Going Mad for The Tower

"This book was amazing."

"The story is fast-paced and keeps you hanging on for dear life."

The lovely Ariel Avalon has reviewed The Tower at her blog. There are some spoilers, so don't read the review unless you've also read Justice! 

While you're at Ariel's blog, check out her reviews of Justice and Death as well.

Writing 101: Making Money as an Indie Author

Even after you learn how to master grammar, punctuation and descriptive language, the self-publishing journey is far from over. You've still got to figure out how to make money as an indie author -- and trust me, it's not easy.

The Road to Self-Publishing Success is Paved with Broken Indies

You may have an amazing book on your hands, a story so pure and so good it absolutely deserves to be a bestseller. But there are thousands of writers just like you, people who have created truly exceptional work, and we may never learn their names. After you write the book, format the book and self-publish the book, you've got all the easy stuff out of the way. You were born to write stories, weave plots and entertain the masses -- so of course you wrote the book. Actually promoting the damn thing, now that's hard. 

And it's where lots of indie authors fail. Too many writers have a dream that they're going to write a book, publish that book and then, magically, the universe will respond. Yes, it has happened once or twice -- but lightning may not strike you just because it struck a few lucky others. Most of us have to create our own lightning; you can't even wait for the sky to get cloudy before you've got to get out there with your key and your kite (Benjamin Franklin reference). You cannot wait for the universe to discover your book. Under almost all circumstances, you aren't going to self-publish a book and have a bestseller on your hands a few weeks later.

Making Money as a Self-Published Author

It's much more likely that you'll publish a book, get a few purchases from friends and family members, and then nothing will happen. That's why you've got to promote to make something happen.

• Price. Set a reasonable price for your self-published book. Like it or not, indies have a bit of a tarnished reputation. Your book might be even better than the leading bestsellers being churned out by the top publishing houses, but no one is going to find out if you've priced your work as high as theirs. Self-published books are priced lower; that's your market. Stay competitive in your market. Once you've established yourself and you've got a lot of fans and you actually are making money, then you can re-visit the issue of price. 
• Get reviews. Selling books is a pretty simple formula: readers like what other readers like. The more reviews your book has, the more interest it's going to generate. I live by a personal philosophy that there's no such thing as bad press. Even if you have nothing but 1-star reviews, that can be an asset. People like what's good, but they're fascinated by what's bad. Take a look at reality TV, and you'll see what I mean. If people are passionately screaming that your book is terrible, it can be a good thing. Remember that Mark Twain's books still get burned in great big piles, and the more controversial Catcher in the Rye gets the more people run out to buy it. Don't be afraid of reviews; chase after them like it's your only job. 
• Toot your horn. You can be however you want to be when you're at home, surrounded by friends and family. I happen to like shy, self-effacing types. But when you're in indie author mode, you are the greatest author ever. Your book is the greatest book ever written. Anyone who doesn't read this book is missing out on the experience of a lifetime. You are the best. Put yourself in that mindset, and start tooting your own horn. Get on Twitter and Facebook and everything else and post your links, show off your good reviews, offer up snippets of your sensational writing. Your agenda is to sell books, so get out there on social media and start selling them. There's a lot of talk about finding a good balance for promoting oneself, and it's valid to assume you shouldn't be running self-promoting ads every other minute on Twitter. But if you're doing it once or twice an hour, that's not too much at all. 
• Sell, sell, sell. If you really want to sell books, you'll start selling them everywhere. Get on Amazon, B&N, Smashwords and every other selling site you can find (as long as it's free; see the next point). Plaster links where people can buy these books everywhere. Put them on your blog, your social media profiles, in your email signature, in your forums signatures, and anywhere else I might have missed.
• Don't spend. If you want to make money selling your self-published books, don't start off in debt. Do as much of the work on the book yourself as possible. Do your own formatting, a good portion of your own editing, make your own trailer and, if you can, design your own cover. Before you purchase anything, like a cover or editing services, do some shopping around first to make sure you're getting a good price and a good product. Spend as little as possible, and only on the essentials you've got to have (like the copyright). 
• Write more books. Legitimize yourself by continuing to write and self-publish. Amanda Hocking didn't come to the self-publishing party with one book that suddenly became popular; she published 9 books very quickly. The more books you have, the more legitimate you look as an author. Readers will take you more seriously when you have more books out there, but don't ever fail to make each one exceptional. Make sure they're well-edited, beautifully formatted and all that other stuff I won't stop blogging about. 

