Justice (Deck of Lies, #1)

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The Tower (Deck of Lies, #2)

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Death (Deck of Lies, #3)

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Judgment (Deck of Lies, #4)

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Hope's Rebellion

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A Nightmare, Uninterrupted

Last week, I revealed that I was finally moving into my new house, which has been mine for three months. After extensive work and a lot of waiting, I'm in. And, sadly, the terror I was feeling last weekend blossomed into complete hysteria by Tuesday, 4 pm Eastern Standard Time. 



A House Without Internet

That was when, after 3 hours on the phone with an ISP that I really shouldn't name, I was informed that my Tuesday appointment would not be honored. Not on Tuesday. Not on Wednesday. Not on Thursday, either.

At 4 pm Eastern Standard Time this past Tuesday, I came to realize I wouldn't be going two days without Internet -- a scenario that already had me scared witless -- I would going without for a whopping five days.

And maybe more. I was given several different answers over the course of multiple phone conversations. So when will I have the Internet again? When will I be able to post regular Writing 101 posts again?

Your guess is as good as mine. While I wait to be reconnected, I'll be halfway inside various boxes that are scattered throughout my house. Look for an exciting guest post coming to the blog tomorrow!

The Best Review Ever?

"I can honestly say it's one of the best self published books I've read."


"One of the best, most exciting mysteries."  

Emily at Confessions of a Bookaholic, a great reviewer and friend of the blog, has posted her option of The Tower (Deck of Lies, #2). Visit her blog to see what she had to say about the book!

Jade's Quadruple Feature

Head on over to my pal Christopher Fischer's blog to read reviews of all four books in the Deck of Lies series, plus an in-depth interview with me! See if you agree with his opinion of Justice, The Tower, Death and Judgment. 

Guest Post: The 5 Decades of a Writer's Life

Author Lisa Fantino dropped by today to share her unique insights after 5 decades of being a writer. Stay tuned for a future review of her popular book Amalfi Blue, coming soon to the blog. In the meantime, see what Lisa had to say about her 50 years of writing...


The 5 Decades of a Writer's Life

Some people are born opera stars.  Some folks are natural athletes. I am a lifer when it comes to writing.  I received the all important tools of the trade, a typewriter and a tape recorder, for my third Christmas and so it began. Now, with the release of my memoir, “Amalfi Blue, lost & found in the south of Italy,” it puts this long passion for writing in perspective.

With the success of the book, come the requests for advice from aspiring writers, people who have not yet earned a penny from their hobby.  I call it a hobby because that is all it will be for most people because there is a true difference between just writing words or creating a world with words that others want to enter.

So, I will try to highlight the five decades of a writer’s journey, realizing full well that not everyone’s path to literary immortality will be the same.
  • The teens – everything stirs her curiosity.  While young girls fill diaries with pointless drivel about morning acne and silly boys, teen writers fill books with prose & poetry.  They are spurred by emotion and fueled by hormones to send letters everywhere.  The budding Lois Lane will not be swayed from getting her voice to the masses and is published in a national magazine by her Sweet 16.  You will most likely find her at the editor’s desk of the H.S. paper.
  •  The 20s – The true writer is likely to be a dual major of Literature and Journalism.  She will study the classics because they stir her soul and inspire her to dream of writing the great American novel.  She will study the practicalities of journalism because that is where she can hone her skills.  If she’s lucky enough, she’ll be introduced to the writing bibles of “Strunk and White” and almost any style book written by Merv Block.  You will most likely find her in a corner of the campus library, shutting out the world, doing re-writes for the only creative writing class the college offers.
  • The 30s – The true writer has resigned herself to a life of poverty since most print publications barely cover gas money for 2,000 words, while blogs and websites barely offer enough to buy a burger.  Thanks, freelance writing sites, for dumbing down the writers’ market even further when it comes to compensation.  You will most likely find the 30-something writer working 60+ hours, during ungodly overnight shifts, at any newspaper, radio or TV station which will hire her…..and unless she’s in a major market (NY, LA or Chi-town), she is earning a fraction of what her IT alums are making.  BTW, the first draft of that novel now sits with the 2nd and 3rd re-writes on her dead laptop, along with the junk file of agent and publisher rejection letters.  She keeps those for when her first book is a best-seller and she can say “I told you so!”
  •  The 40s – The true writer is laughing and crying inside as she sees her colleagues give up true journalism for a life in P.R., knowing full well they will also earn more than she is doing chasing down news stories.  They write press releases and she still dreams of writing the great American novel, while realizing there is no money in the retirement fund.  You will most likely find her at the bar, which sits across from the TV station, with the old-timers who can’t imagine a life outside of news.
  • The 50s – The true writer says “F^*^ it all, I’m doing it my way.”  She understands that life is too short to wait for others to realize her dream.  She is realistic enough, hopefully not delusional, to know whether she has what it takes to draw in readers.  She’s honed this skill after many, many years working with seasoned editors, taking the ego hits and learning how to improve her craft.  You will likely find her chasing her dream to all corners of the world, confident in her ability to make it happen.

