Writing 101: Conspiracy Theories

Have you heard that the Earth is actually flat? How about the one where the government tried to train cats to be secret spies? Maybe you heard a story about the battleship that disappeared out of one harbor and reappeared, moments later, hundreds of miles away.

There's just something compelling about wild conspiracy theories. And that means you can probably create some pretty compelling writing when you use conspiracy theories in your stories.

Spinning a Yarn

There's nothing people like more than a good story. But what makes a story good? Sometimes, it's something that's so far out there it's impossible to believe. And what's so wrong with that? 

There's been a lot of good storytelling based on outlandish, outrageous conspiracy theories. So why can't you tell a really good story based around a conspiracy theory?

Try going out on that limb and try writing a story built around a wild conspiracy theory. Maybe in your story, the theory is true. Maybe in your story, a main character merely believes it's true. It's your story. Let inspiration guide you in any direction is goes and see what happens. Sometimes, writing is about just letting go.

Maybe there's a theory you heard before that you never forgot. Maybe you've got one of your own. Either way, conspiracy theories make a great basis for any story. So if you're low on ideas and looking for something to write, try starting with something that's just too ridiculous to be real. Because usually, those stories end up being easier to believe and even more interesting than all the fairy tales ever written.

Writing 101: Finding Inspiration in the Worst Scenarios

With everything going on in the world today, it's pretty hard to think about writing a story. How do you write about happiness, love, good health and other positive factors when it seems like the world is totally falling apart? It's hard to put aside the fear and the worry. It's hard to ignore those terrible headlines and the numbers of deaths that just keep getting bigger and bigger. 

So don't ignore it. Use it. If you're finding it difficult to work on your writing projects, put them aside for a little bit and start channeling all your feelings about coronavirus into a brand-new story. Writers find inspiration even in the worst scenarios and turn them into entertainment. After all...doesn't everyone deserve some entertainment right now?

Get Inspired

I once said that a writer's task is not to live life. It's to observe it happening to others. Right now is the absolute perfect time to write. You can't go anywhere. You can't see anyone. You can't do anything right now except for writing. Which, let's face it, is a great way to socially distance yourself from everything. So, remove yourself from the equation. Get out of your head. Take a break from the fear.

And write about it. 

Find inspiration even in the horrors of the world. Make them more horrible. Make them better. Make them whatever you want. Because you're a writer, and that's what we do. After all, if a society of people walking around in masks doesn't inspire some kind of frightening dystopian epic, what the heck does? 

Take the bad things and put them on the page. Because there, you can control them. There, you can determine the outcome. You can make things as horrific as you like or as wonderful as you hope. You decide who lives, who dies, who gets sick and who doesn't. 

Take the fear and the worry and make it work for you by writing it. Because writers find inspiration even in the worst things and turn them into incredible, amazing stories.

Writing 101: Should You Be Using Grammarly?

If you haven't already heard of Grammarly, where have you been? This is a browser app that advertises heavily and has managed to spread through the online writing community like wildfire. So as an author...should you be using it?

Built-In Grammar Help

If I'm being honest, I'd make lots more mistakes if it wasn't for built-in spellchecking. Sometimes, I feel when I make a mistake and ignore it because I know the spellcheck will pick it up. But does that mean using apps and built-in help is always a good idea for writers? Take a look at the light side and the dark side of using Grammarly.

The Grammarly extension catches much more than your standard auto spellchecker. It highlights many ore grammar errors than Google Drive, Word or any of the other popular word processing programs. It can even help you with punctuation. Once you've got the extension installed and enabled, you can simply forget about it and do all the writing you want. The extension will catch all sorts of errors.

Simply by highlighting basic grammar and punctuation issues, Grammarly can be a big help when you go back and proofread that first draft. However, like every other similar program, Grammarly isn't always totally right.

Sometimes, you might need to bend or break the rules just a little to make a point or create a certain feeling in the reader. Lots of authors have played with the basic rules -- or ignored them altogether -- in order to make the prose flow more beautifully. So you can't simply make every single correction that Grammarly suggests. 

Grammarly has become so popular that some editors now require professional writers to use it as a standard practice. It's a useful tool that any writer or author can use to catch errors but it also shouldn't dictate how you craft your prose. As always, use our judgment and rely on your own sense of writing style above all else.

