Justice (Deck of Lies, #1)

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The Tower (Deck of Lies, #2)

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Death (Deck of Lies, #3)

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Judgment (Deck of Lies, #4)

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Hope's Rebellion

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Writing 101: Do You Over-Use Pronouns?

"You've been following me," Ariel looked at Sheila, and she smiled.

Who am I talking about up there? When you over-use pronouns, you confuse readers. Learn the tricks of spotting excessive pronoun usage, and eliminate it from your writing.


He Said, She Said, They Said

Eliza looked at Mary. She shuddered before she spoke. "They're coming for us."

There are so many pronouns in the example above, no one can tell what's going on. Did Eliza both shudder and speak, or did Mary? Maybe Eliza shuddered, and Mary spoke. Or it could be the other way around. Maybe there's a third she involved in this mix. 

The point is, I don't know. And you know what? I'm not going to try to sit here and figure it out. When I'm reading a book, the last thing I want to do is play the Match the Pronoun game. If I have to stop reading to ask "wait -- is that 'he' Marcus or Dave?" then you aren't doing your job as an author.

Grammar is always difficult to figure out, and the best way to keep your pronouns in check is through careful editing. But there is a hard-and-fast rule that I like to use that does help: don't repeat the same pronoun in a sentence. If there's a she, use it just once. Same with he and all the rest. And if there is any confusion at all, use a proper name. Sometimes, you might need to add pronouns to once sentence and take them from another. But I like to eliminate pronouns entirely when there's confusion.

Eliza looked at her. Mary shuddered before speaking. "They're coming for us." 

Eliza looked at Mary, who shuddered before she spoke. "They're coming for us." 

You have to be particularly careful of pronouns when two or more persons of the same gender are interacting, because tracing all the he and she stuff shouldn't be difficult. Make your book easy to read, and don't make reader play the pronoun game.

Real Justice

"The characters were so rich and real, I felt like I was watching a movie."


"It was so well written, the plot lines flow beautifully and the characters are so real."

Find out why the reviewer at Eastern Sunset Reads loved Justice (Deck of Lies, #1) when you visit the blog!

Writing 101: Mixing Metaphors

You know that expression you're mixing your metaphors? For a long time, I didn't know what it meant. It's totally okay if you don't know what it means, either, because I made it a point to figure it out...and now I do. 


 Mixing It Up

By its very definition, a metaphor is a little ambiguous. Basically, it's a figure of speech. Metaphors do not make literal sense. For example, writing love is a rose in full blossom is a metaphor. When you say learning is a journey, it's a metaphor. To apply a word or phrase to something that doesn't really fit is to create a metaphor.

So what the heck does it mean when you mix metaphors? You've heard the phrase we have to tighten our belts. It means that you're going to be cutting back on expenses to save money. You've also heard the phrase empty pockets. Even if your pockets aren't literally empty, this metaphor means they're empty of money. So if I were to say we have to tighten our belts because our pockets are empty, I'm mixing metaphors. It comes across as being nonsensical when you mix metaphors like this. Other examples are even more comical: 

I smell something rotten here, and we have to nip it in the bud.

If we cut off our noses to spite our faces, we won't have a clear avenue of escape.

It's sink or swim. You'll either stand on your own or you won't. 

The three mixed metaphors above just don't work. In the first example, we go from smelling something foul to cutting something off. You can't nip a smell, so it just comes across as silliness. In the second mixed metaphor, everything is tangled. First you're bringing up an image of noseless faces, and now we're suddenly scrambling along paths with no end in sight. Why? And the third example is the most ridiculous. Are we swimming or sinking or standing or what? 

Mixed metaphors are unclear, and sometimes they end up reading as pure nonsense. Unless you're writing Mother Goose-style or Dr. Seuss-inspired books, I suggest you shy away from mixing metaphors. A single metaphor per sentence is more than enough. When you try to use two metaphors in the same thought, you're going to get in trouble. 

So look over your writing, look at your metaphors...and eliminate the ones you don't really need. Metaphors are best when used in moderation.