My former journalism students either dropped out the first week of class or continued to take my writing courses as electives, understanding full well that rejection and editing make you better in spirit and talent.  Writers are writers because they cannot think of doing anything else but writing.  You won’t get rich.  Maybe you won’t be famous.  So, you write for yourself and if others jump on the crazy train with you, then oh, what a ride it will be!

About the Author


Lisa Fantino is a former network news reporter and anchor, turned attorney and now published author, who stepped off life’s merry-go-round just long enough to make her dream a reality.

Amalfi Blue on Amazon

Amalfi Blue on Twitter

Writing 101: Author Shorthand

I didn't know it, but authors have their own secret language. I've been exposed to this recently because I've been making a big effort to be more involved in writer forums. And I'm happy to report that I have cracked the code, and I'm going to share it. You'll look like a pro when you master author shorthand.


Writer Abbreviations 

Author shorthand doesn't just look impressive, it probably also saves a lot of time. Whether or not you plan to use it, I've found that it's good to know what all the different acronyms mean...because that saves a lot of time when it comes to reading the forums.
  • LI - love interest
  • MC - main character
  • WIP - work in progress
  • QL - query letter (the letter authors send to agents/publishers to pitch a book)
  • POV - point of view
  • MG - middle grade, young adult books for tweens
  • FD - first draft
  • NF - non fiction
  • ARC - advanced reader copy
  • MS - manuscript
  • TBR - to be read/reviewed
  • BS - it doesn't mean what you think it means. When authors use it, BS often means backstory (but you'll need to study the context to know for sure)
  • GMC - goals, motivation, conflict
There are lots more author acronyms, not all of them so pleasant, but these are the ones you'll find most often. Now, at least you'll know what authors are talking about when you're reading the forums!

Writing 101: Get Out of Your Head

I know all the things you do to distract yourself from writing, because I also do them. I know about all the questions that parade through the writer's mind, sewing seeds of doubt and fear. I know what it's like to re-read something I wrote just yesterday, and suddenly hate it. And the entire idea. And words in general. And I've got a piece of advice for all of us: get out of your head.


Over-Thinking It

Over-thinking it can kill a project more easily than all the grammatical errors in the world. You can always fight your way through editing, but if you're twirling too many questions around in your mind you'll end up talking yourself right out of writing your book.

It's easy to question, to second-guess, particularly for me. I've practically turned it into an art form, I'm so good at it. It's nerve-wracking to release your first book, to put yourself out there for the world. But you know what's even harder? Putting the second book out there.

Now, there are expectations. Now, you have fans. You have readers. They reviewed your work, and they're looking forward to the next. What if your next book is terrible? What if you let them down? What do your fans want from you?

This is how it begins. It's a pitfall that's incredibly easy to fall into; I have a summer home down there. It's good to care about your fans, and you always should respect them and appreciate them. But you can't be controlled by them. You can't let anyone else dictate what you write.

You have to write what you want to write. Writing takes inspiration, and passion, and a certain amount of completely blind determination. In other words, you have to write for yourself. It's fine to be inspired by others and to be driven by the goodwill of others, but at the end of the day you need to be writing the story that you want to write. The one that comes from within your gut, not from within your inbox. You need a story that's going to drive you, not something that you think other people will like. Your writing is at its strongest when it comes from somewhere you can't even name, because it's just down too deep.

If you're asking yourself a bunch of questions, you're over-thinking it. Just do the writing part, and pull the story out from deep within. Wonder about whether people will like it when you're editing, which is pretty much supposed to be highly stressful anyway.

Going Off the Grid

So, I haven't been around much in the last week. It's not because I'm working on the new novel (in fact, I'm still stuck on Chapter 4), it's because I've been moving.


 Drawing the Line

After three months, I made a big final push to put an end to my strange, two-home existence. The work on the house has been progressing slowly, or not at all, so two weeks ago I decided to do what I do best: I set a deadline.