And here's the most important step of all: keep doing all of that stuff. When you're an indie author, self-promotion is constant and it's every single day. Re-arrange your schedule and re-organize your life, if necessary, to give yourself time every single day to promote your books, your links and yourself as an author. You should tweet daily, Facebook daily, offer up something new on your blog daily whenever possible. 

Find a balance, and make sure you continue putting your family and your needs first. Take care of your job and continue doing good work there, because in the interim you still need money from somewhere. But when you're not working and seeing to your other responsibilities, you'd better be out there promoting. Otherwise, making money as an indie author is a dream you may never quite reach. The secret ingredient to success, in any field, is tenacity. Be stubborn, be hard-headed, be unable to hear the word no, and you've got a good shot at reaching your self-publishing goals.

An Un-Original Idea: Unofficial Sequels

Some authors invent amazing new worlds and rich characters unlike anything readers have ever seen. L. Frank Baum, J. K. Rowling, J. R. R. Tolkein -- these are the greats. But it's not easy to invent an amazing new world; just ask any other author. You don't need to come up with something completely new to be a hit. Some authors have done very, very well with an un-original idea. Let us not forget that Fifty Shades of Grey started out as Twilight fan fiction. You might be inspired by something old, and end up creating something new. Have you ever thought about writing an unofficial sequel?

New Author, Old Story

Some authors have taken the work of other authors and added to it, successfully. Alice Randall wrote a book called The Wind Done Gone, a novel based upon Gone With the Wind that was not approved through Margaret Mitchell's estate. The Wind Done Gone is a re-telling of the original tale, this time from the point of view of a slave at Tara. There was some legal trouble with the story, of course, but in the end the courts ruled that the novel is a parody -- and that means it's publishable.

Some unofficial sequels have won critical acclaim and managed to stand out for their own merits. The Wide Sargasso Sea, by Jean Rhys, is a modern prequel to the 1847 Bronte classic Jane Eyre. It was even cited by Time as one of the best novels written since 1923.

Would Bronte appreciate the new story? The world will never know -- but it's pretty clear that J. D. Salinger didn't care for the unofficial sequel of his famous book that was first brought to public attention in 2009. 60 Years Later: Coming Through the Rye went through all sorts of legal trouble when the Catcher in the Rye author reacted with fury. Printing of the book was halted, and many legal processes later the book did get published -- in 2011, after Salinger died.

But even official sequels don't always work out. Margaret Mitchell's estate did approve a sequel to Gone With the Wind, a critical flop called Scarlett that wasn't at all popular with fans. However, the book did have all that Wind power behind it. Though poorly-received by almost everyone, it become a bestseller.

Every author draws inspiration from other authors, from stories they've read, from books that have touched them in the past. If you feel compelled to stick with certain characters or stories, why not? Always follow fancy when it tempts you, because you never know just where the next bestseller will come from. But if you're lucky, you'll be compelled to write a sequel or a prequel for a book that's a hundred years old or better. Otherwise, you could be facing serious legal melodrama.

Serving Justice

"Damn engrossing."

"It was simply superb!"

Justice (Deck of Lies, #1) has been reviewed at Reading 24/7. Go check it out before you get your copy of the book!

Writing 101: Adding Quotes and Song Lyrics to Self-Published Books

I once read a romance novel where every single chapter started with a quote from one of William Shakespeare's many works. To really drive the point home, one of the characters in the story was obsessed with the Bard; she, too, quoted him incessantly. Lots of books feature quotes at the start of chapters. I've also seen quotes from poems, songs and other books inside the text itself. Quoting is a great way to pay homage to someone else's work. It's also a great way to get yourself in serious trouble if you're a self-published author. Before you add quotes from songs, poems or other books to anything you're writing, make sure you're doing it without breaking copyright laws.

 

Copyright Laws

I've blogged about using brand names and celebrity names in self-published books in the past, and using song lyrics and other quotes is pretty similar. What I'm saying here is, you can get sued. Since you're not the creator of those lyrics, that poem or that other book, legally it's not yours to use -- up to a point. 

If you've just got to use a quote or a lyric to really make your book's plot sing, you do have some wiggle room. There is something called the Fair Use law, and this states that authors (and other copyright holders) can use very brief portions of other copyrighted materials in their works. In other words, yes you can use song lyrics and quotes written by other people -- but only in very small amounts. The Fair Use law is purposefully ambiguous, in fact, and I can't tell you a certain stopping point you've got to hit. The law doesn't say you can only use 8 words of a song, for example. The law says you can use insignificant amounts, and if a copyright holder decides to take issue with something of theirs you have quoted the two of you may have to hash it out in court.

