Getting Dramatic with Justice

 "I loved the development of the story line right from chapter one." 

"I would recommend this book to any young adult because it's the perfect amount of high school drama for any adolescent."

Justice (Deck of Lies, #1) has been reviewed at The Rise of a Novelist. Go and read the whole thing, and get an inside look at how I get my reviews!

On the Edge with Justice

"This is a suspenseful, mystery book that has you gripping every lie as they multiply in the palm of your hands."

"This book felt real and I will recommend it to everyone I come across."

Addicted to Novels has reviewed Justice (Deck of Lies, #1). Read the whole thing to find out where to get your copy of the book!

Books on Film: The Lion, the Witch and the Wardrobe

It's hard to believe The Lion, the Witch and the Wardrobe was published just 62 years ago, in 1950. It feels like it's been a part of children's literature for ever. It's certainly been part of TV movies, miniseries and  films for a long while, but then things move pretty quick in the movies. It's the first book in the Chronicles of Narnia series, and one of Times All-TIME 100 Novels. C. S. Lewis nearly didn't get it published, and now it's one of the most beloved children's books ever written.

The Book

The Lion, the Witch and the Wardrobe is set in war-torn 1940s Europe...and in a mythical land called Narnia. It opens with the four Pevensie children, of whom there are two boys (Peter and Edmund) and two girls (Susan and Lucy). They've been forced from London due to WWII and into the country home of Professor Digory Kirke. 

While exploring his large home, Lucy goes into an old wardrobe...and all the way through it into a magical, snow-covered landscape. Here, she meets a faun named Mr. Tumnus. They have a lovely tea party, and he thinks about turning her over to the evil Queen of Narnia, also known as the White Witch, but admits that he cannot do it. He explains all about the evil White Witch, who has trapped all of Narnia under her magical thumb. Lucy goes back through the wardrobe to tell Susan, Peter and Edmund about the magical place she's found. They do not believe her.

But Edmund suspects she may be telling the truth, and follows her one night into the wardrobe. He ends up meeting the White Witch, who offers him delicious treats and uses her own magical powers on him. Lucy finds him in Narnia, and together they go back through the wardrobe. Once there, however, Edmund denies that Narnia exists to the other two, betraying and upsetting Lucy.

Finally, all four of them end up in Narnia together. Mr. and Mrs. Beaver (who are, yes, actual beavers) invite them to dinner and they hear more about the evil White Witch. A prophecy holds that two Sons of Adam and two Daughters of Eve will break her terrible winter curse, which holds the land in its icy grip.

Edmund leaves them to visit the White Witch's castle. When the Beavers discover his betrayal, they leave their den to take the remaining Pevensies to Aslan, the true King of Narnia. During the journey, they see signs that the curse is breaking. Snow is melting, and they meet Father Christmas during the trek. Peter receives a sword and shield as his gift, while Susan gets a horn and a bow. Lucy gets a dagger and a magic potion. They soon meet up with Aslan and his army.

The White Witch arrives to have a meeting with Aslan, and demands to execute Edmund for being a traitor. They work out a secret deal betwixt them, and in the night Aslan steals away from camp. Lucy and Susan wind up secretly following him, and see him as the Witch ties him to the Stone Table and kills him. The next morning, the table is broken clean in two and Aslan is totally fine. This is all due to magic, naturally.

Battle ensues, and in the end Aslan kills the White Witch. The children take their thrones at Cair Paravel, fulfilling the prophecy, and spend many years reigning over the kingdom of Narnia. Years and years later, the four are hunting a white stag in the forest when they find the lamppost that lies just beyond the wardrobe. They slowly begin to remember the lives they left behind in Narnia, and go back through the wardrobe. Here, they become children again and find that hardly any time has passed in England at all. The Professor tells them knowingly that they will, one day, return to Narnia.

The book is full of magic, mythical creatures, and battles. It's pretty much made for the movies, and maybe that's why the book has been re-made into film many, many times over.

The Films

The Lion, the Witch and the Wadrobe has been a TV movie at least three different times. ABC made a massive 10-part adaptation of the book in 1967. An animated version was released in 1979. The BBC made their own version in 1988 using puppets, animation and live action (covering all the bases). Subsequent TV adaptations followed.

The story finally became an epic film adaptation in 2005, courtesy of of Walt Disney. It won Oscars, raked in hundreds of millions of dollars at the box office and, so far, spawned two sequels. In this film version, Lucy Pevensie hides in the wardrobe during a game of hide-and-seek to accidentally discover Narnia. She does meet Mr. Tumnus, who does not turn her in, and returns to the Professor's house. Edmund winds up following Lucy into Narnia to meet the White Witch, and again Edmund lies to Peter and Susan about Narnia.

All four of them are forced to run from the dour housekeeper after accidentally breaking a window, and wind up in the Narnian wardrobe. They again meet the Beavers, and after Edmund sneaks off the remaining three go to meet Aslan. Again, they succeed in battle and return home at the end of the book. It's a very faithful and well-done adaptation, but there are some differences between the book version and the Disney film version of the story for the nit-pickers out there.

