Justice (Deck of Lies, #1)

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The Tower (Deck of Lies, #2)

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Death (Deck of Lies, #3)

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Judgment (Deck of Lies, #4)

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Hope's Rebellion

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Writing 101: Studying the Humans

Want to be a writer? First, pretend you're an alien. You're on Earth, far from your home. And you have to study these strange creatures. Because if you want to write, you have to study humans.



It's best if you do it objectively...as though you aren't one of them at all.

Take Me to Your Leader

It helps if you know some stuff about grammar, and it's a good idea to keep a thesaurus on standby. But if you're going to write, you have to be able to get inside someone else's head. To make a character real, you have to give them hopes and dreams. They're going to need motivations and explanations for why they're doing whatever it is they're doing. They have to feel like real people...so obviously it helps if you know a little something about how real people think, and react, and what drives them.

Don't panic. You don't have to put on a wig and start following people around. I'm not advocating that you act like you're in a film noir. You shouldn't sit around and just observe your group of friends and family; this is creepy, and it isn't going to get you very far. It's best if you observe life across a variety of social classes and economic levels. Before you buy biker leather and attempt to infiltrate a gang, however, try basic research.

It's a skill that every writer has to have, and when you're researching the human condition it's actually pretty fun (not like looking up the history of writing utensils or silverware). For starters, try watching reality TV. This is sort of an extreme version of normal human behavior -- think of it as shock therapy. For example, I make no secret of the fact that I watch a lot of true crime shows. Since I write mysteries, this makes sense for me. If you're writing about romance in your books, see if you can stomach watching a dating show like The Bachelor. A lot of feelings get explored and exposed on reality TV, and it's much more helpful than it sounds.

Look at past historical figures to learn more about human nature. Who interests you? Look them up in the encyclopedia, start checking names that strike your fancy, and read bios. History can show us a whole lot about human nature, the good and the bad.

Observe life in all its forms, from the flowery historical accounts to the made-for-TV histrionics, and expose yourself to lots of different attitudes and personalities. Studying the humans is going to make you a better writer in the end, and if you have fun with it you'll learn a whole lot that can help you in your work.

A Tornado of Lies

"As she learns more and more about her past, everything she knows changes forever. Can she come out of the tornado unscathed?"


The Bibliophilic Book Blog has reviewed Justice (Deck of Lies, #1). Read the review to find out why so many details are left unwritten!

Writing 101: The Truth About Motivation

In school, some smartypants always starts a paper with the definition of the word that encompasses the subject of said paper. Some teachers hate it so much, they tell their students not to write that way. So here's your warning: this is a post about the definition of motivation...at least, the one I've decided to use for the word when it's applied to authors. Because I've discovered the ugly truth about motivation, and I know the dark secret no dictionary is ever going to tell you.





Synonyms and Staying Focused

You've got to stay motivated. You've got to be motivated. As long as you're motivated, you'll be able to write!

If this sort of advice has ever made you physically queasy, then you understand the dark pain that some writers are forced to face. Because the truth about motivation and writing is this: you can have it, and still not do anything about it.

I'm motivated to write -- clearly, I am doing so right now (real time for me, in the past for you). And like any good writing soldier, I'll whip my manuscript out when I've got free time on my hands. I'll grab that bad boy and scroll all the way to the bottom. And I'll stare at it. Maybe, just for fun, I'll put my hands on the keyboard. And even when I'm feeling fired up, and eager to spend my time getting another scene down on the page, I don't always produce words.

The truth about motivation is this: that's not the main attribute authors need. Much deeper than motivation lies simple hope. Now, you're not going to find that word hope listed in the thesaurus among synonyms for motivation (I checked), but you can bet your best typing hand that motivation without hope isn't going to get you anywhere in that novel.

And you can force writing, if you've really got to -- but nothing says it's going to be any good. You can turn off your heart to write...but you can't turn it on. And if you're not feeling in any way positive or hopeful about your book project, you're not going to have an easy time of writing it. You can still have the motivation to write, you can still have the ambition, but if you're feeling despair, or exhaustion, or helplessness or any other emotion that eats away at your hope...well, it's going to get messy.

So my advice is this: forget about motivation. Keep thinking about your stories. Keep hoping. When something bad happens, you get an ugly review or that 200th rejection letter, hope that next time you'll get a better review or a more positive answer. Keep hoping, and motivation will come naturally. Your writing will be better for it...and the words will come more easily.