A certain criteria is used to determined whether or not use of copyrighted work falls under the heading of Fair Use: the purpose of usage, how much money will be made from the usage of the work, the type of work it is, how much of the copyrighted materials were used and the overall effect on the marketability of the copyrighted work.

You can always attempt to obtain permission to quote another author, poet or songwriter, however. Send  an email and/or fax to them or to their representative explaining precisely what you want to use and how, but don't hold your breath waiting for a reply. You may not get one at all, and you should take that as a no if this is the case. You may simply receive a no, and in this case it's advisable to use none of that artist's material. If they say yes, obviously you're good to go. 

And because I love finding the path of least resistance, I can offer you a workaround that makes quoting much, much easier: public domain. 

No Law, No Problem

At some point, all great artists (and even not-so-great artists) die. That's a fact of life, and I'm sorry to bring it up -- but it is relevant. After the author of a work dies and a certain amount of time passes, the work they produced will eventually be deemed public domain. This means that copyright laws are no longer applicable. That means that you're free to quote away, and there's nothing that can stop you from it.

According to my resources, which may be sketchy and should absolutely be double-checked because I am not a lawyer, works created and published in the United States before 1923 are in the public domain. Anything produced after 1989 in the United States will remain protected for 70 years until after the author has died (not when the work was first published).

In other words, there's a whole bunch of stuff out there that you're welcome to use for free. Here's a list of public domain music you can quote all book long if you like. The list includes classic standards like "Danny Boy" and "When Irish Eyes Are Smiling." There's a great many Christmas carols that are public domain, including favorites like "Deck the Halls" and "It Came Upon the Midnight Clear." Quote them as much as you like. 

And if you decide you want to quote Shakespeare a whole bunch? It's perfectly okay -- all of his works are in the public domain. However, as a general courtesy you should include the specific copyright information for whichever version of any song or book you use from which to pull your quotes and lyrics.

Writing 101: Mapping Your Books

 Every book has a setting. Some might be incredibly specific -- a certain house on a certain street inside a certain town in a little hamlet in Scotland. Other settings might be a bit broader. Tony Hillerman, for example, writes exclusively within the Native American reservation spreading across the four corners. This region covers four different states, a huge are filled with canyons, cliffs, mountains and people. No matter where your book is set, it never hurts if readers can picture that setting. Readers want to know where it is, what it looks like and what else is nearby. The best way to show them all of that is to give them a map. 

And making maps isn't easy. If it was, we'd all do it.

I'm a Writer, Not a Cartographer

Like writing isn't already hard enough, right? But sometimes, even the best and most descriptive authors need to add a few visual aids to hep their readers out. If your setting plays a big role in your book, a map is probably the perfect aid for your story.

And you're in luck -- I know how to make them. In fact, I did it; one of my earliest blog posts was a modified version of the map I personally use to keep my locations straight while I'm working on the books in the Deck of Lies.  It's not easy to make a brand-new map to bring your stories to life, but it's probably not as hard as you think. In fact, map-making is a favorite practice of brides and event planners. Nothing brings your event book to life quite like a custom map.

...Or Maybe I'm Both

Whether you're using a real setting or a fantasy world, there is a fairly simple way to create a custom map that you can add to your book to help bring the story to life.

• Find your setting. 

Go to Google maps, Google Earth, or whatever online mapping software suits you best. If your book is based in a real place that you can find on a map, the battle's half-over. Just type in the city you're looking for and find it on the map. Zoom in and out until you get a view of the exact area you wish to display on your map. 

If your book is based on a place that only exists in your mind, don't fret. You can still find your setting. Pick a place on the map with the same general climate and geographic features as your made-up setting, and zoom in exactly on the area you'd like to use. If your book is based on a fantasy forest located on Venus, find yourself a nice, green spot in the Amazon somewhere. If your book takes place in a major city, pick any one of several around the globe. 

The beauty of making your own map is that you can change anything and everything at will, but you do need to start with a firm foundation (unless you're a gifted artist or you actually have experience in map-making).

• Capture it.

Grab a screen cap of the map (at this point, you should have it framed up exactly as you want it). Open up Photoshop or your photo-imaging program of choice. If you haven't one already on your computer, it's no problem. You can go to the online image program I use if you like, Pixlr. It has some Photoshop-like tools, and for our purposes it'll do just fine.

Load the screencap you took and crop the image so that only the map itself remains. Save the image again, this time under a new name (like map). Select the entire image, and then cut it (trust me). Now, and this is very important, add a new, transparent layer to the image (look for the option under the Layer menu). Use the copy function to replace the map that you removed; it should be added to the new layer. Add another new layer (again, very important) and you're ready to start making maps.