What Got Adapted? 

The film version of the story actually shows the bombing of London, an event the book handles much more benignly. In the book, the four children go into the wardrobe together because the house is open to tours and they are supposed to keep themselves "scarce" during these times. The near-drowning scene in the film never happens in the book. Father Christmas, or Santa Claus, also looks quite different in the movie than he does on the page. The Witch also looks different. In the book she has black hair and a gold crown, clearly a departure from Tilda Swinton's blonde and icy beauty on film. Other differences are very minor, and even these small changes don't take anything away from the story. All in all, this is one adaptation that Disney managed to get right. They certainly had enough practice fouling up other stories. If you haven't already read the book, do it! Then watch the film, and compare for yourself.

Truths, Lies and The Tower

"It seems like on every page you are learning something new, more truths revealed."

"Another breathtaking, fast-paced, eye-opening and jaw-dropping novel from an Awesome author!"

The Tower (Deck of Lies, #2) has been reviewed at Keepin' up with the Joneses. Read the whole thing to find out how to enter a book giveaway and get some new reading material (after you buy The Tower, of course!)

Writing 101: Following Up

If you follow the blog, you already know how to comb through book blogs to get reviews. You know how to approach reviewers in order to get them to read your work. You know how to deal with review exchanges, and how to handle the inevitable criticism. But if you're not also following up, you're doing yourself a disservice. The follow up is one of the best tools you can use for getting reviews. 

Are you using it?

Remember Me? 

If you're committed to being an indie, you're probably going to self-publish more than one book (or maybe you already have). Whether you're writing a series or several stand-alone books, you can't neglect all your follow ups. So if you're asking, what's that, you already have been. It's okay, you can still catch up. 

• Keep track of your reviews. If you're going to properly follow up on the reviews you get, you've got to keep track of your reviews. I'm a big advocate of organization, so my first suggestion is to keep a spreadsheet containing links to the review, the date of the review, the name of the reviewer and the book they reviewed. Not everyone is that anal-retentive (read: obsessive). You can just as easily keep a Notepad file of a link to the review, or even save emails from your reviewers in a separate mail folder. Do this, and it'll be incredibly easy to follow through with your follow ups.
• Wait. Once a few weeks have passed, write to those reviewers about your next book. Maybe it's the next in the series they've started, maybe it's just your newest release, it doesn't matter. You're following up. Tell them thanks for their original review, and if they're interested you've got another book. Would they like a free copy? Book reviewers are book readers first and foremost, and when you wave a free book at them you're bound to get a response...just make sure you ask the question the right way. 
• Asking. Naturally, you're going to want to keep track of all the reviewers who gave you good reviews. But don't balk at keeping reminders for the ones who gave you not-so-good reviews, too. A follow up gives you a second chance to win them over, and it shouldn't be missed. With a reviewer who might be more hesitant to read your next project, you've got to approach them a little differently. Reference the problems they might have had with your last book (poor editing, perhaps, or flowery language) and tell them why you think they'll like this book. 

Follow ups should always be personalized. They take a little more time to write, but they have a much bigger return value. You're much more likely to get a review from a reviewer who has given you their time in the past. Following up will continue and deepen the relationship, and it can never hurt to have a good relationship with a friendly book blogger. 

Getting Thrilled by Justice

"An exhilarating ride, and once I started the book, I just couldn’t stop."

Justice (Deck of lies, #1) has been reviewed at Keepin' up with the Joneses. There are some spoilers, so feel free to read the whole review if you've already read Justice, and see if you agree with the reviewer!

Writing 101: Passed vs. Past

Words that sound alike, homonyms, are problematic for every writer at one time or another. Some homonym pairs are especially evil, because the two words in question have similar meanings. Passed and past are perhaps the most evil of all homonym pairs. Maybe that's why they're used incorrectly so often.

Past

The word past is confusing, because the word itself is not past tense. It's a perfectly normal adjective, a descriptive word, used when describing something that has already happened. 

"Didn't you and Jim break up?" 

"Yeah, but that's in the past." 

Past is a word that references time. It's even part of a word trio, a group of buddies known as past, present and future. The three are often mentioned together, and it's worth remembering because it'll help you use past correctly. There are different ways to use the word, different places to put it in a sentence, but the meaning of past won't ever change: it's something that already happened. But it can also refer to a specific thing, or person, or time, that has already come and gone.

"All past championship players will be on campus to visit the current champs." 

"I'll meet you at half past seven." 

"That car sped right past us!" 

Confusing, right? When used all these different ways, past becomes an adverb, a noun, even a preposition at times. In most cases, you're probably going to be using past when you're trying to get your point across. But sometimes, you might need the word passed instead.

