Jade Varden Official Blog

 If you’re a writer, you have lots of different people living inside your head. You’re thinking about their lives, maybe killing them off (like me), maybe hearing them speak and watching them act. It’s not crazy – it’s what it’s like to be an author. But when you’re a writer, don’t forget about you while you’re thinking about all those other ideas in your head. Truly, Madly, Deeply There’s a scene in a movie I love. It’s about an author who’s having trouble finding her true writing voice. She’s writing about all sorts of fantastical things and inventing all sorts of passionate plots, until someone close to her tells her that she ought to write about things she’s actually experienced and people she knows. She doesn’t take to the idea at first at all, but later it becomes her inspiration. In the particular scene I’m thinking of, she sets herself right down at her desk and begins to write. Mind you, this is a period piece we’re watching. When I say she sit...

Not all stories are mere stories, something to entertain you. Some strive to teach some lesson, perhaps make some moral standpoint, maybe brighten up your day. When you're writing a message, you have to walk a delicate line and maintain a certain balance. Otherwise, I'm just going to get ticked off...me, and other readers too. Getting the Point There's nothing wrong with embedding a message into a story. In fact, lots of books have been extremely successful by doing this. People like learning a little something, and having their spirits lifted. But at the same time, they also want to be entertained. When you're writing a message, you can't over-write it. What I'm saying is, don't hit me over the head with it. If you're continually spelling out your message, you're just being repetitive (and repetition is boring). The message has to be faint, subtle, so carefully placed that I'm not really sure if there was a message there. I read ...

"The reader can't help to want to know more about what will happen."  Death (Deck of Lies, #3) has been reviewed at Kritters Ramblings. See how it rated on the YA shoe scale when you visit the blog for the full review!

Edgar Allen Poe's The Raven isn't actually a book, it's just a really long poem about a crow. But the epic poem is about more than a bird or a man who can't seem to get to sleep, and it beautifully showcases the dark nature of Poe's work. Poetry doesn't translate easily into film, or in fact into any other medium. The three films loosely based on Poe's work reflect this truth rather spectacularly. The Poem Edgar Allen Poe published The Raven in 1845, and it became rather famous right away. The musical lines of the poem are studied often by scholars of all ages, and some people can recite entire passages. Reciting the entire thing takes a whole lot of study -- it's more than 100 lines long, but the rhyming scheme does help.  The Raven mourns the loss of the lovely Lenore. A man wracked by grief for this woman, presumably a lost love, is being taunted by a raven who repeatedly tells him "nevermore." It's all the bird will ...

"Maneuver through this new world of money and lies and mystery." "The characters were dynamic and so entertaining."  Kitters Ramblings has followed up their review of Justice with a new review of The Tower (Deck of Lies, #2)! Read the spoiler-free review to get a taste of where this installment of the series will take you.

Holly Golightly first appeared in the world of fiction in 1958, but her character lived on the page in the 1940s. By the time she debuted on film, she'd aged 10 years and moved into the early sixties. But no matter where you find her, she's always one thing: incredibly stylish.  The Little Girl in the Little Black Dress In any era, Holly Golightly's style transcends the page. She was introduced in a novella written by Truman Capote, ostensibly based on someone he actually knew when he moved to New York as a young writer. Holly's love of style and fashion are revealed early in the book when she talks about going to Tiffany's, the famous jewelry store, and how safe she feels when surrounded by the men in their dark suits. Holly is a party girl who loves the night life, and she's usually dressed for it even at seemingly inappropriate hours of the day. The story struck a chord with readers, and Holly became a well-loved fiction heroine (or anti-heroin...

Have you ever turned to a friend to say, "let us go to the mall this afternoon" rather than let's ? Of course you haven't. Contractions are a natural and normal part of dialogue , and if you're a writer you really need them in your book.  Contractions Contractions are confusing. Apostrophes always complicate matters, because they appear all over the place. An apostrophe might be near the beginning, near the end, at the very end...sure, it's easy to get all mixed up. Start throwing contractions around, and matters only get more complicated. In contractions, apostrophes have a single function: they represent the missing letters. When cannot becomes can't , the apostrophe symbolizes the n and the o .  And once you know that, you should be able to write contractions perfectly every time. You'll need to, because you need contractions . Without them, your book will sound stilted and strange. It won't flow well, and I can prove it. ...

"The perfect YA read." "The story goes to a whole different place than what I expected." Kritters Ramblings has reviewed Justice (Deck of Lies, #1). Read the full review at the blog to find out why the reviewer called it perfect!