Writing 101: No, It's Not Easy

I've made mention of the fact that I read a lot of forums and other blogs...and it's no secret that I am frequently frustrated by what I find there. But I've noticed a certain theme cropping up, again and again, to which I must (once more) take exception. There's an idea out there that writing books is easy, and it's really the promotion that's hard. I beg to differ on both accounts.


Wrong.

Anyone who's ever had writer's block knows that it isn't easy to write a book. Some have even said that it's something anyone can do.

That's wrong. Some people do not have the imagination to create a brand-new story out of whole cloth. Others haven't the vocabulary. And still more cannot write in a way that's comprehensive to others. Some people have great ideas for stories but never finish them, while others run out of ideas so they can't finish either. Writing a book takes a certain degree of stubbornness that just isn't present in 100 percent of the population. 

It also takes a great deal of time. It's much more fun to watch that TV show or go out to that party with your friends. It's much less fun to sit home on a Friday night behind a computer screen, but that's where you're going to find me. Some people don't want to make that sort of commitment, so they don't. 

And let's say you do want to take the time to write the thing. Now you've got to know about sentence structure, and formatting, and whether or not you should give your chapters titles. And let's not forget coming up with like, a thousand names for all the characters and places that are going to appear in the book. It's bloody hard work, is what it is, and lots of people aren't willing to put that much work into something that always starts out as a hobby. 

So no, writing isn't easy. You have to research and you have to study. You have to imagine and you have to create. You have to stay motivated to stay with it, and you have to make it all run together smoothly. And then you've got to edit the darned thing, which is miserable and tedious and practically neverending (and I'm just trying to make it sound good).

Promotion isn't hard, and I know because I manage to get that done on a daily basis. What don't I do on a daily basis? Work on my new book. Because sometimes the mood isn't right or the time isn't, or maybe I'm stuck on a scene and I'm not done thinking about it. Promotion is writing tweets and blogging and interacting, and it's a whole lot easier than sweating over whether or not the title character should slap the guy or kiss him back. I find it a lot easier to tweet about the show I'm watching than to sit and stare at my outline for the fiftieth time this week. And sometimes, marketing is mercurial. Sometimes it doesn't work and you don't know why. Sometimes you screw up and people notice. Sometimes you forget, and you notice a change in sales. There are a ton of things that can go wrong. 

It's not ever easy, and it isn't going to be easy. Even if you get that big book deal and all those fans, it's going to be hard because now you have something to live up to. There's going to be more work because you have to answer letters and answer to other people. So when you see someone say that it's easy to write a book, they're wrong. It's not easy, and it certainly isn't supposed to be easy. The harder it is to write, the better the book.

So you keep sweating over the keyboard...not what the other authors are saying about writing.

Writing 101: Leaving Clues

As a writer of mysteries, I have to drop clues into my books. But in any genre, authors often include clues deep inside stories that hint at certain plot points. It's not hard to add clues to a book. What's difficult is hiding them.


Elementary, My Dear Watson

I'm a lifelong fan of mysteries, which is where you're supposed to find the most clues in stories. I am not a fan of Sherlock Holmes, perhaps the most famous literary investigator of all time. Why? Because the author, Sir Arthur Conan Doyle, didn't leave clues. Holmes mysteries are invariably solved on the last page, when Holmes reveals all the keen observations he made throughout the story.

I always started shouting every time I finished. If I had been told about the muddy pants on page one, maybe I could be Sherlock Holmes, too. But that's not the way it was written...ever.

You need to give your audience clues, because half the fun is in guessing at what's coming, what's really going on, what's that person thinking and where is this all going. It's always fun to try and guess at the end, so give the audience clues that allow them to do just that. 

It's okay to make them hard to find (nigh impossible, even). I like to add them in with dialogue. Have the characters mention a book or a movie, maybe a song or a place, that is really a clue. Bury the clue in a letter or a diary entry that also contains other information, or a long monologue with a lot to digest.

There are lots of ways to leave clues in your books. Use them, and keep readers guessing. They'll keep reading for the fun of seeing if they're right.

