursue perfection...and sometimes it's a real problem.  



The Perfect Novel

Every writer wants their work to be error-free, engaging, important. Thar's not the kind of perfection I'm talking about. I get so caught up un perfecting the details, it might take me years just to finish a single story. I take perfection to such a dark place, it nearly set me back to the beginning of my newest book.

It all started with a discussion about global warming. That might sound random, but it's relevant to the book in question in a roundabout way, and therefore to this story. As the discussion carried on, I realized that I had estimated the future projected water table incorrectly.

I'm terrible with math, anything involving numbers really, so this is not shocking. But I was upset, because I  realized the science of the story is wrong.

Specifically, I realized that my map was wrong. It could not be tolerated. I immediately began making plans to throw the story out altogether, go back and do more research to get it right this time.

I was lucky that day, however, because someone else told me I was acting crazy. It was true. Someone else had to remind of what no writer should forget: it's my story, so there is no right and wrong. I make the world, I make the map.

When you're busy pursing perfection and getting caught up in the details, throwing out an entire book (or even half of a first draft) suddenly doesn't seem like a terrible idea (and trust me, it really is). Don't get too caught up in the details of writing it perfectly and getting every fact right. Sometimes, creative license isn't just an option -- it's an absolute necessity. 

Just remember to repeat this to yourself the next time you start wading through the detail swamp: it's my story...I can lie if I want to.

Writing 101: The Worst Case Scenario

When I'm afraid of trying something new, I play a little game with myself. I imagine the worst possible outcome and I create an entire plan for how I would deal with it. I figure that if I have a plan for the worst thing, I can handle anything

It doesn't always work. Recently, I was blind sighted by a worst-case scenario I never saw coming. There is something worse than a one-star review from a reader...and it happened to me. 



The Worst of the Worst

Say what you will about Amazon, but at least it makes you write something if you're going to rate a book. Such is not the case with Goodreads, which allows readers to rate books all day without so much as a by-your-leave.

This, my fellow authors, is the worst-case scenario. You know the reader didn't like the book, and that's it. You don't know what they didn't like, or why, or even if they read the whole thing.

Doesn't give you much room to improve, does it? 

This is why it's the worst of the worst, because there's nowhere else to go. You can't learn from it or build upon it. You can't even figure it out unless you contact the reader and ask, an action I do not recommend.

It's truly the worst, but it's not the end of the world. You simply have to ignore it. I know that's hard (I know because I spend so much time staring at my own ratings), but that's all there is. It's a worst-case scenario, but it really isn't so bad.

And now that you can imagine the worst and you have a plan to deal with it, you can handle all the rest. Maybe it's not so hard to be a self-published author after all.

Chaos and Justice

"Rain Ramey's search for herself in the midst of all the chaos drew me in until the very last page."




"Quick and entertaining read, with an interesting set of characters."

Justice (Deck of Lies, #1) has been reviewed by the Intrepid Book Moth! Read the whole thing to find out what the reviewer didn't like about the book.

Writing: Falling in Like

I watched a movie on Sunday. It felt like a big deal because it's one I've been waiting to see since last Christmas. So I watched it...and I hated it. It wasn't necessary the amateurish singing, the casting choices I thought were bad, the inattention to wardrobe or even the lack of dialogue (which is my favorite part of any story). It was the characters. About halfway through, I realized that none of them were likable. I felt really unhappy with every moment of it after that. Making your readers fall in like is essential if you want them to keep being your readers.


The Middle of the Road

Notice I didn't say that readers should fall passionately in love with your characters. That's hard to do for even the most brilliant of writers, and it's polarizing anyway. Think Twilight and Gone With the Wind. Both stories have very strong male leads that make female readers swoon, but the female leads are not well-liked by their reading counterparts. Scarlett O'Hara and Bella Swan are both incredibly unlikable in different ways, and it's only tempered by their way-too-sexy literary co-stars.

I'm not asking you to capture lighting in a bottle...or on the page. You'll have a much better chance of creating a character that's just plain likable. Think Harry Potter. You probably aren't in love with him (I never did like a man with shaggy hair, myself), but you probably like him and want him to win his battles. He's a little bit clumsy and inept at times -- aren't we all -- and he's no romantic hero. He's just a likable guy who makes mistakes but wants to do the right thing.

And he sold billions of books, so don't tell me that likable isn't good enough. It is. By far, likable is a lot better than having characters no one can like. So now it's your job to create characters that people like. For writers, who tend to be introverted loners who are focused on what's happening in their heads, this can easily feel like an insurmountable task. But don't fret -- there's a formula to creating a likable character (and I happen to know what it is).

  • They're relatable: Your character can live on a space station or in a house behind a white picket fence, and still be relatable or not. Make your character one the reader can identify with. Give them flaws, give them dreams, give them fears and hang-ups and crushes and bad memories and inside jokes. Make them feel real, and I will be able to relate.
  • They fail: The reader is supposed to root for the hero to triumph, and that's fine. But sometimes, the hero should fail. People fail sometimes, so people in books should also.
  • They try: Heroes don't have to do the right thing all the time, but they should want to. They should regret it when they do the wrong thing. They've got to try, because that's all anyone can do. Effort makes characters likable.

Your characters don't have to be gorgeous and they don't have to be perfect, because most ordinary people are not these things. They simply have to be real people who attempt to succeed at being good. Do this, and I'll be falling in like with your book.

Passing Judgment

"I LOVEDDDDDDD the courtroom scenes!!! Oh my freakinggggg goodness, it was gooodddddddddddddddd!"


"I am pleased to give not only this book, but the WHOLE series a 5 OUT OF 5 STARS!"

Nourin, friend of the blog and the blogger behind BookAThonFreak, has reviewed Justice (Deck of Lies, #4). Read the spoiler-free review to see how she felt about the conclusion of the series!