Writing 101: The Non-Character Narrator

First-person narratives directly connect the main character of a book with the audience. I am telling you these things, I am relating my story to you as the first-person narrator. But sometimes, the narrator will talk to you, as a reader, even when they aren't a character in the story itself. It can get a little tricky to pull this off, but it can be an effective tool for certain types of stories.

The Way I Heard It...

In a first-person narrative, the main character is directly relating events that happened (or are happening) to them. But you can also directly address the reader using a narrator who isn't even in the story. These narrators are relaying events that they know about, but didn't experience. And yes, it can be pretty hard to write. But there are reasons why you might want to try it.

Writing 101: Creating Lore

One of the most difficult things for any author to do is create lore, and no I’m not talking about Data’s evil brother (Star Trek shoutout). When you introduce fantasy creatures and certain other elements into your story, there are some questions you’re going to have to answer -- preferably, before you even begin writing the story.

Your Own Private Mythology

Lore is one of those things that’s always evolving. J.K. Rowling included mermaids in her books, Stephenie Meyer found something brand-new to add to vampires and authors everywhere are inventing their own lore right this very moment. If you’re also going to invent your lore, there are some things to keep in mind when you’re doing it.

Writing 101: The Unseen Character

Most characters in your book exist somewhere in the world you’ve created. They interact with other characters, they move things around, they’re in the pages. But you can create another type of character who lives somewhere off the page: the unseen character. Though you don’t lay eyes upon them, they can be very effective in all sorts of different ways.

The Invisible

The unseen character always does things in the background, behind the scenes, and your readers only find out about them third hand. This can be incredibly useful and help you, as a writer, get all sorts of things done. How can you use an unseen character? A few options immediately come to mind.

Writing 101: Trusting Yourself

I've been using the same beta reader for awhile now, but lately my reader hasn't been available for my newest book. I stopped freaking out about that around the same time I learned a valuable lesson about writing. Beta readers and reviewers are great, but as an author you should always be trusting yourself...and so should I.

The Issue of Trust

It's good to have beta readers, to get a second opinion, to check your work against someone else so you know you're on the right track. But you can't always rely on these things. The actor writing a novel is always a risk. It's a leap. You're putting something out there that's personal to you, and the world may rip it to shreds. You'll get a little less bloody if a beta reader rips into you first. But you don't always get that option. That's why you always have to make sure you're trusting yourself...and your book.

Writing 101: Always Be a Critic

I haven’t made a lot of time for reading lately, something people are always surprised to find out about me when they also know that I’m a writer. But no matter how much I don’t read, I’m exposed to storytelling every single day -- both good and bad. And I’m a huge critic of all the stories I come into contact with. This is a post about why you should be like me, too.

Picking it Apart

Storytelling is everywhere, from movies to TV shows to songs to commercials. You’ll see short stories, long stories, dramatic stories -- every kind of story is available at all times, and you can probably get to it from your cell phone. And when you encounter any story, you should be criticizing it. This will help you to become a better storyteller. Seriously, it will. I’m not saying that because I like being judgmental.

Writing 101: The Love Interest

I’ve written about a lot of different types of characters at this blog. The main character, the flawed character, the three-dimensional character, the villain, good guys and bad guys. But there’s a type of character you’ll find in a majority of stories that I haven’t covered: the love interest. Do you know how to make yours interesting?

What’s Love Got to Do With It?

All of the greatest authors through the pages of history have written of love. You can even find love stories in the Bible, the best-selling book ever written. People expect to find it in stories, even stories that aren’t in the romance genre, and that means every author has to struggle with the same problem. How do you make a love interest interesting to the reader?

Writing 101: Being Afraid

Are you afraid of your own writing? If you’ve ever stared too long at a blank page, or re-read the same paragraph four times because you just weren’t sure about it, or put off finishing that chapter for another day, you may be spending too much of your time being afraid. Lots of writers all secretly have the same fear, but I’m about to expose it once and for all: bad writing. Have you found yourself being afraid of writing badly, too? 