Going Around with Justice

"Within a few chapters, I found myself hooked and couldn't put it down."


Find out what Roundtable Reviews had to say about Justice (Deck of Lies, #1) before you buy your copy of the book!

Blogger Book Fair is Back

Check in to the Blogger Book Fair, and book your trip to far away places!

July 22-26, 2013

Authors and Book Bloggers, Sign ups for the July 2013 Blogger Book Fair will close on June 15 at midnight central time, so get your registrations in to participate!

As of 5/31/2013, we have:

Authors: 89 Books: 233 Bloggers: 14 If you haven't yet registered, you can find all of the information on the Blogger Book Fair page.
  1. Check out the Code of Conduct
  2. Fill out either the Author Sign Up form or the Blogger Sign Up form (Deadline June 15)
  3. Kayla will match everyone with hosts and send out this information to you after sign-ups close
  4. Check out the events--all authors are eligible to participate in the events, and if you have an event you'd like to host, just fill out the simple Event Sign Up Form--all of this information can be found on the Events! page (Deadline July 8).
  5. If you're interested in hosting a giveaway to drive traffic to your site, sign up via the Giveaway Sign Up form (Deadline July 15).
  6. And if your book will be FREE or $0.99 for the duration of the Fair, you can sign up on the Free and $.99 Book Sign Up Forms (Deadline July 15).

 

Events:

as of 5/31/2013

Art Fiction Gala hosted by Lucie Smoker

Does your fiction promote the visual arts--through featuring an artist, painting, sculpture, performance art, etc? Then, consider entering Lucie's Art Fiction Gala. The Art Fiction Gala is a virtual celebration of fiction that highlights the visual arts. Dress up in your finest, pick up some friends--a bottle of wine--and sample mind-blowing fiction that crosses the line between literary and visual art. Plus a gallery of art featuring reading. More information & entry instructions

 

Three Wishes hosted by Kirstin Pulioff

Introduce your characters to the world. Kirstin Pulioff invites you to ask your main character, "If you found a magic genie lamp, what would be your three choices?" More information & entry instructions

 

Flash Fiction Challenge II hosted by Thomas Winship

Get ready to exercise your flash fiction muscles. For the Flash Fiction Challenge II, Thomas Winship will provide an opening line. From there, entrants will craft a flash fiction piece of approx 500 words. Entries will be displayed on Thomas' blog Vaempires during the BBF, spread out evenly across the five days, in order of receipt. More information & entry instructions
 
Snapshot Synopsis Contest hosted by Fel at The Peasants Revolt
Challenge: chisel your synopsis down to 50 words or less. Voting will be open throughout the fair for visitors to vote on their favorite Snapshot Synopsis. More information & entry instructions

 

Reader's Choice Awards hosted by Sherri at Shut Up & Read

All books registered for the Blogger Book Fair are automatically entered into the running for the Reader's Choice Awards. Voting will be open from July 22 to July 25. More information

 

Indie Soap Box Files hosted by Shah Wharton

Take a turn on the Soap Box. Shah invites speculative fiction writers to write a guest post about being an indie (or hybrid) writer. More information & entry instructions Restrictions: Speculative fiction writers only

 

Monster Menagerie hosted by Noree at Trip the Eclipse

What's your favorite monster or supernatural creature? Feature your creature in a flash fiction piece (500-800) words to be featured on Trip the Eclipse. Visitors will vote on their favorite piece. More information & entry instructions
 
Ways to Help:
Blogger Book FairDonate to the Blogger Book Fair via the BBF Donation Fund. To help get the word out about BBF, we would like to place ads on Facebook, Goodreads and other places, but to do, so we need a little help. We'd also like to have some BBF sponsored giveaways, so money donated would also go toward prizes. NO MONEY WILL BE KEPT BY ANY ORGANIZER OR PARTICIPANT. Spread the word! Share the Fair on your social media accounts and show off the Blogger Book Fair logo in your blog's sidebar.