Writing 101: Re-Writing the Rules

There are certain things that every fan knows about zombies, vampires and werewolves. You probably have some ideas about what elves are supposed to be. Everybody knows what a hobbit should look like. And if you imagine a dragon, it's probably going to breathe fire at some point. There are certain creatures and creations that have their own lore and mythology. But here's the thing: some writer made all that junk up. So if you're going to include a mythical creature or human-like thing in one of your books...who says you can't re-write all the rules?

Sparkly Vampires

There are certain accepted "facts" about mythical creatures and beings. For instance, everyone knows that sunlight kills vampires. But here's the deal: vampires are made up! Vampires were the invention of a writer. Doesn't that mean that new generations of writers can re-write those rules?

After all, it has been done before. In the uber-popular "Twilight" series of books, author Stephenie Meyer made up a whole new set of rules. Her vampires didn't die in the sunlight, they sparkled. And while purists poo-pooed at this idea, it's hard to argue with the success of 100 million copies sold and five feature-length films. 

So should your hobbits be tall? Should your trolls be sexy? Should your zombies break the most well-known rule of them all...and actually talk? Yes! If you want to write it, write it. As an author, you're always allowed to re-write rules, make up your own lore and go ahead and create brand-new traditions. After all, dragons exist only in stories. So who says that your dragons can't be as different and unique as you want them to be?

Sometimes, re-writing all those "rules" of lore works really well. The secret is to be committed and to be fearless. After all, it's your story. You make the rules.

Writing 101: Killing Your Darlings

"Kill your darlings" is common advice that people who don't write give to writers. What does this expression mean...and should you be following it?

There's a lot of different advice out there for writers. Apparently, just about everybody knows how you should be writing your novels. "Kill your darlings" is one extremely common expression that's told to writers all the time. Basically, it means that you should kill off your favorite characters.

Killing Characters

The philosophy behind it is that the plot will make a bigger impact on readers when you kill off your favorites, because your favorite characters will be the audience's favorites, too. 

It's true that the death of a character should create a visceral reaction in readers. You want them to feel it. You even want them to cry...at least a little. But when it comes to writing, nothing is ever as easy as a cute little motto or a pat piece of advice.

Killing Them Softly

Because "kill your darlings" can be done badly, too. And the trouble is, by now everyone's heard this advice. Even non-writers have heard this incredibly common expression and they know what it means. Readers are savvy to all the tricks that writers attempt to pull off. If you work too hard to make a character likable, you might as well just name the character Hi I'm Going to Die. 

You never want readers to sense the plot that's coming. You want to keep them guessing, shake them up, twist them and shock them. And if you create some super-lovable character that they're patently supposed to like, it's pretty guaranteed that they won't like that character. When the clear "darling" dies, readers will turn the page with hardly even a sigh.

Die, Die My Darling

There are some "right" ways to kill your darlings without spoiling your own plot. With an audience of sophisticated readers who won't fall for a simple trope like "kill your darlings," you're going to need to be a bit more clever.

• You can always make a character so darling to readers, they think you'd never kill them off. Don't just make them like the character. Make them adore the character. Once the audience thinks that person is definitely safe, drop the hammer...so to speak. 
• Make them darling later. Turn the idea upside-down by making readers like a character only after death. This way, the death will continue to resonate with readers as they learn how likable an already-deceased character truly was. When they read the book a second time, the death will be even more powerful than it was to them on the first read.
• Kill someone who seems really important. Killing a character who feels like a main character can be shocking and devastating when it's handled the right way. Your main character's love interest or best friend, for example, can become a shocking death on the page. Kill a character that seems like a solid, integral part of the story.

It's every writer's task to find a way to twist plots and take old tropes and turn them into something new. You can follow the standard advice of killing your darlings...but try to do it in a way they won't see coming, or it won't have the effect you want.

Writing 101: The Non-Character Narrator

First-person narratives directly connect the main character of a book with the audience. I am telling you these things, I am relating my story to you as the first-person narrator. But sometimes, the narrator will talk to you, as a reader, even when they aren't a character in the story itself. It can get a little tricky to pull this off, but it can be an effective tool for certain types of stories.

The Way I Heard It...

In a first-person narrative, the main character is directly relating events that happened (or are happening) to them. But you can also directly address the reader using a narrator who isn't even in the story. These narrators are relaying events that they know about, but didn't experience. And yes, it can be pretty hard to write. But there are reasons why you might want to try it.