Jade's Thoughts on Justice

"A few flawed characters, a dash (or more) of romance, some (or many) secrets, a bunch of character growth, and a few surprises spell out a pretty good recipe."



"Through circumstances she couldn't control, she was taken from the world she was already comfortable in and shoved into a cold, superficial one."

Read the latest review of Justice at Reading is My Treasure, and go to the end to find an interview with me where I talk about writing the Deck of Lies series!

Writing 101: Books and Race

I've avoided writing about this subject in all possible ways, and believe me I could have kept my head buried in sand much longer. But the question cropped up recently during a standard interview, and I've been thinking about it ever since. So today we writers have to ask ourselves a question: where does race belong in books?



This Land is Your Land

Some literary characters are very clearly defined when it comes to race. James Patterson has never made it a secret that Alex Cross, his main protagonist, is a black man. Tony Hillerman writes about Native American heroes. But did any of the Harry Potter books implicitly state that he's a white boy?

Race is often implied in books, more than stated, and that's my personal approach. Through descriptions, it's possible to convey race without stating it outright. A pasty or pale-skinned character can be a presumed Caucasian. The phrase "coffee-colored" appears a lot with African-American characters. Someone whose ethnicity is stated, a Peruvian for example, clearly has a skin tone to match their origins.

But usually, race goes unstated. This allows the reader to envision whatever they want, to think about the characters in a way that's comfortable for them. But it also doesn't do anything to bridge cross-racial relations, or show people of different races that they aren't so dissimilar from each other. By the same token, a book featuring a character whose race is clearly stated may alienate some readers. Unfortunately, we still live in a world where some readers may avoid a book written about an African-American hero.

When it comes to race, there's always a very fine line between acceptance and prejudice -- and that's what makes it so difficult to write. Every author has to find their own way to address race, but remember this: if you can't do it without stereotyping, discriminating or judging, don't address it at all. If you think you can't write objectively about the topic, don't. 

Race is a dicey subject, but it's the writer's job to figure out a way through all those difficult situations. Sometimes, complete avoidance may be the most successful writing technique. But if you feel you're ready to address race in a non-offensive and potentially eye-opening way, go for it. Making people think is part of a writer's job, too.

Writing 101: Insecurity

Every time you sit down at your keyboard to write a book, and actually do it, you've won a battle. Writing a book isn't just about finding a pretty way to put the words down on the page. It's not just about entertaining, or educating, or agenda-pushing. It's about defeating that little voice inside yourself that tells you you're crazy for thniking you can write a book. 


Every writer faces insecurity. And when you keep writing anyway, you're winning the battle...but you're not ever going to win the war. 

Fooling the World

It takes a certain amount of bravery to put a book out there for someone else to read, whether you're self-publishing and inviting the world at large to judge your words or you're asking your closet friend to take a look at some chapters. It's frightening to put yourself in another person's hands like that. 

Insecurity stops lots of would-be writers from pursuing their dreams, and it trips up even the most established of authors at the worst possible times. Everyone gets insecure about their writing. I can't count how many times I've thought that maybe I'm a hack, but I don't let it get to me. Because here's the thing: even the most famous authors have felt that way. 

It's not your fault you're insecure about your writing. The industry has helped make us this way. Rejection is common, bad reviews are a matter of fact, and explanations are rarely forthcoming. When you don't know what you're doing wrong, it's easy to start second-guessing everything you've done and everything you ever will do, writing-wise. It's easy to start feeling a little like a hack. It's easy to be afraid.

So go ahead and feel afraid, and insecure, and unsure of yourself...but don't let it keep you from writing. If you write and you put something out there for the public to read or for an agent to read, you will experience negativity. That happens to all writers who let anyone read their work at any time. But you will have positive experiences as well, and you'll learn from them all. You'll keep writing, you'll get better, you'll establish a fan base and you'll move on to bigger and more exciting projects. And you'll probably always feel a little like a hack.

Being insecure about your writing is a good thing. That shows a desire to keep improving, to produce something that's great. Fear keeps you motivated and detail-oriented. Use it, work with it, and keeping trying to improve your work so it doesn't meet "hack" status. The day you stop being insecure about your work is the day you ought to worry. Until then, keep on writing.

Writing 101: Professionalism

In the world of the theater, a term developed to describe the invisible but very real barrier in front of the stage. A classic stage is made up of three sides -- a back, and two wings. The front of the stage is open, but that doesn't mean it's passable. This part of the stage is protected by the invisible barrier that puts the audience on one side, and the performer on the other. 