Join us on:

Books on Film: Terms of Endearment

Terms of Endearment is one of those movies that everyone's seen, or heard about, or wanted to watch. But before Shirley MacLaine and Debra Winger made it an iconic film, it was a pretty popular book...and it was a different story. 

The Book

Larry McMurtry published Terms in 1975. It begins with Aurora Greenway, an attractive and very controlling woman. She has many boyfriends, but her life is thrown into crisis when she discovers that her young daughter Emma is pregnant. Emma married the wrong man, and will now bear his child. This makes Aurora a grandmother, and this is upsetting. After a date with a gentleman caller known as The General, Aurora hits Vernon with her car.


He becomes another boyfriend, and he becomes as besotted with her as the others. She won't marry him, or any of them. The novel follows Aurora's various dates and love affairs, as well as drama with her maid Rosie. Emma goes into labor the same night Rosie's husband is stabbed. This first part of the book takes place over a 6-month time span.

Then, shockingly, the novel fast-forwards a decade...and suddenly switches to a different point of view. Emma is now the focus, and her marriage to Flap has degenerated terribly. She's had many affairs, but won't leave him. Then, Emma gets cancer and suddenly dies.

It's a strange way to end the plot, and a bit meandering. Why did we go see Emma's death? Why does the tone of the story change? One can only guess, but it's worth reading the novel because it is well-written. McMurtry is particularly good with dialogue, and Aurora is an inherently likable character.

But the book is not much like the movie. The movie is based on, perhaps, the first quarter of the book...and it's got Jack Nicholson. 

The Movie

Terms of Endearment became a movie in 1983, and it still appears on cable at least once a year. It's still talked about, and spoofed, and referenced. It's that good.

Viewers are introduced immediately to Aurora Greenway, who seemingly drives her husband to despair because she is so over-protective of their infant daughter, Emma. Many years later Emma is a young, somewhat rebellious and fun-loving girl who will do anything to escape her smothering mother...even marry Flap, whom Aurora despises. 


Emma is very happy to marry him, and even to move into a miserable shack of a home with him. Flap is a scholar, a teaching professor, and he's never going to make a ton of money. Aurora is heartbroken when he gets a job far away from their Texas home, and Emma is forced to move away.

They begin to talk on the phone every day, and the years pass. Flap and Emma have a son, then another. But marital problems make life difficult. Much of the trouble seems to stem from their lack of money; they borrow often from Aurora. Emma gives birth to a daughter, but nothing gets better for the family.

She meets a very nice man, also married (played by John Lithgow), and has an affair. This she tells to Aurora, because she tells Aurora everything. But when Emma discovers that Flap has been having an affiar of his own -- and much more serious -- she goes back to Texas. Flap calls to coax her back to their new home in Nebraska, and Emma and the children go. 

Then she gets cancer and dies. That part remains the same. While Emma is living her life, Aurora is living hers. The General becomes the Astronaut instead, actually Garrett Breedlove (Nicholson), Aurora's new neighbor. He alone seems immune to her charms, and he alone seems to ruffle her feathers where other suitors cannot. Nicholson's character is nothing like The General from the book. He dumps Aurora after seeing Emma and the three grandchildren, but unexpectedly flies to Nebraska while Emma is sick with cancer. 

Aurora forcibly explains to Flap that she will be raising the three children henceforth. At the wake following Emma's funeral, Garrett assumes a fatherly role toward Tommy, Emma's oldest boy.

The film was highly successful and went on to become a modern classic. It won 5 Oscars and great acclaim for strong performances from the principle and supporting cast. 

What Got Adapted?

When the book begins, Emma and Flap have already been married for two years and he's already a total jerk. In the movie, we get to see Emma right after graduation. We get to see her marry Flap, and smiling, and totally in love. They're passionate for each other. None of that is in the book. 

Also not in the book is one of Shirley MacLaine's most famous scenes in her epic body of work. In the scene, Aurora Greenway gives everyone in the hospital hell because they've forgotten Emma's pain medication. It's wrenching...and it's original to the movie.

So you should watch the movie. If you love Aurora and want to know much more about her, read the book. Otherwise...well, watch the movie again.