Writing 101: Author Reviews

It can be really hard to get reviews for a book, and self-published authors are the type of people who take things into their own hands. That’s why some authors go ahead and take the next step on their own, and write author reviews of their own books. Should you...or shouldn’t you? 

Your Own Drum

Many self-published authors also review books. I’ve done it before, myself. It’s a good way to get more exposure for indie authors of all kinds, and it’s something to blog about. So what’s to stop an indie author, any kind of author, from reviewing their own book? There are reasons why you shouldn’t, clearly...but there is a way you can do it with a touch of class, too.

Writing 101: Creating Lore

One of the most difficult things for any author to do is create lore, and no I’m not talking about Data’s evil brother (Star Trek shoutout). When you introduce fantasy creatures and certain other elements into your story, there are some questions you’re going to have to answer -- preferably, before you even begin writing the story.

Your Own Private Mythology

Lore is one of those things that’s always evolving. J.K. Rowling included mermaids in her books, Stephenie Meyer found something brand-new to add to vampires and authors everywhere are inventing their own lore right this very moment. If you’re also going to invent your lore, there are some things to keep in mind when you’re doing it.

Writing 101: The Unseen Character

Most characters in your book exist somewhere in the world you’ve created. They interact with other characters, they move things around, they’re in the pages. But you can create another type of character who lives somewhere off the page: the unseen character. Though you don’t lay eyes upon them, they can be very effective in all sorts of different ways.

The Invisible

The unseen character always does things in the background, behind the scenes, and your readers only find out about them third hand. This can be incredibly useful and help you, as a writer, get all sorts of things done. How can you use an unseen character? A few options immediately come to mind.

Writing 101: Trusting Yourself

I've been using the same beta reader for awhile now, but lately my reader hasn't been available for my newest book. I stopped freaking out about that around the same time I learned a valuable lesson about writing. Beta readers and reviewers are great, but as an author you should always be trusting yourself...and so should I.

The Issue of Trust

It's good to have beta readers, to get a second opinion, to check your work against someone else so you know you're on the right track. But you can't always rely on these things. The actor writing a novel is always a risk. It's a leap. You're putting something out there that's personal to you, and the world may rip it to shreds. You'll get a little less bloody if a beta reader rips into you first. But you don't always get that option. That's why you always have to make sure you're trusting yourself...and your book.

Writing 101: Always Be a Critic

I haven’t made a lot of time for reading lately, something people are always surprised to find out about me when they also know that I’m a writer. But no matter how much I don’t read, I’m exposed to storytelling every single day -- both good and bad. And I’m a huge critic of all the stories I come into contact with. This is a post about why you should be like me, too.

Picking it Apart

Storytelling is everywhere, from movies to TV shows to songs to commercials. You’ll see short stories, long stories, dramatic stories -- every kind of story is available at all times, and you can probably get to it from your cell phone. And when you encounter any story, you should be criticizing it. This will help you to become a better storyteller. Seriously, it will. I’m not saying that because I like being judgmental.

Writing 101: The Love Interest

I’ve written about a lot of different types of characters at this blog. The main character, the flawed character, the three-dimensional character, the villain, good guys and bad guys. But there’s a type of character you’ll find in a majority of stories that I haven’t covered: the love interest. Do you know how to make yours interesting?

What’s Love Got to Do With It?

All of the greatest authors through the pages of history have written of love. You can even find love stories in the Bible, the best-selling book ever written. People expect to find it in stories, even stories that aren’t in the romance genre, and that means every author has to struggle with the same problem. How do you make a love interest interesting to the reader?

Writing 101: Lying to the Readers

Whether you call it stretching the truth or creative promotion, lying to the readers isn’t a good idea -- even if it’s all done in the name of embellishment. Find out why it’ll never work to fudge on your credentials, make more out of your achievements or just downright fib about your books.

 
There Are No White Lies

Sure, it sounds more impressive to say that your book is a bestseller, or that you have a degree in this or that, or maybe that you have all five-star reviews. But if those things aren’t really, really true, it’s better not to say them at all. Even if you’re just fudging a little or exaggerating a lot, there’s one thing you can never lie to get: credibility. You don’t want to lose that, trust me. 

Writing 101: Being Afraid

Are you afraid of your own writing? If you’ve ever stared too long at a blank page, or re-read the same paragraph four times because you just weren’t sure about it, or put off finishing that chapter for another day, you may be spending too much of your time being afraid. Lots of writers all secretly have the same fear, but I’m about to expose it once and for all: bad writing. Have you found yourself being afraid of writing badly, too? 