• Draw on it.

Select one of the drawing tools from the toolbar, and pick the color you want to use for highways. Start tracing the highways on your map. Select a new color, go down a size on your tool to draw in smaller lines, and begin tracing the major roads. Repeat this process to trace all the smaller roads. Use a new color and a different tool if you want to make marks for various locations on the map (such as character houses, or places where the characters go in the book). Go crazy, and mark off whatever you like. Add your text to make note of your locations and your roads, and use the tools to do whatever you like. 

Remember to keep everything clear and neat. Readers aren't going to work at reading your map, so don't make them. Also remember to trace only the roads and landmarks you want to use, and the stuff that's relevant to your story. Your map will still be accurate even if you leave off many of the secondary and tertiary roads that don't appear in the book. There's no reason to junk up your map with a bunch of unnecessary stuff. Again, don't make your readers do too much work.

• Finish it.

When you're good and done with the map you captured off your screen, and all the details you want to add are in place, simply remove that original map. View the image's layers, and delete the layer with the old map you no longer need (it should be layer 2). Once that's gone, all that will remain is the stuff you drew and your original background. If you like, you can now add color to that background with the paint bucket tool. Just select the background layer from your layer list, paint it, and move the layer you drew on (probably layer 3) so it rests on top of the background layer.

Be sure to label your map with the name of your setting, and add a legend if needed so readers can decipher your symbols. If you don't want to cover up all your great mapping, just increase your canvas size to give yourself a little more room. You'll have to paint the expanded background before you start adding your new stuff. Once everything looks perfect and you're perfectly happy, save your map and you're done!

Writing 101: Accept vs. Except

Accept and except are spelled differently, but they're pronounced the same. That makes them difficult to write with, a problem that's further complicated by the fact that they have so many different meanings and forms of use. But if you put one in the wrong place in your book, you're going to greatly confuse your readers and totally change your own plots. 

Accept

Accept basically means to take or to agree. The word can also be used to show a response or an answer (Sally accepted Luke's invitation to have lunch). Synonyms for accept include gain, obtain, welcome and acquire. You can also accept a burden or a responsibility, maybe even unwillingly (I accept blame for all my wrongdoings). It's used in a lot of different ways, and that's what makes it so hard to use properly.

In spoken English, accept sounds like another word with a lot of definitions: except.

Except

Basically, except just means but. A fancier definition for the word is other than; you can also use the synonym unless. Other synonyms include excluding, save and without. Everyone was standing, except me. You could just as easily write Everyone was standing, other than me. But put accept where except ought to be, and you end up saying something like Everyone was standing, to take me. Doesn't make much sense, right?

• Expect

It's worth noting that expect is also a word, and it's one of those tricky typos that's so easy to make because the hands know how to move faster than the brain. It's very easy to type expect instead of except, and the meanings are wildly different. Expect means to anticipate. So suppose you type expect instead of except, and you really should have typed accept in the first place? You might end up with a sentence that says something like Bob expected the job with a great sense of joy. 

It actually makes sense, and that's why these words are so dangerous. You meant to convey that Bob accepted the job with a great sense of joy. In other words, he got the job and he's happy about it. You went to type except and typed expect instead, and no grammar checker in the world is going to flag you for it. It's not enough to scan through your book to make sure it's grammatically correct. You've got to make sure it's readable, too, so you avoid errors like this. Because if you get that sentence wrong, readers won't understand that Bob actually did get the job -- and who knows what sort of plot holes that's going to create?

Knowing the Difference

It's much easier to avoid problems with common typos if you're avoiding grammar problems in first place. Knowing how to easily tell the difference between accept and except will only save you trouble in the future.

Remember that we someone is accepting anything, they're essentially saying yes. Becky accepted the gift. Joe accepted the advice with a nod. Joe accepted his defeat like a man, and stepped forward to shake hands. 

When something is being excepted, you're basically saying no. Everyone except me understood. Did I understand? No. I liked all of them, except the red one. Did I like the red one? No.

If that only gets you more confused, just go back to your basic parts of speech. Accept is almost always a verb, an action. Except isn't action, it's used more like a conjunction.

Or, you can match letters. Accept means agree, A and A. Except is excluding something, EX and EX.

Get Thrilled in The Tower

"If I could describe this book in one word, it would be EXCITING."

"I was left surprised, shocked, and blown away!"

The Tower (Deck of Lies, #2) has been reviewed at Little Book Star. Read the review before you get your copy from Amazon, B&N, Smashwords or Kobo. The Tower is also available in paperback!