Passed

The word passed is the past tense form of the verb to pass. This just means to proceed or move forward, according to the OED. It can refer to anything: a physical object, a metaphorical obstacle, time itself. You can pass a test, and you can get past a test. If you tell your friend Mimi that you did a good job on the test, you might say you passed it.

How do you know when to use passed? When you're using it as a verb. Unlike past, which can be many parts of speech, passed is only one. It's a verb. That's all you need to know.

 
The month passed uneventfully. 
He passed me this note in class.
Sure I saw her. I passed her on the way here.

Notice the placement of the word in the examples, and how it's used. Verbs refer to action, to something happening, and that's how passed is always used. It's action. 

But what if I change the verb in the sentence? Then, I have to use passed's difficult twin brother.

Sure I saw her. I walked past her on the way here.

See the difference? In this version of the sentence, the verb I'm using is walk. And since I passed her on my way here, I walked past her.

Telling the Difference

So if you're confused about past and passed, take heart. These two are darn confusing, they're spelled alike, their meanings are similar and they are pronounced exactly the same. Of course writers get confused, and this is one of those many things that spellcheck just can't fix. To use them both correctly, just identify your verb in the questionable sentence. If the verb being used is to pass, you've got to use passed. If past isn't the verb in the sentence, then you're using it the right way.

Writing 101: Comedy and Tragedy

There are dozens of different book genres, but when you get right down to it there are only two types of books: comedies and tragedies. Do you know which type of book you're writing, and what makes the difference between the two?

Comedy and Tragedy

Dustin Hoffman explains the nature of book writing beautifully in Stranger Than Fiction, one of my favorite movies. In the flick, he tells Will Ferrell the difference between a comedy and a tragedy: "Tragedy you die, comedy you get hitched." It's a pretty simple explanation, some might say trite, but it's also true. Every fiction book falls somewhere inside the comedy-tragedy spectrum. Sometimes, it's easy to tell which kind of book you're reading. Really clever writers keep you guessing until the very end. But when you're writing, you have to know which direction you're pursuing...because if you don't, no one else will be able to figure it out, either. 

• Comedy

 

Comedies are funny, and generally they have relatively happy endings. There's a common misconception that comedy stories can't be serious. This is absolutely false. In fact, it's a great idea to blend humor into your dramatic scenes, because that makes them a whole lot easier for readers to take. When a book is too dramatic and too heavy, it's going to turn readers off. Life is already dramatic and heavy, so don't be afraid to lighten up a little when you're writing. People read to escape their reality. Don't make the world they're escaping into one sad, heavy event after the next. Some writers add specific, funny characters into their stories to lighten up the mood and provide some much-needed laugh lines. This is a device known as comic relief. Comedy always has a place in any story.

But if you're writing a story that can be identified as a comedy, your main character has to overcome their greatest obstacle and/or defeat their foe (the antagonist, or villain, of the story). In almost all cases, the main character is alive at the end of the comedy and the reader has a general sense that their life is going to work out okay. Some writers craft beautiful, tear-soaked tragedies, only to flip the audience on their heads at the end of the book and resolve the whole thing with a blissfully happy ending where the main character is alive and well. It can be an effective writing device, but it can also be a bit of a slap in the face to the reader. So if you're going to write a happy comedy ending, make sure it makes sense. The ending must fit the rest of the book, and shouldn't necessarily come too abruptly. It's also important to note that the hero, or protagonist, of any comedy story is likeable. The most well-known type of literary comedy is probably the romantic comedy, in which a couple comes together after several funny obstacles are put in their way.

Literary comedy examples: A Midsummer Night's Dream, Twelfth Night, Bridget Jones's Diary, Freaky Friday

• Tragedy

Tragedies go for tears, not laughter. In a tragedy, people are going to die. In many cases, the main character is going to die at the end of the book. Tragedies contain a lot of drama, and more than one very sad and heart-wrenching scene. Every good book contains some tragedy within it, and it's okay to add a little sadness even into a very funny comedy. It's never  easy to make your reading audience laugh or cry, and the secret is to find a good balance. Don't just hit them constantly with sadness, but also don't lighten your tragedy with too much humor that might take away from the seriousness of the book. 

In a tragedy, the villain of the book doesn't necessarily have to win. Many great tragedies have been written where the hero wins but still dies. In many tragic endings, however, the book ends quite sadly. Goodness, love, chivalry -- these things have not prevailed. One of the most famous, and well-known, examples of literary tragedy is Romeo and Juliet. Other examples include Bridge to Terabithia and The Shipping News. At the end of a tragedy, your readers ought to be in tears. 

Comedy and Tragedy, Redux

The greatest stories blend elements of comedy and tragedy together in the same book, allowing readers to experience a full gamut of emotion. When it's done well, it becomes a wonderful adventure of hope, sadness, laughter and loss. When it's done badly, it becomes a roller-coaster ride that jerks readers back and forth, excruciatingly so. Pay attention to how you're feeling when you're reading your work, and how much your feeling, and how many times your feelings are changing. You want to keep your audience engaged and involved...but you don't want to jerk them around.