I'm good with deadlines. They conduct my every waking moment and hold me in an iron grip. They also keep me in line. If I had my druthers, I would spend my days watching the Game Show Network and live tweeting my very intense thoughts regarding Let's Make a Deal and Match Game, which I maintain are very important contributions to society. 

So I need the deadlines. I perform under pressure; sometimes, it's the only way I can. However, I over-estimated something somewhere with the deadline I set for the move. A lot of work ended up coming in, and I got stymied by a box shortage. I got about five hours a sleep every night for the past week and did my very best to run myself ragged. Things got so intense, I actually dropped my exercise routine for an unprecedented 2 days.

Because I've been so pressed for time, I've been very neglectful. I haven't been responding to comments and tweets very responsibly, and I'm sorry to admit I've skipped a ton of forum-reading. I have kept up with the blogs I follow, but I haven't been able to comment much on new posts. I'm just barely responding to emails at this point; this blog post took three days.

I've already been out of touch, and now I'm going off the grid. Because of an error (mine), I'll be almost totally without Internet for a terrifying two days. I'll have some access thanks to my mobile, but you know what that's like.

I'm feeling very daunted by it all, to be honest. I'm nervous about the move and terrified of being totally without Internet. What will I do, if I'm not working? There's no real pressure in unpacking the boxes -- it's not like moving under a strict deadline.

And while the Internet will be off, the TV is going to be working just fine. Just imagine how much interesting stuff will be on there...and how much tweeting I can do from my phone.

Books on Film: Vanity Fair

Vanity Fair is considered a classic, but don't assume that means it's boring. It was originally written as a comedy, and it features one of the most famously conniving characters in literature. Many authors have been inspired by William Makepeace Thackeray's famous anti-heroine, Becky Sharp.


The Book

Written in 1848, Vanity Fair takes place in the first half of the 1800s. At the beginning, we find Becky Sharp and Amelia Sedley, two friends who have attended Miss Pinkerton's Academy for Young Ladies together. They're leaving school to go to Amelia's house.


It's a bit of a strange friendship. Becky Sharp matches her name: she thinks quickly, and she's ambitious. Amelia, by contrast, is simple and sweet. Upon arriving at the Sedley home, Becky meets Captain George Osborne. He and Amelia have been engaged since they were children. Joseph, Amelia's brother, is also here.

Becky attempts to woo the brother, but it all falls apart. Some of it is due to the meddling of Osborne, who warns him away, and the fact that Sedley's as sweet and simple as his sister -- he can't even tell when a pretty girl is flirting with him.

With no marriage proposals in the offing, Becky has to find some means of employment. She begins to work for Sit Pitt Crawley as a governess to his children. Becky endears herself to the grumpy old man, and he proposes to her after his wife dies.

It's too late. Becky's been hard at work behind the scenes of the Crawley home, and she's already secretly married to Crawley's handsome second son Rawdon. He's the favored relative of a very rich aunt, Sir Pitt's sister. But instead of being happy about the marriage, as Becky had hoped, the old woman is infuriated. She disinherits Rawdon. 


Meanwhile, Amelia's life hasn't worked out as planned. The Sedleys have fallen on financial hard times, and their ties with the Osborune family are strained. Amelia's engagement to George is broken by the Osborne family. George, however, is goaded into marrying her anyway by his friend Dobbin, who believes in honor. George is disinherited as a result.

And in the background, the Napoleonic Wars are beginning. Osborne and Dobbin are sent to Brussels. On their way to deployment, the pair run into Becky and Rawdon. George makes advances toward Becky, who flirts back. George slips her a note telling her to run away with him.

He goes to Waterloo the next day. Becky tries to spend time with Amelia, but she's angry because George is attracted to her friend. George dies in the famous battle, shortly before Amelia gives birth to their son. She names him George and goes to live with her parents. Dobbin spends his days trying to woo her in very gentle ways, but it's wasted. Amelia is in love with the memory of the man that George never was. Years go by in this fashion, and the rift between her and Becky extends. Dobby eventually leaves and goes to India to get the memory of Amelia out of his head. 


Becky has had a son as well, but she's a very different mother than loving Amelia. She goes to Paris, and London, on her continuing quest to become well-settled and rich. She does this by flirting with various men, climbing them up the social ladder, until she is introduced around London society by the Marquis of Steyne. Becky is even presented to the Prince Regent.

Becky and Rawdon look respectable on the surface, but it's a sham. They're con artists who gamble and cheat to earn money, while Becky collects trinkets from various men and pawns them for extra scratch. She loves credit, especially when she can use it in other people's names. Rawdon is arrested for their debts and bailed out by his sister Lady Jane.