Hippopotomonstrosesquippedaliophobia

Fear of long words is a real phobia, but fear of writing is something that possibly strikes only authors. Writing a book encourages you to second-guess every sentence you put down. Bloggers like me get on the Internet and scream about editing, editing, editing. You get told to choose just the right words and avoid the wrong ones, to double-check dialogue and keep your narrative voice strong. And when you’ve got to think about all that, it’s absolutely natural to start being afraid of just totally writing the wrong thing.

Writing 101: Love to Hate?

Many books are written with a hero, or protagonist, and a villain, an antagonist. But somewhere in the middle, there is a special kind of character: the one you love to hate. Now, try writing it.

Same Coin

In the comic book world, lines are clearly drawn between good guys and bad guys. Both types of guys are powerful, and you can easily tell which one you’re supposed to be rooting for. But even in the comic book world of clear distinctions, there are characters that you almost start rooting for -- even though they really want to kill the hero of the story. Catwoman is supposed to be a villain, but it’s so easy to hope that things will work out for her anyway. This is a villain you love to hate, or hate to hate. They say that hate and love are two sides of the same coin. So how do you write about them both at once?

Writing 101: Edit Every Sentence

There’s a scene in an old movie I love, where a very pessimistic Billy Crystal is explaining his reading habits to Meg Ryan. He always reads the end of a book first. Readers might do anything, and you don’t know what it is. I used to open books to a page near the middle and see if I liked what I saw, back when books were made with paper (so long ago). That’s why as an author, you’ve got to edit every sentence. Because no matter which one your reader looks at, you need it to be good...otherwise, maybe it’s the only one they’ll look at. 

Line By Line

If editing every sentence sounds like a truly tedious chore, that’s because it is. But if you’re going to do a thorough job of editing your book, you’re going to have to read every single word more than once anyway.

The Author You Won’t Read About

Every Monday, I write about a different famous author. I like to dredge up some little-known information about them, expose their flaws, dig around in their secrets -- or maybe just talk about how they died. But there’s one author I’m never going to write about, and I’m about to tell you why.

Anonymous

I’ve written about authors that no one read until after their deaths, authors who were anonymous until they kicked the bucket, authors who died broke and even authors who killed themselves. There’s one author you’ll never see me write about: the one who gave up.

Writing 101: The Diagram of a Story

I still remember the day I saw this diagram put up on the blackboard in English class. This is the formula of writing a story….or so they say. Is this what the diagram of a story looks like to you -- and every author in the world?

The Sum of Its Parts

This diagram is actually known as Freytag's pyramid, and it represents the five parts (or acts) of a dramatic arc. You can find this pyramid in a lot of storytelling, from books to movies.

Writing 101: Funny Business

It's a widely-accepted truth that people like to laugh. Even sad stories -- especially sad stories -- need to give readers a chuckle now and them. If you aren't naturally a funny person, it's really hard to write funny. That's why some writers need to master certain tricks to do it. Once you do, the business of being funny isn't so hard after all.

Funny Characters

One of the simplest ways to add humor to a book is to do it through a funny character. Have someone in the book deliver your one-liners, and you can drop a little comedy into any part of the book that feels too serious and heavy. Being funny gets a little easier if you craft a character that’s around just to be a clown. Now, all you need to know how to do is write a clown.

Writing 101: Skipping Time

One of the first books I ever loved follows the first-person perspective of a single character for about three years, and it’s so rich in detail that you live practically every day with the heroine. Except for that weird chapter that begins with a shocking sentence. In that sentence, the author skips ahead an entire year. Skipping time is an often-used fiction device, and it’s often jarring and upsetting. That’s probably because authors rarely do it really well.

Flashing Forward

In the book I’m making an example of, the narrator carefully details a year while living inside a very strange environment. The reader sees every detail, thought and spoken word unfold. I don’t think a single day is left out. Then all of a sudden, a year flies by. It’s just one sentence, and the first year took many chapters. No matter how you want to read it, that’s a jarring change of pace. It takes a few paragraphs to get back into the flow of things, after that. If your book is strong enough, you can always get over a rough spot.