This is what's known as the Fourth Wall. And when you're in indie author mode, you're on one side of it. Everyone else in the world is on the other. In other words, you have to learn how to maintain your professionalism -- and that means holding some of yourself back from the world...maybe even most of yourself.

I'm Rubber, and You're Glue

Now, the phrase Fourth Wall is generally used to refer to movies and television. The Fourth Wall separates us, the viewers, from those who are entertaining us on the screen. They're acting something out for us to see, and usually those magical people onscreen interact only with each other.

But sometimes, quite rarely, actors on the screen will directly address us, the viewer. You'll see a good example of it in the movie Mary Poppins, actually, near the beginning when Dick van Dyke looks into the camera and talks right to you. This practice is known as breaking the Fourth Wall. It's very rarely done. When it is, one of two results is pretty much inevitable: it's either spectacular and clever, or it's just plain creepy.

The wall of professionalism is similar to the Fourth Wall, and for the sake of this post it's an able metaphor. The point is, you've got to erect a barrier (albeit invisible) between you...and everybody else. This is how you maintain professionalism.

What is professionalism? It's much more than using the formal tone of address when you're writing an email letter. It's a lot more than proofreading your Tweets and status updates to make sure they're well-written. It's more than giving yourself a schedule, and sticking to it. And it even goes beyond the amount of time you spend polishing your writing. Professionalism is an attitude that you've got to inject into your every interaction while you're in your indie author persona.

What does that mean, exactly? It means not getting too personal, for starters. Tell people a little about yourself, because you're a real person. If you're mad for ice cream and water polo, feel free to say so on your Facebook page. But all your followers don't want read about your recent breakup, and you shouldn't be bumming people out when your beloved cat dies (sorry if your cat has died). There's personable, and then there's personal. Guess which one you're supposed to be.

Being a professional also means being able to take criticism, no matter how unkind, and suffer it with a smile. As an indie author and a public figure (so to speak), you're going to take some shit. It'll come at you from unexpected places. A random tweet, a scathing review, a few choice comments on your author blog -- heck, you might even get an email in your inbox titled "hey shit head." And you should suffer all of it with a smile. For the most part, you just ignore it (an act which truly requires greatness and personal strength). But when it's appropriate and necessary, laugh it off. When someone points out a spelling or grammar error in one of my tweets, for example, I'll congratulate them for passing a secret test -- all in a tongue-in-cheek manner, of course. Ignore it when you can, laugh when you can't and don't take it personally. It feels personal, maybe it even is personal, but you don't get personal.

After all, you're a professional now. Wear it well, and you'll find it much easier to take the slings and arrows that are bound to come your way.

Writing 101: Sell, Sell, Sell...On Your Blog

Indie authors should always have their own space on the web, and a blog is the easiest option. But if you aren't using it to sell books, you're wasting your own time.


Always Selling

Authors are salesmen (or women). Yes, all of them -- that includes you. It's your job to think about selling books, or finding ways to give them away for free, at all times. You're not doing this to make money, because you're probably not going to make a lot of money so don't waste time on that ambition. You're doing it so that you get read, and that's the ultimate goal of any author. You want people to read. 

To facilitate that, you've got to get them to buy. So use your blog, because it's yours. You've got to pay money for Facebook ads, and you've got to spend a lot of time with Twitter to get big results from that. You put a ton of work into being an indie author because you write your books, and edit them and put them together beautifully. But adding some stuff to your blog to sell more books? That's the easy part. There are lots of ways to do it; use any or all of them. 

  • Links: It's the easiest thing in the world to add links to your blog. Create widgets to place them permanently on the page. Make them attractive and colorful. Include pictures of your book covers and other interesting elements. 
  • Quotes: If you've got some good reviews, add a few quotes to your blog. After all, if Reader Stacy enjoyed the book, why won't Blogcrawler Molly?
  • Shopping cart: Get fancy, and add a shopping cart to your blog so readers may buy the book directly from you. PayPal, Google and many other websites allow you to do this for free.
  • Widgets: Many sites, including book-centric Goodreads, have widgets that make it easy for you to add your books to your blog. Amazon and many online bookstores have widgets you can use as well. Explore the options to create a layout that pleases you.

Your blog isn't just or selling your books. It's also for selling yourself. Remember that as an author you are a brand. If you are likable and readable on your blog, readers are much more likely to take a look at your books. All you really have to do is make it easy for them to do so.