Review: The Fossegrimen Folly

I was drawn at once to the cover and the blurb for The Fossegrimen Folly, and I actually contacted the author Michael Almich to ask for a review copy (generally it goes the other way around). He was kind enough to send me one, and the time I spent reading it definitely wasn't wasted. I'm very much looking forward to the second book in the series.

I wanted to read a YA novel with a male lead, and I'm pleased to say I picked a good one. Shy is a completely believable kid who's been sent, against his will, to summer camp. He fits his name well; before camp, Shy spends most of his time with his dog or dodging bullies at school. He's upset about his parents splitting up, and not at all looking forward to two months of forced separation from the world he knows. 

At first. Soon, Almich takes Shy (and me!) into a world of magic and mystery. Camp Lac Igam is introduced in spectacular fashion, along with supporting characters like the staunchly loyal Daniel and the laid-back camp counselor Tad. Gust, the oldest and wisest camp employee, is gruff and mysterious, but there are a few moments when true warmth pokes through his crusty exterior. Almich is superb at showing the byplay between characters, and the dialogue flows naturally through every page. Every one of the campers and counselors are unique, with their own distinct personalities, and I loved getting to know them.

Of course, they're just the human characters. Camp Lac Igam is also populated with fey creatures, faeries who remain mostly unseen to most of the people wandering around the camp. Shy stumbles, rather clumsily, into an adventure involving many of the intriguing creatures of the camp. Through the summer, he learns new stories and finds new evidence of the fey, almost always to fantastic results. Almich borrows from Scandinavian lore to create a truly unique fantasy world that's superimposed on the real world, and he blends the two together beautifully through Shy. 

He's already got enough to worry about even without the magical creatures. Shy's nemesis and the resident bully at his school is also at the camp, and much of his adventure is internal. Almich brilliantly leads Shy along on his quest toward self-confidence, and honestly I was just as excited about the end-of-camp games as I was about the faerie treasure (yes, there's treasure!). The good news is that Shy finds true friendship, and not all of the fey variety, during his all-too-short summer at camp. The bad news is that school bullies aren't the only forces of evil he'll have to face. 

A few formatting errors are the only thing that keep this book from being absolutely perfect. It's satisfying, it's exciting, and it's sure to please even non-fantasy fans (and I ought to know, since I'm one of them). At times, the reader does have to suspend belief -- the camp's adults are nothing if not negligent. But I stuck with it, and I'm glad I did. The fey creatures that live around Camp Lac Igam aren't cute or cuddly, they're like nothing I've ever seen in any other book, and I'm pleased I got to know them. 

It's an ideal world, and while it may be a little hard to swallow at times it is a fantastic place to visit. Since such a camp could never possibly exist in the real world, it's nice that at least it does exist in this book.

Almich is a strong writer with a very outside-the-box story to tell. It's certainly a fantasy book, but it's not at all a cookie-cutter tale. Shy is an unlikely hero that everyone's going to root for, and I'll be happy to wave a banner for him while he competes in camp games, refuses to back down to bullies and tries to find a way to live in his two worlds successfully.

Writing 101: The Difference Between Toward and Towards

Are you moving toward success with your writing...or towards it? Make sure your use of grammar in writing isn't untoward, and figure out what your words mean before you use them. That's right: it's time to find the real difference between toward and towards. There's got to be some reason they're two different words...right?

 Toward vs. Towards

In the dictionary, toward means in the direction of. Contrary-wise, towards means toward (seriously, go look it up). Basically, the takeaway from this is that there is no difference whatsoever between the two words.

So which one are you supposed to be using? Either one you like. Both words have the same meaning, and I'm pretty certain the letter s simply showed up at the end of toward in order to confuse writers. The no-s version is actually more common in American English, while towards is more frequently seen in British English. Whichever one you like the best is the one you ought to use. Change 'em up, switch 'em around, use them both with maniacal glee -- you pretty much can't go wrong unless you totally ignore the definition. Usually, the addition of the s changes the meaning of words...but not in this case. Toward and towards just happen to be a strange word pair that know no rules, so feel free to go crazy.

Justice Reviewed, One Page at a Time

"Varden's writing was compelling and left me thoroughly entertained."

Danica Page has kindly reviewed Justice (Deck of Lies, #1) on her blog, Taking it One Page at a Time. Go and read the whole thing before you decide if you want a copy of your own.

Writing 101: How to Properly Write Numbers, Dates, Years and Times

It's time to clear up some confusion. Too many authors are all over the place when it comes to writing numbers, dates, years and times in their books. Find out if there are rules when it comes to writing numbers in fiction, exactly what the rules are, and what authors need to know to keep their work clean, readable, and formatted in a sensible way.

