Justice (Deck of Lies, #1)

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The Tower (Deck of Lies, #2)

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Death (Deck of Lies, #3)

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Judgment (Deck of Lies, #4)

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Hope's Rebellion

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The Indie Author Month Event

Tomorrow marks the first day of Indie Author Month, an exciting event that's being sponsored by the Aside From Writing book blog. Up to 30 ebooks will be given away during the event, and a new writer will be featured every day all May long. I'm one of them! Check Aside toward the end of the month to see my feature and find out how you can win books from the Deck of Lies series.



Each day, a new indie book will be featured on the blog. The daily posts will also include a small interview with each indie author. Month-long and daily ebook giveaways will also feature heavily in the month-long event. To enjoy all the action and find out what makes indie writers tick, you'll have to check Aside From Writing every day in May!

Writing 101: Colons, Semicolons and Ellipsis

Is it okay to use semicolons? What does it mean when you add an ellipsis to your story? Do colons have a place in prose? These are the questions that writers have been debating for many years, and some have some very strong opinions. When it comes to the punctuation rules of fiction...well, what are they?


The Semicolon

"Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college." These were the words of Kurt Vonnegut, a well-known master of the literary arts. Writers are often opinionated -- occupational hazard -- but does that mean Mr. Vonnegut is right, or just passionate about his own style of prose? Other writers have waxed poetic about the meaning one of the semicolon; one well-known writer even likened it to God. 

Book 3 Update

A lot of readers have been asking me about Book 3 in the Deck of Lies series, and I can now report that the first draft is nearly done! I put in a lot of hours this past week and through the weekend, and I'm now working on some of the final scenes in the book. So far, so good -- right now, I don't see any reason why I won't be able to release the book this summer as planned. When I'm feeling a bit more confident about it, and after I've talked to my lovely cover designer, I'll tell you the exact date you can expect to find the book on Amazon.






If you've been to my official site, you may already know you can read the blurb for Death (Deck of Lies, #3) there, but I've also included it below just to help you get excited about the ongoing family saga of lies and secrets. The story will continue this summer with all-new surprises, twists, turns...and romance.



All In

I never wanted to get in this deep, but I did go looking for the truth before I was prepared to handle it. But how do you close the lid on Pandora’s box? You can’t unlearn something, or forget a dark secret once it’s been revealed.

I have no choice but to do my part to bury the truth again -- this time, someplace no one will ever be able to find it. But that’s the problem with lies. Once you start pulling threads, everything unravels.

No one is who they seem to be…not even me.

Writing 101: Dialogue

Dialogue is an important element in any story, but many writers struggle with creating believable conversation. What's the secret to great dialogue? If you don't already know, you'd better figure it out before you publish your work. Bad dialogue can ruin any story, and will make readers stop turning pages.

Speech

Speaking is a basic part of the human condition, and it's likely that your story is mostly populated by speaking people. Less commonly, you might be writing about non-speaking characters who are deaf, mute or both, but even in this case they will be using some form of communication. It may not be speech in the traditional sense of the word, but you will still be using some form of dialogue so your characters may interact with each other. There's a certain formula to crafting great dialogue. Learn it, and your story will be much richer and more believable.

Participants

In every conversation, there are characters involved. No matter how many there may be, make sure there's a logical reason for the dialogue that's taking place. Few people stand alone in rooms and speak their thoughts out loud to themselves, yet this is a vehicle that is often used by writers. If you're going to do it, write it so it makes sense. When multiple characters are speaking, note what they're doing and where they're standing. This can help you avoid repeating "he said, she said" one hundred times during an exchange. Sometimes, you can skip the identifier entirely -- but make sure it's always clear to the reader who is speaking.

Know where your participants are and what they're doing, but also find multiple ways to label them. Pronouns are proper names are only so interesting. Throw in a description here and there (for example, the youngest child Clara might be called "the baby of the family," or the wizened grandmother "the matriarch) to keep things interesting.

Inconsistency

Don't always use "says or said." Use other words to denote speech. Characters can do all sorts of things with their speaking parts. Instead of making them say their words, have them respond, cry, scream, shout, whisper, reply, answer, and break out the thesaurus any time you want to find more words. When you're writing dialogue, inconsistency is great. Otherwise, your dialogue will become monotonous and boring. You can even do this when your characters are asking questions -- she queried, he questioned, they asked.

You should also be inconsistent in other ways when you're writing dialogue. Instead of following a specific pattern (for example, "Hello," she said; "Hi," he answered) try putting the speaker first and then the speech (ex: She said, "hello;" "Hi," he answered).


Break It Up

Don't just create a bunch of one-line dialogue to fill up a chapter. Add description and observation in-between the dialogue. Give the readers an insight into a character's thoughts or actions in the middle of a dialogue-rich scene to add interest and include something different and interesting. Remember that, above all, a good book is meant to entertain.

So be entertaining.