It's rather unfortunate, because Becky didn't expect him back. She's carrying on in a most scandalous manner with the Marquis, only to be caught by Rawdon at a most inopportune moment. He leaves her, of course. After Rawdon challenges the Marquis to a duel, Steyne tells Becky to get out of the UK altogether. She does, but it doesn't matter. Steyne follows her across Europe, destroying her reputation wherever she goes.

After 12 years away, Dobbin finally returns to England. He goes to Amelia and confesses his love, plainly this time, but she turns him down. She's still in love with George, even after all this time. Dobbin takes her and her son George on a trip to Germany along with Joseph Sedley, where they run into Becky Sharp again.

She's destitute, but still charming. She's even capable of enchanting Joseph Sedley despite the fact that she's a hard-core boozer who's lost her singing voice and much of her pretty looks.

At this point, Becky finally does something good. Feeling sorry for Amelia and plainly seeing Dobbin's torment, she shows Amelia the note George gave her all those years ago. Amelia realizes she's been mourning a man who never really existed, and she contacts Dobbin. 


Becky marries Joseph Sedley. After naming her his inheritor, he dies under very suspicious circumstances and at last Becky has what she wanted. Due to the quirks of Fate, Becky's son ends up inheriting the Crawley titles and fortune.

It's a story filled with ups and downs, rich characters and a plot that zigzags throughout Europe. It's a natural choice for any filmmaker. This is evident by the amount of filmmakers who have adapted it.

The Films

Vanity Fair was four different silent films, made in 1911, again in 1915, in 1922 and yet again in 1923. Once talking pictures were invented, everything that was done had to be done again. The first sound version of Vanity Fair was made in 1932 with Myrna Loy, a huge star in her day. This, however, is one of her very early films.

The story was adapted again in 1935, re-titled Becky Sharp this time. Miriam Hopkins was chosen for the title role. This was the very fist feature film shot in full-spectrum Technicolor, so it's very lavish. Her performance was nominated for an Oscar.

Then, Hollywood forgot all about it for awhile. They remembered the story in 2004 and decided to make the movie again. This time, Reese Witherspoon is Becky Sharp. A century has apparently softened Becky; in this version, she's not so much anti-hero as she is victim. 

She also doesn't attend school with Amelia in this version. After leaving school, rather dramatically, Becky rides in a carriage alone to her friend's home. She still meets Joseph and George, along with Dobbin. Becky does go on to be a governess and secretly marries Rawdon, and the pre-Waterloo outing does occur.

But this time around, Becky stays in Brussels to take care of Amelia. The big fight between them does not occur, and their friendship remains intact. Becky looks like a kind and caring friend in this version, lying to Amelia about George's fidelity, in a huge deviation from the Becky of the book. Rawdon is again thrown in debtor's prison, and again catches his wife in the arms of another man.

Becky is indeed in Germany 12 years later, but her circumstances are much improved in this version. For one, she's still beautiful and she has a steady enough job. It's the young George Osborne who finds her in this version of the story. Becky tells Amelia the truth about George, and Amelia goes running to Dobbin once more.

Joseph Sedley marries Becky, and they go off to India together to live happily. In an alternate ending, Becky returns to the Crawley home to find out that her son (Robert Pattinson) has inherited. He shuns her at first, then takes her hand. Pattinson once said that it was Reese Witherspoon who had him cut from the film.

What Got Adapted?

The 2004 version of the story is a sight to behold. No expense was spared in costuming and set design, and Witherspoon looks fabulous throughout. But the watered-down and victimized version of Becky Sharp isn't true to the original spirit of the novel, which shows Becky as a cunning little climber who's practically sociopathic in her selfishness.

The friendship between the two women is also strengthened, with Becky being a much better friend in this adapted version. They never quarrel, and it seems to fit with Becky's character when she reveals the truth about George. In the book, it's actually the one good thing Becky does with her self-centered life, a single shining moment of redemption.

Steyne is painted as a villain, manipulating Becky so that he can prey upon her. In the book, Becky is the one pulling the strings and at the very least, a very willing participant.

Then of course, there's the ending. In 2004, Becky Sharp rides of with Sedley. She's freed Amelia from grief, she's made young George happy and she's still lovely. In the book, Becky uses and kills her new husband. She's an anti-hero and a bad girl, but not in the film version. 

But of course, it is Reese Witherspoon. So I encourage you to watch the film and read the book, and meet both versions of the infamous Becky Sharp.