...But why would you want to have a rough spot?

Writing 101: Repeating Words

If you write long enough, you’re going to develop a stable of favorite words. I use “clearly” all the time and describe things as “gray” way too often. When you edit your books, you should also be checking to see how often you’re repeating words. Too much repetition ruins the flow of the book and ends up becoming distracting...becoming distracting.

Clearly, Repetition is Bad

It’s really easy to fall into patterns when you write a lot. Scene structure, dialogue and your narrative voice can start to become formulaic, and you may find yourself repeating words. It’s a bad writing habit that you can’t always break.

You can, however, edit it.

Writing 101: When Characters Grow Backwards

As you experience things in life, you learn and change because of them. This happens to the best book characters, too. Great books have character development...but there’s no rule that your character always has to improve as a person. Sometimes, characters end up growing backwards before they can start moving forward.

Lessons Learned

As an author, it’s your job to put your characters through awful situations. Give them what they want and take it away. Make them fall and hurt themselves at the wrong time. Reveal a terrible betrayal. Some characters take in all this badness and become better people because of it. But, some don’t. People don’t always improve through life. Some of them pick up more flaws as they go along. This is what I like to call growing backwards. It can be a lot of fun to write, if you can make your readers hang around to read it.

Writing 101: Breaking Up is Hard to Write

Characters in books are made to fall in love, aren’t they? It happens so often, in fact, that there’s an entire book genre that’s just about characters falling in love. It’s nice to fall in love, and it’s nice to write about falling in love. It’s even nice to read about, and that’s why it gets written about. But in the real world, that shining coin has another side: the breakup. This is a very hard thing to write, but you can’t always avoid it. So flex your typing fingers, and get ready to break some hearts.

We’ll Always Have Chapter One

Sometimes break ups happen on the page, too. There are a few different ways to write it, and I’ve rarely seen it done well. But it is a fact that when characters fall in love, a break up can always happen later...even if it’s only a temporary one.

Writing 101: The Rules of a Trilogy

There are book series, and then there are trilogies. The three stories that make up a trilogy are a series, but they have to be much more than that. If you write your own, are you going to follow the rules of a trilogy?

It Comes in Threes

There are many great book and movie trilogies out there. “Star Wars,” which is both, is a huge fan favorite. I’ll hold up “Back to the Future” as an example of a perfect trilogy any day. But if you really want to know the rules, there’s a movie trilogy you can watch to discover most of them: “Scream.” When it comes to writing your trilogy as a series of three books, the greatest trilogies ever told can help guide you through the specific rules that are now considered to be a requirement.

Writing 101 Redux: You Don't Have to Write in Order

They say that Margaret Mitchell wrote Chapter 1 of "Gone With the Wind" after the rest of the book was finished. Sometimes, the only way to get through the first draft is to start skipping over stuff. You can always get back to it later.

Read all about the fine art of skipping around when you write in this week's Throwback Writing 101 tip!

Writing 101: The Book That Breaks Your Heart

Writing books is a stressful and overwhelming experience, but at the end of the project it fills you with a wonderful sense of accomplishment. Writing books can even be fun...until you write the book that breaks your heart. Maybe it doesn’t happen to all authors, but it did happen to me. Maybe it’ll happen to you, too.

Just Me and My Shadow

In looking back through the blog, you will find that I actually mention this book a lot. I'm being honest when I say I can't get over it; I still think about it all the time. I wrote it some years ago and loved it too well. There's much more to the story, but the point of it is that this book gave me writer's block for an inordinately long amount of time. I put it away and tried to forget it. I got it back out and re-read it. I thought that would help me get it out of my system. It didn't. I’ve read it since. I still feel the heartbreak when that book, somehow, gets brought into the conversation.

Writing 101 Redux: Are You Too Lengthy?

So, are your books just too long? 

Read today's Throwback Writing 101 about going to extreme lengths to find out just how long too long really is.