You Are Not Writing for a Newspaper

We all love AP style. It's an industry standard in newspaper writing, online writing and magazine writing of all kinds. It's a college course, and it's a requirement in English classes all over the nation.

It's also incorrect when you're writing a novel. When you're trying to figure out how to properly format your numbers, dates, years and times, the first thing you need to do is set fire to the AP style book. Do not follow these rules when you are writing prose for a novel -- fiction or non. The only time you'll need to know AP style if you write books, in fact, is if you plan to quote a newspaper article that appears in the book (but that's another post).

That said, you're also not writing for your college professor. So don't let me find out that you're using MLA style, either.

When it comes to writing a novel, you're not going to find a single, handy style guide that's going to help you out -- and I'm positive this is from where the trouble stems. Plenty of authors have published plenty of books on the topic, but I'm not about to recommend one of them because I don't own any them. I'm sure they're all wonderful. But when it comes to properly writing numbers, dates, years and times, you don't need an entire book to tell you how to do it. You only need to master a few very simple rules.

Writing Numbers in Novels

That subheading ins't there because I'm trying to be cute with my post. It's a reminder. When you are writing a book, you are writing -- so write it out. That's the first rule of properly formatting your text.

• Write it out

Again, because I can't stress this enough, you're not using AP style. So spell your numbers out in total, unless they're gigantic. Spell out everything above five, everything above nine, and don't forget to format your compound numbers. Whether it's fifty-seven or twenty-one, compound numbers are always written with a dash in-between and both numbers spelled out in full. Spell out large numbers like five million and three thousand. If you're writing a large and complicated number, however, say four thousand one hundred and eighty-four, it's going to read better and look better as 4,184. Always use the number comma in four-digit numerals.

• Fractions

Your fractions should likewise be fully written as compound numbers: Roughly one-half of the students in class were asleep by the time he finished explaining the Cuban Missile Crisis in full, bleak detail. How terrible does it look to write 1/2 instead? Isn't that the ugliest thing you ever saw? Now try reading it in a half-dozen indie books without running outside and screaming your head off. This is what I struggle with.

• Calendar dates

I have to put a lot of dates in my books, because there's a lot of detail about when people were born, when they died, and so on. Writing dates is very tricky, so when you're doing it make sure you're paying attention. My character can be born on January 17, but she can't be born on the 17th of Jan. You shouldn't ever use an abbreviation in your book, unless it's a common acronym (like PETA, or BA for Bachelor of Arts degree). It's not okay to write January as Jan unless you're specifically referencing something that appears in a text or an email (or something similar). It's not okay use 2nd, 11th, or any of the above. Write out second and seventeenth. It's just a few more letters, and it looks 100 percent better. You're writing a book...there's no rush.

• Years

Years should always be expressed as numerals except in very specific circumstances. It's cumbersome to write July 5, nineteen eighty-six, and looks silly. For years, it's always okay to use 1986, even in dialogue. It's also okay to use the year abbreviation in dialogue, for example '86 or '02, but make sure you use the apostrophe. Also, don't use the abbreviation in non-dialogue prose (example: Amber hadn't thought of Tim since '06, the year of the senior prom). Again, you're not in a hurry -- typing that extra digit isn't going to hurt you, and it looks better.

• Decades

Many writers get this wrong -- not just in books, but everywhere I look. In prose, you really should be spelling out your decades (back in the seventies, Mr. Hamm experimented a little too much). But if you've just got to use the numerals, please do so correctly. It's '80s, never ever ever ever 80's. Why? because when an apostrophe precedes the s, you're usually showing possession. Are you saying that the number 80 has ownership of something, or are you referring to it? It's 1980s. It's never going to be 1980's.

• Times

If I'm a character in a book, I might celebrate tea time at four o'clock or even 4 o'clock. I might go out for my date at 8 PM or eight PM, or end up running late and not make it until 8:10 PM. What I'm not going to do is go to my date at eight-oh-five PM, unless I'm doing so inside dialogue. No other formatting is correct for times. If you're using numerals (ex. 8:10 PM), you must always use the colon. You don't have to capitalize PM and AM, though this is the accepted abbreviation. Some writers find the caps a little jarring, so you can switch to the lowercase pm if it really matters to you.

Be Consistent

Most importantly of all, be consistent. Even if you break all the rules above and do your own thing, do it consistently to keep your pages from looking like a hot mess. However you want to write your numbers, dates and times, always do it the same way. Otherwise, you look like you don't know what you're doing, and your readers are going to be confused.