Hippopotomonstrosesquippedaliophobia

Fear of long words is a real phobia, but fear of writing is something that possibly strikes only authors. Writing a book encourages you to second-guess every sentence you put down. Bloggers like me get on the Internet and scream about editing, editing, editing. You get told to choose just the right words and avoid the wrong ones, to double-check dialogue and keep your narrative voice strong. And when you’ve got to think about all that, it’s absolutely natural to start being afraid of just totally writing the wrong thing.

Writing 101: Love to Hate?

Many books are written with a hero, or protagonist, and a villain, an antagonist. But somewhere in the middle, there is a special kind of character: the one you love to hate. Now, try writing it.

Same Coin

In the comic book world, lines are clearly drawn between good guys and bad guys. Both types of guys are powerful, and you can easily tell which one you’re supposed to be rooting for. But even in the comic book world of clear distinctions, there are characters that you almost start rooting for -- even though they really want to kill the hero of the story. Catwoman is supposed to be a villain, but it’s so easy to hope that things will work out for her anyway. This is a villain you love to hate, or hate to hate. They say that hate and love are two sides of the same coin. So how do you write about them both at once?

Writing 101: Edit Every Sentence

There’s a scene in an old movie I love, where a very pessimistic Billy Crystal is explaining his reading habits to Meg Ryan. He always reads the end of a book first. Readers might do anything, and you don’t know what it is. I used to open books to a page near the middle and see if I liked what I saw, back when books were made with paper (so long ago). That’s why as an author, you’ve got to edit every sentence. Because no matter which one your reader looks at, you need it to be good...otherwise, maybe it’s the only one they’ll look at. 

Line By Line

If editing every sentence sounds like a truly tedious chore, that’s because it is. But if you’re going to do a thorough job of editing your book, you’re going to have to read every single word more than once anyway.

Writing 101: When Writing is a Job

Someone asked me, the other day, if I have any hobbies. I was surprised when I didn’t have a ready answer. A few years ago, I would have said “writing,” of course. But now, writing is my job. And when anything becomes a job, it’s easy to lose passion for that thing. 

Losing My Religion

Everyone’s passionate about their hobbies. It’s what they do in their free time, what they want to do once all the chores and working is done. So when you write for a living and write for a hobby, it’s easy to start feeling as though you work all the time. That really just leaves one question: how do you fix it?

Writing 101: The Diagram of a Story

I still remember the day I saw this diagram put up on the blackboard in English class. This is the formula of writing a story….or so they say. Is this what the diagram of a story looks like to you -- and every author in the world?

The Sum of Its Parts

This diagram is actually known as Freytag's pyramid, and it represents the five parts (or acts) of a dramatic arc. You can find this pyramid in a lot of storytelling, from books to movies.

Writing 101: Funny Business

It's a widely-accepted truth that people like to laugh. Even sad stories -- especially sad stories -- need to give readers a chuckle now and them. If you aren't naturally a funny person, it's really hard to write funny. That's why some writers need to master certain tricks to do it. Once you do, the business of being funny isn't so hard after all.

Funny Characters

One of the simplest ways to add humor to a book is to do it through a funny character. Have someone in the book deliver your one-liners, and you can drop a little comedy into any part of the book that feels too serious and heavy. Being funny gets a little easier if you craft a character that’s around just to be a clown. Now, all you need to know how to do is write a clown.

Writing 101: Skipping Time

One of the first books I ever loved follows the first-person perspective of a single character for about three years, and it’s so rich in detail that you live practically every day with the heroine. Except for that weird chapter that begins with a shocking sentence. In that sentence, the author skips ahead an entire year. Skipping time is an often-used fiction device, and it’s often jarring and upsetting. That’s probably because authors rarely do it really well.

Flashing Forward

In the book I’m making an example of, the narrator carefully details a year while living inside a very strange environment. The reader sees every detail, thought and spoken word unfold. I don’t think a single day is left out. Then all of a sudden, a year flies by. It’s just one sentence, and the first year took many chapters. No matter how you want to read it, that’s a jarring change of pace. It takes a few paragraphs to get back into the flow of things, after that. If your book is strong enough, you can always get over a rough spot.

...But why would you want to have a rough spot?